Saturday, January 4, 2014

Have A Little Sympathy

L-R: Ray Smith, Istvan Nemeth, Julian Barnett, John Appleby
So what did I do on my first full day in Melbourne? I spent much of it uploading video clips to my YouTube page.

I admit that it may not seem like the most exciting thing to do on a house sitting vacation, but I was ‘taking care of business’, so to speak. During the afternoon and evening of December 1, 2013, I filmed the Sympathy Orchestra, one of many great local Adelaide bands during their regular gig at the Whitmore Hotel. As a long time fan of the group, I filmed the complete performance, and promised to edit and upload the tunes to my page at YouTube. This process is now complete, and you can watch and listen to what I consider to be one of Australia’s best rock ensembles.

For me, what make the Sympathy Orchestra so unique is that they perform instrumental arrangements only. There are no lyrics to get in the way of the instrumentation, and no ego driven lead singer prancing about front and centre stage, trying to draw the audience’s attention to himself exclusively. Julian Barnett is the principal composer, although each member of the quartet add their own contribution and stamp to every tune. Some of these tunes are relatively short at around five minutes in length, while others power on for more than ten minutes. Some build slowly to gigantic crescendo’s, while other maintain slow, thoughtful rhythms throughout.

Julian Barnett is one of those guitarists that play with his whole body. One of the best examples of this is when the band is roaring towards the end of the tune, Flex ‘Em. Julian is in constant motion as he alternatively thrashes his guitar or bends multiple strings in order to wring every last note out of them. His face contorts with effort and emotion, while his feet rise and fall in a dance that tries to stay grounded while at the same time wanting to break free from the floor he is standing on. I also love to watch drummer John Appleby working his kit like a man possessed. Watch the brief smiles and quick glances he throws towards Julian Barnett as he plys his drum sticks from the eight minute mark in this great instrumental piece. Take a look at Flex ‘em now.


Julian Barnett has been leading the group for many years, and I consider him to be one of the best guitarists in Adelaide. Heck, he is one of the best guitarists in Australia, and I’m sure he can hold his own with some of the best guitarists in the world. The other members of Sympathy Orchestra are no slouches on their chosen instruments either. John Appleby (drums/percussion), Istvan Nemeth (bass guitars), and Ray Smith on keyboards, have been playing together with Julian Barnett for many years, and the easy camaraderie the group displays on and off the stage is a pleasure to see.

The Sympathy Orchestra don’t venture far from their Adelaide roots, so sadly fans outside of South Australia do not have too many opportunities to see the group live. For that reason, it has been a pleasure for me to have had the chance to film the group and turn the resulting footage into a collection of clips that hopefully will help introduce the band far outside the confines of Adelaide, and South Australia.

More Information

Friday, January 3, 2014

Dreams Big Enough To Scare You

Yesterday, in a trip that reminded me of my 2010 Greyhound bus journey from New York City to New Orleans, I caught a bus from Adelaide to Melbourne. During the twelve hour trip we made several stops at small country towns and regional cities to drop off or pick up new passengers. One such stop was at the Victorian town of Nhill. There we had just 30 minutes to grab a quick bite at a local café or to hit the public restrooms at the tourist office.

I popped into Annaliesa’s Café at 24 Victoria Street, Nhill, for something to eat, and was delighted to discover numerous signs with a positive focus (see image), decorating the walls of the café.

Another of the messages read: “If your dreams don’t scare you, they are too small.”

Since I am planning to undertake some extended travelling again this year, I took both the above ‘messages’, and several others, as good omens for the year ahead. In fact, my new year begins with three weeks house sitting for friends in Melbourne – a role I have undertaken for the past three of four years. In May I will be in Greece for an extended stay, and with luck and good planning I hope to be back in New York City during July or August. If my trip to New York does not take place, I will head to France and England instead.

While I can’t claim that any of these journeys are large enough to scare me, I am well aware that at 65 years of age there are plenty of reasons to be cautious and careful. Anytime one spends up to six months away from home, you are forced to consider a wide range of scenarios that you probably take for granted if you stay close to home. The possibility of accidents while travelling is always a concern, and as a solo traveller, I am well aware that the responsibility for all my travel arrangements and for the decisions I make while I am away are all mine and nobody else’s.

Never the less, I am up for the challenge, and I hope my journeying this year will be as much fun, and as incident free as my last three extended trips in 2008, 2010 and 2012.


I hope yours are too.

Thursday, October 17, 2013

I WILL DANCE: The Documentary

I'm a sucker for dance.

Actually, to be honest, I suck at dancing myself, but I love to watch other people glide around the dance floor. I can not get enough of Fred Astaire and Ginger Rogers, and the other great dancing master, Gene Kelly. Watching them spin, glide, and soft shoe shuffle across film sets and dance floors always brings a smile to my face, and lightens my mood.

Always.

So when I saw the I Will Dance Kickstarter project today, I just had to back it. The project is a long way off reaching its final target, but I'm hopeful my modest contribution will help get the documentary across the line.

The company that features in the video is the Random Acts of Theater Co (or RATCo), based in Selma, Alabama. The non-profit organisation behind RATCo is the Freedom Foundation, also based in Selma. When I realised that backing the documentary is not the same as backing RATCo and the Freedom Foundation itself, I also donated directly to the foundation to help support their ongoing work. I tell you this, not because I want to boast, but because I firmly believe that every one of us has the power to make the world a better, more positive place.

Living as I do many thousands of miles away from Selma, Alabama, I may not be able to volunteer my time and expertise directly to the Freedom Foundation and RATCo, but I can make a modest financial contribution towards their ongoing work and projects, and that is what I have chosen to do.

Check out the video below, and if you agree that this project is worth supporting, head over to the project's page and add your donation. You can also donate to the Freedom Foundation via their website, to ensure their work continues to support some of Selma's most disadvantaged youth.


More Information
Freedom Foundation...
I Will Dance on Kickstarter...
Related Posts Plugin for WordPress, Blogger...