Friday Fotos – Paris, December 2010

My recent viewing of Woody Allen’s latest film, Midnight in Paris, made me nostalgic for that wonderful city, and had me reminiscing about my visit there last December (2010). So today, I am featuring a bunch of images from that trip, and links to relevant posts about my visit.

A view from the top of the Eiffel Tower. See my previous entries: The Eiffel Tower: A Promise Kept, and Top of The Tower Views.

The Statue of Apollo in the Grand Canal at Versailles, breaking through the encroaching ice on a cold December day in 2010. My trip to Versailles on a frosty winter's day was one of many highlights of my stay in the French capital.

I wrote about my visit to the Palace of Versailles in two posts: Viva La Revolution! and Palace of Versailles Gardens.

Above: Notre-Dame Cathedral. You don't have to be Catholic or even religious to appreciate the grandeur of Notre-Dame Cathedral, but it probably helps. Even so, I am neither, but that didn't stop me from visiting Notre-Dame several times during my 10 night stay in Paris (see Notre-Dame Cathedral).

To my delight, my visit coincided with an evening choral performance that I wrote about here: The Sound of Angels Singing. Given my previous comment about being neither Catholic nor religious, I may be coming across as confused and contradictory, but such was the power of the setting and the music, that I am happy to plead "Guilty as charged, you honor."

Above and below: No trip to Paris would be complete without at least one stroll through parts of the magnificent Jardin des Tuileries (or Tuileries Garden), which I wrote about here Jardin des Tuileries, Paris. As you can see from the ice covered table below, there was plenty of snow about, and despite the cold and the snow, I loved Paris in December.

Come to think of it - it was because of the snow and the cold that I loved Paris so much. The heat and the crowds of summer were long gone, making the queues shorter, the Metro less crowded, and the weather perfect for extended walks around the city.

Well that will do for now. If you haven’t done so, I can highly recommend Woody Allen’s Midnight in Paris, if for nothing else than the stunning scenery of the City of Lights. But as I indicated in my review, the film is thoroughly enjoyable in its own right, and I’m sure you won’t leave disappointed.

In Review: Midnight in Paris

I have a terrible admission to make.

Until I saw Woody Allen’s latest flick, Midnight in Paris last night, I can’t remember going to see a Woody Allen movie in over 20 years. Twenty years! Why? What happened? Even I don’t rightly know.

I always enjoyed his early career as a writer, actor and film director, but for some reason I can no longer remember, I lost interest. Or maybe I just became more interested in the work of directors like Martin Scorcese, Francis Ford Coppola, the Coen Brothers, David Lynch, and one or two others.

I’m kicking myself now. Kicking myself, because I thoroughly enjoyed Midnight in Paris right from the opening montage of images that showed the ‘city of lights’ in all its stunning beauty. And kicking myself because I am sure I have missed any number of other excellent Woody Allen films over the past 20 years or so.

Still, there’s no point berating myself too much. Looking on the bright side, I’ve got at least two decades of catching up to do, as I program my personal Woody Allen retrospective in the coming months, and uncover more ‘lost’ gems from his film making oeuvre. But enough of the self abuse – on to Allen’s latest offering.

Part romantic comedy, and part fantasy, Midnight in Paris tells the story of Gil (Owen Wilson), a successful Hollywood screenwriter who is having problems finishing off his first novel. With his fiancée, Inez (Rachel McAdams), he travels to Paris with Inez’s rich, conservative parents, and understandably falls in love with the city. Unfortunately, Inez and her parents are less than enthusiastic, especially when Gil declares that he would love to live and work in Paris. Inez on the other hand, is apparently looking forward to married life in Malibu!

Gil believes that Paris’s golden age was the 1920s. An era that saw some of the greatest writers and painters of the twentieth century (both American and European), make Paris their home. At the end of a drunken night out with Inez, her ex-boyfriend Paul (Michael Sheen), and his wife Carol (Nina Arianda), Gil decides to walk the streets of Paris to clear his head. As a clock chimes the midnight hour, Gil is literally transported back in time to a party set in 1920s Paris, at which a host of famous writers and artists from that period are present.

Over a period of four or five nights, Gil meets Cole Porter, Zelda and F. Scott Fitzgerald, Gertrude Stein, Picasso, Dali, Hemingway, and many more writers, painters, dancers, artist’s models, as well as other luminaries of the age.

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I could write a lot more about the plot, but if you have yet to see the film, I don’t want to spoil the enjoyment I am sure you will get from it, by giving away too many plot points or quoting directly from the script.

As you might expect, Woody Allen has great eye for settings, and it has been years since I have seen Paris shown off to such great advantage in a movie. I was in Paris myself just over a year ago, and it was a delight to see scenes set in many of the places I myself visited during my stay. Places like the Louvre, the Palace of Versailles, the Musée de l’Orangerie (for a lovely scene involving Monet’s Water Lilies), Notre-Dame Cathedral, the famed Shakespeare and Company bookshop, the River Seine, and many others.

I thought every performance in Midnight in Paris, was spot on. Even from those actors with not much more than walk on parts. The dialog was sharp, witty, insightful, and the transitions between the present and the 1920s seamless. I spent the whole 90 minutes with a big smile on my face, and I left the cinema wishing that Woody Allen could have added another 30 minutes to the overall length of the film.

If you are into classic literature, art and cinema, there is much to delight and entertain you in Midnight in Paris. Apart from the great settings, and the excellent acting, you should have fun picking up the numerous artistic and cultural references Woody Allen sneaks in to his film.

My highest accolade? I enjoyed Midnight in Paris so much I intend to go back and see it again, before it disappears from the big screen. Not only that, but this is one movie I will definitely buy when it is released here on DVD – and for me that is always my biggest stamp of approval.

Highly recommended.

In Review: Bloody Crimes, by James Swanson

Bloody Crimes: The Chase for Jefferson Davis and the Death Pageant for Lincoln’s Corpse¹ – to give my copy of James Swanson’s 2010 book its full title – is a detailed chronicle of a momentous period in American life, which, as the title suggests, deals with the assassination of President Abraham Lincoln; the historic journey by train of his remains from Washington, DC to Springfield, Illinois; and the hunt for the Confederate President, Jefferson Davis, in the final weeks of the American Civil War.

While the core of the book covers a period of less than four weeks – from the death of Abraham Lincoln on April 15, 1865 until the capture of Jefferson Davis on May 10, 1865 – there are chapters bookending this material which provide information to place these two larger-than-life characters in the right historical setting.

Apart from a passing mention or two, James Swanson does not deal with the hunt for John Wilkes Booth – Lincoln’s assassin – or that of his co-conspirators in this book. Swanson’s first book, Manhunt, covers this ground extensively, allowing him to concentrate on the parallel, but quite different journeys of Lincoln and Davis.

And what journey’s they are.

Following Lincoln’s murder, his body undergoes a 1,600 mile trip by train from Washington, DC through Maryland, Philadelphia, New York, Ohio, Indiana, and finally onto its final resting place in Lincoln’s hometown, Springfield, Illinois. As the funeral train steams across the American landscape, thousands of people line the route and crowd town and city ceremonies to honor the presidents life and to mourn his passing. The closer to Springfield the train gets, the larger the crowds and the more intense the mourning rituals.

While all this is going on, Confederate President, Jefferson Davis is heading into the south, hoping against hope to rally his scattered generals and war weary soldiers for the ongoing fight for secession.

Falsely accused of being a co-conspirator in Lincoln’s assassination, Davis eventually runs out of money, support, and options, and is captured along with his wife, children, and a small group of loyal aides, and jailed in anticipation of a trail that never takes place. Ultimately, he is released – neither guilty nor innocent – of crimes against the state, and lives out the rest of his life at Beauvoir, an estate near Biloxi, Mississippi.

Following Jefferson Davis’s death in New Orleans on December 6, 1889, his own remains underwent their own pilgrimage by train from the Crescent City through Mississippi, Georgia, South and North Carolina, and on to Richmond, Virginia.

But none of the above, captures the intimate details and minutiae that James Swanson fills Bloody Crimes with. Richly illustrated, and carefully researched, Swanson’s 464 page book takes readers inside the Peterson house to recount the minutes and hours following the shooting at Ford’s Theatre. The boarding house, owned and operated by William and Anna Peterson was just doors from the theatre. It was here that Lincoln, mortally wounded from a single gunshot to the head, spent the final 12 hours or so of his life.

Using contemporary accounts from the period (books, private journals and letters, newspaper reports, photos, sketches, prints, archival material, and official government records, etc), Swanson is able to paint a picture that captures the shock, tears, anger and confusion in the immediate aftermath of Lincoln’s death.

His coverage of Lincoln’s funeral train is equally detailed, again using many contemporary accounts that followed its route through the northern states of the Union. Interspersed with these descriptions, Swanson examines the southern journey of Jefferson Davis as he abandons Richmond, Virginia after the surrender of Robert E. Lee, and heads south by train with what little is left of his war cabinet and treasury.

James Swanson regards Jefferson Davis, as one of the “Lost Men” of American history, and it wouldn’t surprise me if he decided to turn his attention to telling Davis’s story at some future date. Sadly, in the epilogue to Bloody Crimes, Swanson writes that Beauvoir, the family home near Biloxi was completely destroyed when Hurricane Katrina roared across the Gulf in August 2005, sweeping away priceless artefacts, documents and other materials kept there.

Students of American history should find Bloody Crimes fascinating. I for one, highly recommend it.

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Notes:
¹Intriguingly, Amazon gives the title of this book as Bloody Crimes: The Funeral of Abraham Lincoln and The Chase for Jefferson Davis (see image).

Why the difference in titles is beyond me, although I suspect that the ‘Death Pageant for Lincoln’s Corpse’ lines might have something to do with it. In that case, why not settle for the same, less offensive or controversial title across all editions and be done with it? Your guess is as good as mine, dear reader. Your guess is as good as mine.

James Swanson seems to have carved out a niche for himself as an expert on the assassination of President Abraham Lincoln and the events surrounding that historic event. He has written or co-written several other books on the topic including, Manhunt: The 12-Day Chase for Lincoln’s Killer, and Lincoln’s Assassins: Their Trial and Execution (with Daniel Weinberg).

Not to be confused with Bloody Crimes, Amazon also sells a book titled, Bloody Times: The Funeral of Abraham Lincoln and the Manhunt for Jefferson Davis. This is described on Amazon as “...an adaptation for young people of his adult book Bloody Crimes,” so be sure you are purchasing the ‘adult’ version of the book, if that is what you are looking for.

Swanson has also co-written, The Lincoln Assassination Encyclopedia with Edward Steers. Finally, most of these books are also available in Kindle editions, and as audio books through Amazon.