New York Times Op-Docs: 10 Meter Tower

Photo: Screenshot from the film

Would you jump? Or would you chicken out? Good questions. This short film by Maximilien Van Aertryck and Axel Danielson (documentary filmmakers based in Gothenburg, Sweden), offers a fascinating glimpse into human behaviour, when a group of people are challenged—and who challenge themselves—to jump from a ten metre swimming pool tower into the water below. Filmed with six cameras and several microphones, all of which can be clearly seen in the footage, the film captures the participants as they voice doubts to themselves and in some cases to friends who have joined them on the tower. Aertryck and Danielson say:

Our objective in making this film was something of a psychology experiment: We sought to capture people facing a difficult situation, to make a portrait of humans in doubt. We’ve all seen actors playing doubt in fiction films, but we have few true images of the feeling in documentaries. To make them, we decided to put people in a situation powerful enough not to need any classic narrative framework. A high dive seemed like the perfect scenario.

Through an online advertisement, the filmmakers found 67 people, none of whom had ever been on a 10-meter (about 33 feet) diving tower before, and had never jumped from that height. Participants, who ranged in age from late teens to late 60s, were paid the equivalent of $30 to participate — which meant they had to at least climb up to the diving board and walking to its edge. Jumping from the tower was not a requirement of the project.

In our films, which we often call studies, we want to portray human behavior, rather than tell our own stories about it. We hope the result is a series of meaningful references, in the form of moving images. “Ten Meter Tower” may take place in Sweden, but we think it elucidates something essentially human, that transcends culture and origins. Overcoming our most cautious impulses with bravery unites all humankind. It’s something that has shaped us through the ages.

Reading through the comments from people who had watched the film makes for an interesting study in human behaviour of a different sort:

Cynthia New Hampshire > I loved this! Absolutely riveting. I could feel my own anxiety mounting as I internalized their anguish. Not only is this an observation of human trepidation but it's an exercise in empathy. By the end, I felt wrung out!

ronnie.and.peter victoria bc > i did it one time only, when i was 13 yrs old, and I am 64 now. It remains one of my most searing memories.

Then of course, there are those who think that just because they may have jumped into water from a great height, everyone else should be able to do so as well. The implication being that if you can’t you are some sort of wimp.

Laurie Cheshire CT > Have none of you cliff dived as a kid? jumping into a pool with no obstacle sticking out is a piece of cake!

Bill Daub NJ > Of course I would jump! Where do I go to try it? People do this all the time with great form and beauty,

Oh, and for the record, I have never jumped from a three metre tower let alone a ten metre one. Would I do so? I will never know unless I try, and at this stage in my life—I have no intention of trying!

Ten Meter Tower appeared at the 2017 Sundance Film Festival. It is part of a series produced by independent filmmakers who have received support from the nonprofit Sundance Institute. Maximilien Van Aertryck and Axel Danielson are documentary filmmakers based in Gothenburg, Sweden, who have worked together since 2013.

Op-Docs is a forum for short, opinionated documentaries, produced with creative latitude by independent filmmakers and artists. You can see more films in the Op-Docs series here at the New York Times website.

British Pathé Newsreel Library Online

Seriously, how can anyone not love the Internet? It won't be too long before all human culture and knowledge; the arts, films, books, music, and languages, you name it, will all be available somewhere online.

Take for example the entire newsreel library of the British Pathé archive. Their entire collection of more than 85,000 newsreel films is now available for your viewing pleasure at YouTube. If you are too young to know what newsreel film is, ask your parents, or better still, your grandparents. They will certainly remember their trips to the cinema when the main feature was always preceded by a cartoon or two and fifteen minutes of news footage from around the world.

This from their YouTube page…

The world's finest news and entertainment video film archive. Since the invention of the moving image in the 1890's, British Pathé began recording every aspect of global culture and news, for the cinema. With their unique combination of information and entertainment, British Pathé's documentaries, newsreels, serials and films changed the way the world saw itself forever.
With it's unparalleled collection of historical events and vast catalogue of changing social activity, British Pathé encompasses one of the world's most prodigious and fascinating documents of the modern age. From fashion to warfare and sport to travel, British Pathé is the definitive source for the 20th century in moving images.
All 85,000 newsreels are now searchable and viewable on YouTube. This equates to 3,500 hours of filmed history. 

The range and scope of this collection is nothing short of mind-blowing. Imagine finding a treasure trove of film covering an eighty year span of history from say, 1790 to 1870, or even earlier; 1590 to 1670. While it may seem like nothing more than a curiosity now, in another one or two hundred years this collection of films will indeed be regarded as a unique window into our lives, as documented during one of the most interesting and turbulent periods in human history.

Pathé eventually stopped producing the cinema newsreel in February 1970, as they could no longer compete with television, but the legacy the organisation has left to future generations will live on long after you and I, dear reader, are gone.

More Information

British Pathé on YouTube...

British Pathé on Wikipedia...

A Master Class in Animation From Terry Gilliam

Open Culture has fast become one of my favourite online sites. There is so much great information on there that I find myself regularly sharing interesting links and content through these pages.

Today’s Viewing List includes another nod to Open Culture for bringing the inimitable Terry Gilliam to my attention. Terry, you should know, is the legendary animator with the Monty Python team (and if you don’t know who they are, you should hang your head in shame).

Gilliam was born in Medicine Lake, Minnesota, and began his career as an animator and strip cartoonist, and went on to become a highly regarded screenwriter, film director, actor and member of the Monty Python comedy troupe. To name just a handfull, among his many directorial credits are Time Bandits (1981), Brazil (1985), The Fisher King (1991), 12 Monkeys (1995), and The Imaginarium of Doctor Parnassus (2009). Since this is a travel site, embedded here is a video of Gilliam’s 1974 animation, The Miracle of Flight.

If you are tempted to try making your own animations, the following 14+ minute video shows you how to make your own cut-out animations.



Thanks to Biblioklept and Open Culture for bringing this to our attention.

Go Folk Yourself Summerfest

I recently discovered the wonderful Kickstarter website. Kickstarter enables visitors from all around the world to provide financial support for projects of all types under the following general categories: Art, Comics, Dance, Design, Fashion, Film & Video, Food, Games, Music, Photography, Technology, Theater, and Writing & Publishing.

The idea works like this: individuals or groups seeking funding for their personal projects post details and offer a range of incentives to financial backers in the hope they will raise enough money to see them complete whatever project they are working on.

Kickstarter
In essence, Kickstarter is a great way to fund creative projects. The organisers behind the site believe that a good idea, communicated well, can spread fast and wide, and that a large group of people can be a tremendous source of money and encouragement. The internet of course, is perfectly suited to this type of concept, and the rise of Kickstarter, and similar sites, is a testament to the collective power of the internet, coupled with social networking and the ability for internet users to safely and securely make micro payments as low as one dollar.

Why do people, like myself, support projects? Some support projects because the know the people behind the project, others like me do it because they are hooked by the idea and the concept behind a particular venture. Still other people will support a project for the rewards offered by project creators, and so it goes.

Since Kickstarter is focused on creative projects, it is a great way for artists, filmmakers, musicians, designers, writers, illustrators, explorers, curators, performers, and others to bring their ideas to life.

While non-US citizens are able to pledge financial support for Kickstarter projects, they are currently unable to start their own projects. However, the Kickstarter team are working on this issue and hope to be able to offer ways for non-US citizens to launch their own projects via the site.

Scammers and Charlatans
“But wait a minute,” I hear you say, “what’s to stop people raising money for a non-existent project and simply pocketing the money.”

While there are no absolute guarantees that project creators will actually follow through and complete their projects, let alone start them, there are some safeguards built into the whole process. For a start, project creators have to ‘sell’ their ideas to potential backers. They do this by keeping in constant contact with backers through regular email and video updates and other forms of electronic contact. You can write to project organisers and ask them questions, or leave public comments on the project page, and interact with them in other ways.

In addition, most people seeking funding for their projects come to Kickstarter with a past history of work in the project area they are raising funds for. For example, if a band is raising money for their latest album, they may have already released other albums, or at the very least have a band website you can check out. They may also have Facebook, MySpace and Twitter profiles in the bands name where you can check that they are who they claim to be.

None of this guarantees that a project is legit. However, given that project organisers need to set a minimum of 30 days (and in many cases 60 days) to raise money for their ventures, backers have plenty of time to follow the project and withdraw their support if they think someone is running a scam.

Go Folk Yourself Summer Fest
A good example of this ‘due diligence’, can be seen with one of the projects I am currently supporting: the Go Folk Yourself Summer Fest, currently being planned for Williamsburg’s Cooper Park, Brooklyn, New York.

NOTE: If video doesn't load click on link to view on the GFY Kickstarter page

Go Folk Yourself (GFY) is a Music Video Newsblog that promotes independent artists in Brooklyn. This volunteer organization has organized over 15 shows in the past year, and is now planning to throw a free festival showcasing the best of Brooklyn’s independent and folk musicians!

Each show they produce is posted online, and the organization has its own website and YouTube page. Reading through the information on their Kickstarter page, reveals several video’s, updates, and a breakdown of the budget they have put together for their GFY Summer Fest.

As of this writing, the Go Folk Yourself Summer Fest has 43 Backers, $1,705 in pledges, and 26 days to reach their target of $5,500. If they don’t reach their target, project funding fails, and backers are not billed for their pledges.

To learn more about the way you can support Kickstarter projects, or start your own, make sure you read through the Frequently Asked Questions. As I wrote a few weeks ago in a piece called  It Doesn't Take Much to Make a Difference, there are a host of great ideas out there looking for support and funding, and Kickstarter and other sites like it make it easy to do this with a minimum of fuss and risk.

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