Showing posts with label Louis XIV. Show all posts
Showing posts with label Louis XIV. Show all posts

Friday, December 24, 2010

Palace of Versailles Gardens

Image: Plan of the chateau of Versailles and the gardens dating from 1746, by the Abbé Delagrive, geographer of the city of Paris.

The gardens of Versailles cover 800 hectares. I don’t know who has the job of counting them, but according to Wikipedia which uses the official Château de Versailles website as its source, there are 200,000 trees on site, and 210,000 flowers are planted annually, as well as 50 fountains spraying 620 jets of water into the air. The surface area of the Grand Canal covers 23 ha., and if you want to walk the perimeter of the Grand Canal, you should be prepared for a stroll of over 5.5 km.


However, none of these facts and figures really capture the overwhelming size and scope of the grounds surrounding the main Palace building, and as I wrote in my last entry Viva la Revolution, it is while walking around these grounds and gardens that the grandeur of Versailles really overpowers you and hits home.


I spent a couple of hours walking through the grounds on a freezing winter afternoon, with the snow crunching underfoot, and a low mist hanging over the long allies and landscaped gardens. It was hard to believe that the hustle and bustle of metropolitan Paris with its 12 million inhabitants lay sprawling around the site.


The gardens of Versailles occupy part of what was once the Domaine royal de Versailles. Situated to the west of the palace, the gardens cover some 800 hectares of land, much of which is landscaped in the classic French Garden style perfected here by André Le Nôtre. In addition to the meticulous manicured lawns, beds of flowers and sculptures, are the fountains which are located throughout the garden. Dating from the time of Louis XIV and still using much of the same network of hydraulics as was used during the Ancien Régime, the fountains contribute to making the gardens of Versailles unique. In 1979, the gardens along with the château were added to the UNESCO World Heritage List, and are one of the most visited public sites in France, receiving more than six million visitors a year. [Source: Wikipedia...]


Where the main building was packed with a constant stream of visitors filing dutifully through grand halls, past royal bedchambers, and room after room filled with a priceless paintings, sculptures and other objects, the gardens were almost devoid of people or the constant presence of security personnel and other staff. I felt as if I had the whole garden complex to myself, and rarely saw or heard anyone else as I wandered down long allies, exploring side paths and small alcoves, while discovering just a small part of this incredible place.

Image: Bosquet de la Salle de Bal, Versailles

The World English Dictionary defines a bosquet as: (noun) a clump of small trees or bushes; thicket


The Salle de Bal (ballroom?) bosquet was designed and built between 1681–1683. It features a semi-circular cascade that forms the backdrop for this ‘green hall’. Interspersed with gilt lead flares, which supported candelabra for illumination, the Salle de Bal was inaugurated in 1683 by Louis XIV’s son, the Grand Dauphin, with a dance party.

Image: The frozen over Bacchus Fountain in the gardens of Versailles

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The Bacchus Fountain (also called the Autumn fountain), is one of four fountains dedicated to the seasons and can be found near the Royal Walk. Bacchus, a figure of Roman mythology is said to have taught the cultivation of the vine throughout the world. He is regarded as the god of wine and drunkenness, and in this sculpture he is surrounded by small satyrs, half child and half goat.


It wasn’t until I reached the Grand Canal that I encountered people in numbers, and even then, there were nowhere near the numbers one might expect to see on a warm summer day at the height of the tourist season.

Image: Allie du Roy (the King’s Alley), one of many that crisscross Palace grounds and gardens

Image: The 1,500 metre long Grand Canal disappears into the distance

It was Louis XIII who began the program to layout the gardens of Versailles in the 1630s, and it was Claude Mollet and Hilaire Masson who designed the gardens, which remained relatively unchanged until the expansion ordered under Louis XIV in the 1660s. With the aid of the architect Louis Le Vau, the painter Le Brun, and landscape architect André Le Nôtre, Louis began an embellishment and expansion program at Versailles that would keep him occupied for the remainder of his reign – as it would successive kings and rulers.


Like many of the most famous locations around Paris, you need at least two days – and preferably three – to explore the Palace of Versailles and surrounding gardens with any type of thoroughness. I was there for less than a day and never saw any of The Grand Trianon or anything of Marie-Antoinette’s estate. I missed most of the copses and groves, fountains and open-air salons, the King’s Garden, the Apollo Baths, the Ornamental Lake of The Dragon, and many other locations large and small as well as dozens of sculptures that had been covered over to protect them from the harsh winter elements.

Image: the statue of Apollo (in the Grand Canal) trying to break out of encroaching ice!

One could of course, make a good argument for leveling the whole site and turning the acreage into cheap public housing for those that need it most, but then people might forget the reasons for the French Revolution: the poverty and hunger; the near financial bankruptcy of the Crown following France’s involvement in the Seven Years War and its participation in the American Revolutionary War; and the perception by many French people that the Royal Court at Versailles was isolated from, and indifferent to the hardships they were facing. These are just a few of the reasons behind the upheaval leading to the revolution of 1789.


As I said in my previous entry on Versailles, I can’t think of any modern political leaders who wouldn’t love to be able to bask in the glory and opulence of a Palace like Versailles. Which is why the Palace of Versailles should be maintained and kept open to the public and visitors from all over the world – to remind them that absolute power, corrupts absolutely. And to remind them that if they are not vigilant the power elite will happily create their own versions of Versailles.


You may be thinking: But they are doing that anyway, and it is true, they are. Saddam Hussein had palaces to spare. The former Shah of Iran had his own grand palaces before he was thrown out by the Iranian revolution of 1979. No doubt, Kim Jong-il of North Korea is happily sheltered from the hungry eyes of ordinary North Koreans in one of his many citadels. President Ferdinand Marcos and his shoe fetishist wife Imelda had their own versions of Versailles amongst the poverty and corruption of the Philippines before Corazon ’Corey’ Aquino led the People Power revolution in the 1980s, that finally brought an end to their indulgences. And so it goes on.


But I say again, that is exactly why the Palace of Versailles should stay. To remind the French and the thousands of people who visit the site, that not only should they remain vigilant, but also to give them hope that together they can challenge the power elites that govern them, and that they can make a difference.


More Information

All of the factual historical information used in this and my previous entry about the Palace of Versailles is drawn from two internet sites; the Official Palace of Versailles website… and numerous pages on Wikipedia (that wonderful and indispensable online knowledge base), including the Gardens of Versailles page…

Wednesday, December 22, 2010

Vive La Revolution!

Image: Part of the massive main building that is the Palace of Versailles

If you ever needed to be convinced that revolutions – even violent revolutions – are necessary, just visit the Palace of Versailles, in France. Here amongst the opulence and splendor that marked the reign of King Louis XIV (14th), and successive French rulers, the reason for revolution is writ large. Larger than large, in fact. Here is grandeur, extravagance, wealth, and sumptuousness of the highest order. No wonder then, that on the eve of the French Revolution in 1789, it was at Versailles that the citizens of Paris came to demand that Louis XVI (16th) return to Paris to face the wrath of the people.


The Palace of Versailles is a royal château in Versailles, the Île-de-France region of France. The court of Versailles was the centre of political power in France from 1682, when Louis XIV moved from Paris, until the royal family was forced to return to the capital in October 1789 after the beginning of the French Revolution. Versailles is therefore famous not only as a building, but as a symbol of the system of absolute monarchy of the Ancien Régime. [Source: Wikipedia…]


The Palace of Versailles consists of 700 rooms providing around 67,000 square meters of floor space. The Palace’s collections include over 6,000 paintings, 1,500 drawings, and more than 15,000 engravings. Add to these 2,100 sculptures and around 5,200 pieces of furniture and objets d’art, and you get some idea of the size and scope of this amazing historical site.

Image: The massive Hall of Battles at Versailles

In room after room, luxury and indulgence seemed to be trying to outdo each other. Just when you think the fittings and decorations, the massive paintings adorning walls and ceilings couldn’t get bigger or better, they do. When you think nothing could top the massive Hall Of Battles (see photo above) and the 33 huge paintings located there depicting scenes from some of France’s greatest victories, and which also includes 82 busts of various military leaders who died in action in many of the battles depicted in the paintings; just when you think nothing can top that you walk into the equally massive Great Hall of Mirrors.

The Great Hall of Mirrors, Palace of Versailles. Image courtesy of Arnaud 25

Ceiling view of the Hall of Mirrors, Versailles

The French painter Charles Le Brun, is responsible for decorating the ceilings in the Hall of Mirrors (Galerie des Glaces), with a series of stunning paintings only equaled by his other works at Versailles in the Halls of War and Peace (Salons de la Guerreand de la Paix), and the Ambassadors' Staircase. It was not for nothing that Louis XIV declared Le Brun "the greatest French artist of all time".


The dimensions of the Hall of Mirrors' are 73.0m × 10.5m × 12.3m (239.5ft × 34.4ft × 40.4ft). The ceiling decoration is dedicated to the political policies and military victories of Louis XIV. The central panel of the ceiling, Le roi governe par lui-même (The king governs alone) alludes to the establishment of the personal reign of Louis XIV in 1661. Other panels represent the military victories of the king beginning with the Treaty of the Pyrenees (1659), through to the Treaty of Nijmegen in 1678.

Image: Part of just one of the many wonderful ceiling paintings at Versailles

Images of King Louis XIV swanning his way down long passageways and through vast rooms, flash through my head. Look! Here he comes now, closely followed by a retinue of handlers, hangers-on, and assorted family members, while courtiers, foreign visitors and gawkers wait and watch to catch a glimpse of his supreme eminence.


Does he pause to admire the monumental work of Veronese called, The Feast in The House of Simon – a gift of the Viennese court? As he enters the cavernous Chapel to attend Mass (where years later, Marie-Antoinette married Louis XVI), does he stop to chat with one or two of the lesser leaders of the day, who are here to curry favor and bask in his attention – no matter how brief or cursory?


I suspect he barely gives them more than a passing glance. It is enough to know they are there, and that he has created a building large enough to house monumental works of art, as well as draw sycophants and other toady’s to his palatial home far from the Paris mob. A palace big enough to satisfy even his overblown ego. For surely that is the point of Versailles. To show that this one person has the power to call upon the greatest builders of his era to carve stone, bend and shape timber, weave giant tapestries, plant and landscape hundreds of acres of land, and to do this all at his behest with little or no regard to cost in terms of either monetary value or the human cost of this monumental construction project.

Ceiling decorations in the Royal Chapel at Versailles. Image courtesy of Diliff

I am not sure if we will ever see buildings like Versailles being created again. Not because we don’t have the money, but because there are so few people of vision around who could design, let alone build palaces like Versailles. And if there were? Would people allow such wanton excess? Such extravagance and splendor? It’s not just the scale of the building, but the detailed extras that have been incorporated into the design that impress and shock.


Statues and friezes, fountains and gilded furnishings, landscaped gardens, manicured lawns, broad mile-long pathways and secluded alcoves. Was there anything not included in the scope and design of Versailles? I suspect that pretty much every skill in design and artistry extant at the time the Palace was being built, was used in some way in the extensive building process that went on even after Louis XIV was long dead and gone.


Sadly, I can’t think of any modern political leaders who wouldn’t love to be able to bask in the glory and opulence of a Palace of Versailles. How it would feed their egos and pander to their vanities! How they would delight in being surrounded by fawning acolytes and supplicants seeking to curry favour and win even the briefest of passing attention.


It is exactly for this reason that places like that Palace of Versailles need to be maintained and kept open – as a reminder and proof that absolute power, corrupts absolutely. That if the people are not vigilant, if they are satisfied with bread and circuses, the power elite will happily create their own versions of Versailles, and continue to run the game exactly as they wish to.


Having toured through the Palace, you can either leave Versailles and head back to central Paris, or you can go for a walk in the grounds and gardens that surround the main building. It is here that the grandeur of Versailles really overpowers you, and it was while I was walking around the grounds that the full impact of Versailles hit home. But that’s a story for another day.

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