NYC Day 18: In Which I Give Macy's Annual July 4 Fireworks a Miss

A view from the Grand Central Terminal concourse (Click on images to view full sized)

Event of The Day: Macy's July 4th Fireworks (between E 24th and E 42nd streets).
I started the day with the best of intentions. My intention being to check out a few places downtown and then head over to the East River early to get a good viewing spot for the main event of the day: Macy's July 4 Fireworks Spectacular that was due to kick off sometime after 9.30pm. However, after being out and about for a good seven to eight hours, and after alighting from a bus at Fifth Avenue and starting the long walk down 42nd street towards the river, I dropped by the restrooms below Grand Central Terminal for a relief break, and on surfacing once more to street level and seeing the stream of people pouring down the road to the East River, I decided that enough was enough, and caught an M4 bus on Madison Avenue for the return journey to Washington Heights!

Somewhere along the Hudson River Greenway, a graveyard for discarded architectural remnants.

The Fireboat was going off without the need for fireworks of the explosive kind.

I know, I know. You are probably thinking, what is the point of this guy visiting New York City if he doesn't participate in one of the most anticipated events of the year?

The answer, dear reader, or answers, are pretty simple and straightforward, so for what it's worth: I was tired, for one. Secondly, it occurred to me that a sizable portion of the half million people attending the event would be trying to squeeze into every available type of transport for the ride to their homes or hotels, and most of those would be using buses or subways, and the thought of doing this brought to mind sardines packed into hot and sweaty sardine cans. And that's assuming it didn't take an hour or more to find transport that wasn't already packed to the gills (to continue the fish metaphor). No thanks.

The amazing Starrett-LeHigh Building use to dominate the skyline at this point along the river, but it is about to be eclipsed by the massive developments currently underway at the Hudson Yards site.

The butterfly unicorn at the Pier 62 Carousel

I approach my 69th year, I have to say I have seen more than my share of fireworks, including a Macy's July 4th event -- which took place during a change of location experiment on the Hudson River in 2010. Yes, it was spectacular and over the top as these events tend to be, but I figured that apart from the change in location back to the East River, the 2017 event probably wasn't going to differ all that much from the 2010 one.

Still, the day did not go to waste. Illustrating this post are a number of photographs from my peregrinations between 14th street and 42nd street, mostly along the Hudson River bordering the Chelsea neighborhood. They include images of Chelsea Market, the High Line (although I left that much acclaimed piece of architecture after only five minutes due to the heat of the day).

The logo on the door of this stunning piece of modern architecture has just three letters, IAC, which turns out be the home of "...a leading media and Internet company." 

Just a brief glimpse inside Chelsea Market. Apart from the thousands of tourists who flood the place every day, and the New Yorkers who serve them, do any other locals actually visit this complex, I wonder?

Best of all was my meal of the day; a Reuben sandwich with pastrami, and real Australian style hot chips, not those anemic looking fries that most restaurants and fast food chains dish up nowadays. Thanks to the Star On 18 diner on the corner of 10th Avenue and West 18th Street for this surprise treat.

The Reuben sandwich is described online as "...an American hot sandwich composed of corned beef (oops), Swiss cheese, sauerkraut, and Russian dressing, grilled between slices of rye bread." Oh well, I was offered pastrami as well as corned beef and an option and chose the pastrami.

===============================

Tuesday 4, July | Expenses $38.00 ($49.85)

===============================

 Any questions? Comments? Thoughts? Go on, you know you want to ask them or share them. Drop me a line via the comments box below or via my Twitter handle @jimlesses I won't bite, I promise.

NYC Day 17: The Rubin Museum of Art

The start of the spiral staircase that rises through the Rubin Museum

SENIORS FREE FIRST MONDAY'S @ THE RUBIN MUSEUM, 150, West 17th Street.
I caught a 1-train the 19th street station which was less than a couple hundred yards from the Rubin museum. The museum provides free entry to seniors (normally USD$10.00) on the first Monday of each month, and I was more than happy to take advantage of the offer. I have been to the Rubin Museum on previous visits to New York and enjoyed my visit enough to make a return trip today. The two new major exhibitions this summer are The World Is Sound, which is part exhibition, part sound installation. The second exhibition, Henri Cartier-Bresson: India in Full Frame, features sixty-nine photographs taken by this much acclaimed photographer during several trips to India from the late 1940s through until the early 1960s.

The Tibetan Buddhist Shrine Room

Acoustic insulation in the Deep Listening room

The World Is Sound
This exhibition/installation juxtaposes sound art and Tibetan Buddhist ritual music cyclically, that is, from creation to death to rebirth. The work explores different dimensions of sound and listening and its many functions in Tibetan Buddhism. Some of the key concepts and terms explored through the exhibition encourage visitors to focus on ambient sounds, microtones, electronic music, drones (the musical type, not the modern flying craft), rhythm and polyrhythm, tone and timbre, and more besides.

I was particularly interested to learn about the late Pauline Oliveros's concept which she called, Deep Listening. The brochure for this part of the exhibition contains four exercises that visitors can employ to help them focus deeply on tuning in to the sounds around them. One of these exercises she called, Ear Piece, and asks thirteen questions that encourage Deep Listening. Here are the first five and final two:

1. Are you listening now?
2. Are you listening to what you are now hearing?
3. Are you hearing while you listen?
4. Are you listening while you are hearing?
5. Do you remember the last sound you heard before this question?

And so on, until the final two questions: Are you listening to sounds now or just hearing them? And... What sound is most meaningful to you?

Even working through the first five questions is harder than I thought it would be. After all, we live in a world where it is virtually impossible not to be surrounded by sounds that are loud, intrusive and constant. Especially here in New York City!

Henri Cartier-Bresson: India In Full Frame
In 1947 Cartier-Bresson (1908-2004), co-founded the renowned Magnum photographic agency. Later that year he went to India for the first time and was in Delhi in January 1948 to meet with and photograph Mahatma Gandhi, who despite his diminutive physical size was one of the towering political figures of the 20th century. While Cartier-Bresson was not present when Gandhi was assassinated by a Hindu nationalist on January 30, 1948, he was certainly present to document the subsequent funeral and the massive crowds of mourners who gathered to witness Gandhi's traditional cremation ceremony.

Above and below; images from the Cartier-Bresson exhibition

Above: Mahatma Gandhi's funeral pyre 

These images, and many others cemented Cartier-Bresson's reputation as one of the great photographers of the last century, and a selection of images from that period form an important part of the current exhibition at the Rubin Museum.

Many of the other photographs from the late 1940s capture a country that was right on the cusp of major political change, as India struggled to get out from under British colonial rule, a campaign that Gandhi was heavily involved in. For students of history, and of British colonial history and how that impacted on the Indian subcontinent, these images will surely be of interest. However, I suspect that other visitors will mostly regard them as historical curiosities - though hopefully interesting ones.

But Wait - There's More!
Apart from these two major exhibitions, the Rubin Museum also has a permanent collection of fascinating drawings, paintings, statuary and more from Tibet and other nearby regions that make this museum worthy of a visit. Like similar institutions, the Rubin programs a full calendar of ancillary events ranging from free (and fee paying) musical performances across a range of genres, film screenings, classes, lectures, events for children and families, and an annual Block Party that also includes free entry to the museum. This year the Block Party (which takes place on West 17th street between 6th and 7th avenues), will be on Sunday, July 16, from 1:00pm to 4:00pm.

If You Go
Rubin Museum of Art...
150, West 17th Street, New York, New York.

==========================

Monday, July 3 | Expenses $15.00

==========================

NYC Day 16: Cassandra Wilson at The Blue Note Jazz Club

The very delightful and talented Cassandra Wilson

CASSANDRA WILSON AT BLUE NOTE JAZZ CLUB. 131, West 3rd Street, New York.
I have long wanted to see the Jazz chanteuse Cassandra Wilson in live performance, and on this date I finally did.

In a show that lasted barely one hour, Wilson and her five piece band presented a virtuoso performance that barely scratched the surface of her vast recording career. I have no complaints about the choice of songs (after all, I am almost completely ignorant about her musical career, other than to say that I have been aware of her as a much acclaimed artist for many years). And I certainly have no issues with the incredibly talented ensemble playing for her, especially the brilliant violinist whose surname I did not catch but whose first name was Charlie. But I would dearly have liked to have experienced a longer show from Ms Wilson.

Members of Ms Wilson's ensemble warm up onstage.

Photography during the show was strictly forbidden.

This was my first visit to this famed institution. The Blue Note Jazz Club. It has been located on West 3rd Street since it first opened in 1981. Wikipedia provides more information:

Blue Note Jazz Club is a jazz club and restaurant located at 131 West 3rd Street in Greenwich Village, New York City. The club was opened on September 30, 1981, by owner and founder Danny Bensusan, with the Nat Adderley Quintet being the featured performers for the night. The club’s performance schedule features shows every evening at 8:00 pm and 10:30 pm and a Sunday jazz brunch with performances at 12:30 pm and 2:30 pm. 

History
Bensusan's belief was "that if he brought big acts into a comfortable environment with great food, he could pack the house night after night." The Blue Note was soon established as the city's premier jazz club, with Dizzy Gillespie, Sarah Vaughan, Carmen McRae, Canadian-born drummer David Mendel, Dan Frieber, Lionel Hampton, Oscar Peterson and The Modern Jazz Quartet among prestigious regular performers there. Bensusan booked Ray Charles for a full week every year. It is still considered one of the world’s most famous jazz venues and one of the best known and most expensive in New York.

Well, it certainly wasn't cheap. To date, this event has been the most expensive during my current visit with a total upfront cost coming in at $126.60 (approx AUD$165.60). This includes the $55 ticket, meal+two beers, tip, and state taxes. I say 'up front cost' deliberately because my bank's foreign transaction fees still need to be added to this amount. Still, I can live with all that. I'm just saying, an extra 20 to 30 minutes from Cassandra Wilson would have made for a more perfect night. But thank you, Ms Wilson, it was a real pleasure -- while it lasted.

=====================================

Sunday, July 2 | Expenses; $144.86 (AUD$189.35)

=====================================

NYC Day 15: The Cloisters and a rained out Midtown evening

Click on images to view at full size.

MET CLOISTERS TALK: Medieval Frescoes with Sigrid Goldiner
I went to the Cloisters in plenty of time to start this tour with an elderly and very anorexic looking Sigrid Goldiner. Maybe I'm being too harsh on Sigrid, but by god she was thin to the point of being invisible! I listened to the first 15 minutes of her talk with great interest, and then wandered off on my own for the next couple of hours.

I toyed with the idea of heading home for the evening, but on a whim I decided to take the M4 bus all the way to 42nd Street, and waste some time there before getting something to eat. As it happens, the heavy rain showers that had been threatening all day, decided to let loose just after I had entered a Pret A Manger for something to eat, and I sat out the deluge inside away from the rain. However, the rest of the evening did not look like it was going to escape without the occasional downpour, so I walked back to Madison Avenue and caught another M4 bus back to The Heights. 

A poisonous Mandrake plant in the Cloisters Medieval garden

And that, dear reader, is a summary of my second week highlights in New York City. Here, as near as I can calculate are my daily expenses for this past week.

Week Two Expenses (Figures in brackets are Australian dollar amounts)
Museum Memberships $19.15 ($25.15)        | Ongoing
MTA Pass $28.00 ($36.80)                            | weekly expenses
Accommodation $152.00 (200.00)                | $199.15 ($261.95)
Sunday 25, June | Expenses $49.00 ($64.55)
Monday 26, June | Expenses $77.00 ($101.20)
Tuesday 27, June | Expenses $72.50 ($95.30)
Wednesday 28, June | Expenses $38.37 ($50.10)
Thursday 29, June | Expenses $0.0 ($0.0)
Friday 30, June | Expenses $103.95 ($135.20)
Saturday 1, July | Expenses $29.50 ($38.35)
===================================
TOTAL: USD$569.47 | AUD$746.65

===================================

General view of the Cloisters from the Medieval Garden

NYC Days 13 & 14: The Met Egyptian Wing, and Playing For Change

Click on images to view full sized

===================================

Thursday 29, June | Expenses $0.0
=================================
Today was a rest day. I didn't even leave the apartment but instead stayed in resting and reading. Some days you just have to stop and recharge.

=================================
Friday 30, June | Expenses $103.95 ($135.20)
=================================
MET MUSEUM MEMBER FRIDAYS
I hit the Met Museum again and joined a one hour tour of the Egyptian Wing which was very informative. Many of the treasures in this section obviously go back thousands of years before the modern Christian calendar begins with the 'birth' of Jesus. What amazes over and over again is the use of what then must have been modern technology to build the huge pyramids and mausoleums beneath them. 

One also needs to acknowledge the development of the tools and expertise used to embalm and entomb the pharaohs and general citizenry of Egypt. And let's not forget the production of bright colours that were also developed thousands of years ago, and which today are almost as bright and as fresh as they were when first applied to the casks and coffins in which the dead were buried.

This and the images below: Cover and internal decorations of Egyptian burial casket.

It is hard to believe that these artifacts are thousands of years old given the quality of 

material and the vibrant colors that are still visible. 

Playing For Change Band
Highline Ballroom, 431, W 16th Street
 From the Met I slowly made my way to the Highline Ballroom where I joined the line for the days main event, a performance by the Playing For Change Band. If you are not familiar with Playing For Change (PFC), a brief recap is in order: Playing for Change is described as a multimedia music project that seeks to inspire, connect, and bring peace to the world through music.

In 2005, Mark Johnson was walking in Santa Monica, California, when he heard the voice of Roger Ridley (now deceased) singing "Stand By Me." Roger had so much soul and conviction in his voice, and Mark approached him about performing "Stand By Me" as a Song Around The World. Roger agreed, and when Mark returned with recording equipment and cameras he asked Roger, "With a voice like yours, why are you singing on the streets?" Roger replied, "Man I’m in the Joy business, I come out to be with the people." Ever since that day, the Playing For Change crew has traveled the world recording and filming musicians, creating Songs Around The World, and building a global family. [ Source: Wikipedia]

From such humble beginnings has the Playing For Change Band grown. On this night it consisted of 12 musicians and singers, including the very popular Grandpa Elliott, who appeared in the first video for the song, Stand By Me, and who had not performed with the band for the past year or two. 

It's also worth noting that PFC also created a separate non-profit organization called the Playing For Change Foundation, which builds music schools for children around the world. Truly it is said: From little things big things grow. As anticipated, it was a great night of music delivered by musicians from as far afield as South Africa, Israel, Japan, North and South America and elsewhere. The mood was upbeat and joyous throughout, and the show capped of a busy week of gigs for me that made my second week in New York hard to beat.

NYC Day 12: Staten Isand Mystery Tour

Above and Below: Images from the refurbished South Ferry subway station.

Five years and millions of dollars later, the station has finally opened after

the damage caused by Superstorm Sandy has been fixed.

MAGICAL MYSTERY TOUR TO STATEN ISLAND
I rode the 1-train to South Ferry and boarded a Staten Island Ferry to St. George, where I boarded an S44 bus and rode as far as the Staten Island Mall. I have been to the mall during a previous trip to New York, and was happy to alight there for a meal and reacquaint myself with the complex. The mall is much the same as it was when I last saw it, but the owners are in the middle of an expansion project which will add more stores and parking to the site. I also noted that the mall now has an Apple Store that was very well patronized.

Like most visitors to the city, I have taken advantage of the free ferry ride between Manhattan and Staten Island. In my case, I have made numerous such trips over the years, and yes, I have even left the confines of the St. George terminal building to explore farther parts of the island. I have taken a bus as far as Tottenville at the far end of the island, visited the Sailors Snug Harbor complex and more. What I have enjoyed most about this little explorations is discovering just how suburban parts of Staten Island are. Many of the homes stand on their own blocks, separated from their neighbors with lush lawns, trees and shrubs in well-kept flower beds, and clean yards. These come as a pleasant surprise when contrasted to the crowded noisy streets of Manhattan and the other major boroughs.

Above and Below: Images of the Staten Island Mall.

On returning to Manhattan, I walked to the South Street Seaport area fully expecting to enjoy a meal and the views of the Brooklyn Bridge from the new shopping complex that has replaced my former favorite resting spot at that location. To my surprise the building process has yet to be completed, and from what I could see, I don't expect it will be ready for most of the rest of this year.

There was nothing for it therefore but to go to my alternative eating house, Squire's Diner, where I ordered a chicken quesadilla and house fries. The house fries, while very nice, were more than I could eat since the quesadilla with its salad, sour cream and guacamole on the side was more than enough for me. I left feeling completely bloated, and after buying a couple of cans of condensed milk at a local supermarket I headed for the A-train and home.

The lower Manhattan skyline from the deck of a Staten Island Ferry.

The magnificent clipper ship, Wavertree at the South Street Seaport. 

A panoramic view of heritage buildings at the South Street Seaport. 

"Why the condensed milk?" I hear you ask (and I'm glad you did). Because there is something definitely not right with the milk that my local store, Frank's Gourmet Market sells. After buying a litre of milk there on a Friday, I found that it had started to curdle by the following Monday. I day later when I decided to pour the rest down the sink, it had practically solidified! That's when I decided to give up on buying fresh milk and try condensed milk in cans and see how I go with those. I will end up paying more for less milk, but then if I am going to throw half a litre of milk away every time I buy the stuff, the cost might be cheaper in the long run anyway.

As for the milk at the supermarket, my guess is that there is nothing wrong with the milk as such when they get it from the manufacturer, but that the fault probably lies with the way the milk is stored before I hits the shelves at Frank's. I'm tempted to let the manufacturer know, but I have better things to do.

==================================

Wednesday 28, June | Expenses $38.37 ($50.10)

==================================

NYC Day 11: Happy 30th Jesse Paris Smith!

Far left: Jesse Smith at piano. Far right: Jackson Smith, Lenny K, Michael Stipe,
Patti Smith with back to audience, and other musicians on stage at birthday bash.

JESSE PARIS SMITH: 30th Birthday Celebration
Jesse Paris Smith celebrated her 30th birthday with a host of fellow musicians and family members. During the evening we were treated to performances Rebecca Foon, Timothy Monger and Gregory Mcintosh (of Great Lakes Myth Society), Alana Amram, Jesse's brother Jackson, and of course her mother, Patti Smith. All proceeds from the night went to Pathways to Paris, an organization she co-founded with Rebecca Foon.

JESSE PARIS SMITH is a composer, instrumentalist, activist, and producer. She has performed globally in many configurations, collaborating with other musicians and artists, including Soundwalk Collective, Tenzin Choegyal, Shyam Nepali, Raju Lama, and her mother Patti and brother Jackson. Her music compositions have been commissioned for short films, commercial work, art installations, fashion shows, audiobooks, and live film score performances. Many of her projects and collaborations  with others focus on the topics of global climate change and the Himalayan region. She is on the Associate Board at Tibet House US, where she has co-curated and hosted events, and has been a regular performer of their annual benefit concert at Carnegie Hall since 2008.

 In September 2014, Jesse and Montreal based cellist, Rebecca Foon, launched Pathway to Paris, a fundraising initiative and multi media event series focused on bringing awareness to climate change and the urgent importance of establishing a legally binding global climate agreement. All of the events also served as fundraisers for 350, a leading climate action organization founded by Bill Mckibben.

In light of the Himalayan earthquake in April 2015, she also founded Everest Awakening, an initiative to bring together musicians, artists, writers, poets, and activists to raise funds and awareness for the Himalaya. Jesse was born in Detroit, and spent her childhood in St. Clair Shores, Michigan. She lives between Detroit and NYC. [Source: City Winery gig listing].

In keeping with the birthday party theme, this show was a mix of organized chaos, rollicking music, numerous exclamations of "Happy Birthday, Jesse," an auction that raised an extra $2000 for the cause, a surprise appearance by Michael Stipe of REM fame, and the presence of Lenny K, Patti Smith's longtime collaborator. There was of course a birthday cake, two rounds of Happy Birthday, and much more besides. 

The night really came alive whenever Patti Smith took to the stage, especially when she closed the night with a rousing rendition of People Have The Power. The stage was packed with all the musicians who had performed during the night, and they and the capacity audience joined with Patti to roar out the chorus in a clear statement to Republicans and Democrats alike, that 'we the people' would not give up our power without a fight.

=================================

Tuesday 27, June | Expenses $72.50 ($95.30)

=================================

NYC Day 10: Short Sharp Shocked

MICHELLE SHOCKED RESIDENCY AT CITY WINERY
Michelle Shocked joins City Winery (155, Varick Street, New York City) for a summer residency performing a different album in its entirety each night and more.

The indie folk-singer took the music scene by storm in 1988 with her debut album, Short Sharp Shocked, which went on to receive a Grammy nomination and win Folk Album of the Year. Her powerful and versatile music incorporates various styles from blues to rock to traditional fiddle tunes. Tonight she kicked of her residency with a performance of Short Sharp Shocked. 

Short Sharp Shocked was the second album by Michelle Shocked, and was originally released in 1988. The photograph of Shocked that appears on the cover was taken by Chris Hardy of the San Francisco Examiner at a protest in San Francisco during the 1984 Democratic National Convention.

Michelle and her three fellow musicians put on a great performance, and I came away from the gig more than happy with my decision to book a place at all three shows of her City Winery residency as they are billing it (despite the fact that the gigs are each about a month apart). The seat I had chosen, while close to the stage, was not exactly located in the best position since I had to twist my body to the right to see the performers. Thankfully I was able to reposition my chair for a more comfortable look.

Since Michelle was there to perform her now classic album, Short Sharp Shocked in full, that constituted the set list. However, towards the end of the night, to the audiences surprise, she brought her father onto the stage, and recounted a story about how he had taught himself to play mandolin when she was still a child. To our delight, with mandolins in hand they both played Woody's Rag, an instrumental attributed to Woody Guthrie. 

You might assume that the night was 'over before it had begun' if only because the original album had maybe 35 minutes or so of music on it. No so. By adding several longish stories and song introductions, as well as extended instrumental breaks which allowed the musicians to shine, the show went for almost 90 minutes, and this does not include the 20 minute opening set provided by guitarist and Short Sharp Shocked record producer, Pete Anderson and his fellow musicians, who then backed Michelle throughout her set.

=================================

Monday 26, June | Expenses $78.00 ($101.50)

=================================

New York City Day 9: Walk Like an Egyptian to The Bitter End!

The Chrysler Building basks in the glow of
late evening sunlight. 

GIGS, GIGS, AND MORE GIGS
I wrote in an earlier post that I had dubbed this visit to New York as my Music and Art Tour, and nothing that has happened since my last series of posts a week ago to change this designation. Since last Sunday 25th my evenings has included a night at The Bitter End to catch the Singer/Songwriter Sessions and the All Star Jam that follows it. On Monday night I returned to City Winery to see Michelle Shocked and the Pete Anderson trio run through her now classic album, Short Sharp Shocked, and again on Tuesday night I was there to help celebrate the 30th birthday of Jesse Paris Smith with a host of guest musicians including her brother Jackson and legendary mother, Patti Smith.

I had a night off on Wednesday, but I had reserved a ticket to see Cassandra Wilson at the Blue Note Jazz Club in Greenwich Village on Thursday night. In the end, I decided to cancel that booking, and reschedule for tonight, Sunday, July 2. My final big gig for the week saw me visiting the Highline Ballroom for a rollicking performance of the Playing For Change Band, of which more later.

A MORE FOCUSED NYC VISIT
It occurs to me that by building this visit around art and music, I am a lot more focused than I might otherwise have been. On previous visits to New York, I have concentrated on free music events more than anything else, and then left pretty much all other activities to the whims of the day. Purchasing two museum memberships (MoMA, and The Met), has allowed me to pick and choose talks and tours to attend, and while my general museum visits are still unfocused, I am enjoying the return visits to the Met Cloisters and The Met Museum in particular. While I have only made one visit to the Met Breuer at this time, I will go there again this week to take in any new works on show. I will also return to MoMA for a deeper look at the Frank Lloyd Wright exhibition.

Here's my week in review along with my daily expenses in US and Australian dollars.

METROPOLITAN MUSEUM MEMBERS EVENT
The Met Fifth Avenue Members Event -- Irving Penn: Centennial. Learn about the life and work of the great American photographer Irving Penn with New Yorker writer Vince Aletti, Vogue executive fashion editor Phyllis Posnick, and Curator in Charge of the Department of Photographs, Jeff L. Rosenheim.

I went to The Met Museum in time to attend the Irving Penn talk. I must say I found the talk and the information about Penn's career as a (mostly) fashion photographer for Vogue magazine more interesting than I thought I would. I have never had a lot of time for fashion or the designers, their famous models or the magazines that thrive on haute couture, or the world of high fashion. However, Irving Penn took his role very seriously, and did not just shoot fashion for anyone, and that included Vogue. Phyllis Posnick, worked at Vogue for many years, and said she constantly had to persuade and convince Penn to take on assignments for the magazine. I had a quick look at the Centennial exhibition after the talk, but will return for a more leisurely look on a future visit. I also had a little time to walk through some of the Egyptian rooms and again I will return to these at a later date for a more careful look. 

However, it occurs to me after several somewhat disorganized visits to the Met Museum, that I need to be more focused about my examination of the massive art collections on offer. The best way of doing this, it seems to me is to use the museum map to plan each visit so that I can concentrate on one section at a time and so work my way through the whole building floor by floor and all 20 major departments.

Above: The Temple of Dendur

Above: detail of inscriptions on Temple of Dendur wall.

Here are the main departments moving clockwise around the First Floor: Greek and Roman Art; Africa, Oceania and the Americas; Modern & Contemporary Art; European Sculpture & Decorative Arts; Medieval Art; Robert Lehman Collection; The American Wing; Arms & Armor; Egyptian Art.

The Second & Third floors: Greek & Roman Art; Ancient Near Eastern Art; Art of The Arab Lands; 19th and Early 20th Century European Paintings and Sculpture; Modern & Contemporary Art; Photography; European Paintings 1250-1800; European Sculpture & Decorative Arts; Musical Instruments; and American Wing (mezzanine). Then there are the collections at The Cloisters, the Breuer, and of course MoMA. 

And let's not forget all the allied programs that each museum runs like talks, tours, film screenings and musical performances. And this is without visiting any of the dozens of other museums and galleries across the city! Far out! I really have to get my act together.

Above: Bat-or Kalo on stage at the Bitter End and below

posters from the 60s and 70s decorate the walls of the venue.

THE BITTER END: Singer/Songwriter Sessions & All Star Jam
I've written about the Bitter End numerous times on this blog so I won't go over old news. I will say that as a big supporter of new and emerging performers, I love how this venue has stayed close to its roots and continues to support young talent through the singer/songwriter sessions and in many other ways. It is interesting to see young performers working on their stagecraft, and sharing their songs and music in a small, intimate venue like this, knowing as I hope they do, that some of the greatest musicians, comedians, and other performers have also trodden the boards of the narrow stage on which they themselves are standing.

Note: Click on images to view full sized.

=================================

Sunday 25, June | Expenses $49.00 ($64.55)

=================================

NYC Day 8: The Met Cloisters, and Week 1 Expenses

Click on images to view full sized.

THE MET CLOISTERS
Yet another first visit, this time to the Met Cloisters, a Medieval museum located in Fort Tryon Park, at the top end of Manhattan. I timed my visit to catch a midday tour/talk entitled Wings in the Middle Ages: Birds, Beasts, Angels, and Altarpieces, led by Michael Morris an expert in this particular area. Between now and the end of August there are another eleven different gallery talks/tours that I could participate in. These take place on weekends at 12:00 PM and 2:00 PM. There are also daily Highlights tours (at 3:00 PM), and daily Gardens of the Met Cloisters tours (at 1:00 PM).

Among many other treasures, the Cloisters Museum if famous for its numerous medieval tapestries, and the most famous of these are the magnificent tapestries that are known as the Unicorn Tapestries.

Even though I have only managed to visit each of the museums and their offshoots once each to date, purchasing memberships to MoMA and The Met Museum is fast turning out to be the best thing I have done in preparation for this visit. Since I feel no obligation to exhaust myself trying to see as much as possible each time I visit one of these institutions, I find my outings are much more relaxing and less stressful than they might have otherwise been if I was trying to pack too much into each visit.

WEEK 1 EXPENSES: USD$483.00
As near as I can work it out, the weekly spend for my first week in New York was just $483, which averages out to a daily figure of $69.00. This includes transport, accommodation, food, recreation, and shopping. For readers coming late to these updates, my expenses are so low due to the fact that I am apartment and cat sitting for a friend, and I am contributing a very nominal amount to help offset costs associated with maintaining this apartment. Hence the biggest expense of any trip, accommodation, is turning out to be my least expensive cost, something for which am incredibly grateful for.