Thursday, February 23, 2017

Writers From Life's Other Side

A small selection of books bought this year
Over the past few years I have made a point of seeking out writers that have never been on my radar, despite the accolades they have garnered for their writing. I am especially interested in discovering and reading writers from ethnic backgrounds that offer a new and unique (for me), view of life that I have never experienced or imagined. Additionally, I have been seeking out male and female writers of colour, who tend to add another layer of insight and experience to their writing that non-white male and female writers are simply unable to provide.

Among my female 'discoveries' have been Maya Angelou (I Know Why The Caged Bird Sings); Zora Neale Hurston (Their Eyes Were Watching God); Jesmyn Ward (Men We Reaped, and Salvage The Bones); and Chimamanda Ngozi Adichie (That Thing Around Your Neck, and Americanah).

Male writers of colour that have also come to my attention and join my list of new 'discoveries' include the brilliant and insightful Ta-Nehisi Coates (The Beautiful Struggle, and his stunning follow-up, Between The World And Me); Teju Cole (Every Day Is For The Thief); Colson Whitehead (Apex Hides The Hurt); Ernest J. Gaines (A Gathering of Old Men); and Daniel Black, whose recent book The Coming, I examined here...

Still more of my recent book buying adventures
Of course, I am not completely ignorant about the pantheon of great African-American writers who were, or are contemporaries of the above writers. Men such as Langston Hughes, James Baldwin, W.E.B DuBois and Ralph Ellison are names I have been familiar with for many years. Of these four writers, the only one I had read was James Baldwin. Indeed, earlier this year I reread two of Baldwin's now classic essay collections, Nobody Knows My Name (from 1961), and The Fire Next Time (1963).

I had read these and other books by James Baldwin during my 20's, but was motivated to read them again because two contemporary writers, Ta-Nehisi Coates, and Jesmyn Ward have responded to Baldwin's famous essay, The Fire Next Time, by publishing in these past couple of years, Between The World And Me (Coates, 2015), and a collection of modern essays edited by Ward called The Fire This Time (2016).

Until recent years, my knowledge of female minority writers has been all but non-existent. I have read Toni Morrison over the years, and while I was familiar with Alice Walker and her book, The Color Purple, I had not, and still have not, read that or any other of her books. To be honest, I can not recall having read a novel by another woman of colour before Toni Morrison, which, for an avid reader like myself, feels like a terrible admission to be making.

Clearly I have a lot of catching up to do, and the list of authors, both male and female that I am adding to my reading list, continues to grow and expand. I just hope I have the time and energy to do the authors and their books, justice.

Here are links to some of the books I have read (or plan to read) this year...


All are worth reading.

Wednesday, February 22, 2017

Travel Tales From The Past: A Venetian Diddler



As an avid reader, I make it a habit of mine to regularly scan through the new additions to that great online collection of public domain books at the Gutenberg.Org website. Currently there are more than 54,000 titles available on the site, and all are free to download (in the ePub and Kindle format), or read online.

Today, on a whim I decided to check out the September 5, 1840 edition of The Irish Penny Journal, and to my delight found the following cautionary tale from a mister Michael Kelly who recounted his experience with a Venetian scammer.

Note: Wikipedia explains that a zecchino or sequin, was "...a gold coin weighing 3.5 grams (0.12 oz) of gold." It was minted by the Republic of Venice from the 13th century onwards.

Oh, and a Capon is a rooster that has been castrated to improve the quality of its flesh for food - although, I hasten to add, not the quality of its sex life! But I digress. Let's get on with our cautionary tale...


* * * 

A Venetian Diddler
When in Venice, I had but two zecchinos left wherewith to fight my way through this wicked world. My spirits for the first time deserted me: I never passed so miserable a night in my life, and in shame of my “doublet and hose,” I felt very much inclined to “cry like a child.”

While tossing on my pillow, however, I chanced to recollect a letter which my landlord of Bologna, Signor Passerini, had given me to a friend of his, a Signor Andrioli; for, as he told me, he thought the introduction might be of use to me.

In the morning I went to the Rialto coffee-house, to which I was directed by the address of the letter. Here I found the gentleman who was the object of my search. After reading my credentials very graciously, he smiled, and requested me to take a turn with him in the Piazza St Marc. He was a fine-looking man, of about sixty years of age. I remarked there was an aristocratic manner about him, and he wore a very large tie-wig, well powdered, with an immensely long tail. He addressed me with a benevolent and patronizing air, and told me that he should be delighted to be of service to me, and bade me from that moment consider myself under his protection. “A little business,” said he, “calls me away at this moment, but if you will meet me here at two o’clock, we will adjourn to my cassino, where, if you can dine on one dish, you will perhaps do me the favour to partake of a boiled capon and rice. I can only offer you that; perhaps a rice soup, for which my cook is famous; and it may be just one or two little things not worth mentioning.”

A boiled capon—rice soup—other little things, thought I—manna in the wilderness! I strolled about, not to get an appetite, for that was ready, but to kill time. My excellent, hospitable, long-tailed friend was punctual to the moment; I joined him, and proceeded towards his residence.

As we were bending our steps thither, we happened to pass a luganigera’s (a ham-shop), in which there was some ham ready dressed in the window. My powdered patron paused,—it was an awful pause; he reconnoitred, examined, and at last said, “Do you know, Signor, I was thinking that some of that ham would eat deliciously with our capon:—I am known in this neighbourhood, and it would not do for me to be seen buying ham. But do you go in, my child, and get two or three pounds of it, and I will walk on and wait for you.”

I went in of course, and purchased three pounds of the ham, to pay for which I was obliged to change one of my two zecchinos. I carefully folded up the precious viand, and rejoined my excellent patron, who eyed the relishing slices with the air of a gourmand; indeed, he was somewhat diffuse in his own dispraise for not having recollected to order his servant to get some before he left home. During this peripatetic lecture on gastronomy, we happened to pass a cantina, in plain English, a wine-cellar. At the door he made another full stop.

“In that house,” said he, “they sell the best Cyprus wine in Venice—peculiar wine—a sort of wine not to be had any where else; I should like you to taste it; but I do not like to be seen buying wine by retail to carry home; go in yourself; buy a couple of flasks, and bring them to my cassino; nobody hereabouts knows you, and it won’t signify in the least.”

This last request was quite appalling; my pocket groaned to its very centre; however, recollecting that I was on the high road to preferment, and that a patron, cost what he might, was still a patron, I made the plunge, and, issuing from the cantina, set forward for my venerable friend’s cassino, with three pounds of ham in my pocket, and a flask of wine under each arm.

I continued walking with my excellent long-tailed patron, expecting every moment to see an elegant, agreeable residence, smiling in all the beauties of nature and art; when, at last, in a dirty miserable lane, at the door of a tall dingy-looking house, my Mæcenas stopped, indicated that we had reached our journey’s end, and, marshalling me the way that I should go, began to mount three flights of sickening stairs, at the top of which I found his cassino: it was a little Cas, and a deuce of a place to boot; in plain English, it was a garret. The door was opened by a wretched old miscreant, who acted as cook, and whose drapery, to use a gastronomic simile, was “done to rags.”

Upon a ricketty apology for a table were placed a tattered cloth, which once had been white, and two plates; and presently in came a large bowl of boiled rice.

“Where’s the capon?” said my patron to his man.

“Capon!” echoed the ghost of a servant; “the——”

“Has not the rascal sent it?” cried the master.

“Rascal!” repeated the man, apparently terrified.

“I knew he would not,” exclaimed my patron, with an air of exultation, for which I saw no cause. “Well, well, never mind, put down the ham and the wine; with those and the rice, I dare say, young gentleman, you will be able to make it out. I ought to apologise, but in fact it is all your own fault that there is not more; if I had fallen in with you earlier, we should have had a better dinner.”

I confess I was surprised, disappointed, and amused; but as matters stood, there was no use in complaining, and accordingly we fell to, neither of us wanting the best of all sauces—appetite.

I soon perceived that my promised patron had baited his trap with a fowl to catch a fool; but as we ate and drank, all care vanished, and, rogue as I suspected him to be, my long-tailed friend was a clever witty fellow, and, besides telling me a number of anecdotes, gave me some very good advice; amongst other things to be avoided, he cautioned me against numbers of people who in Venice lived only by duping the unwary. I thought this counsel came very ill from him. “Above all,” said he, “keep up your spirits, and recollect the Venetian proverb, ‘A hundred years of melancholy will not pay one farthing of debt.’”—Reminiscences of Michael Kelly.

* * *
For other cautionary tales of travel scams, read One Ring To Scam Us All, and Another City, Another Scam.

Tuesday, February 21, 2017

The Bitter End—Loud and Live

Screenshot from the live Bitter End feed
I have written about that famed New York City venue, the Bitter End on numerous occasions on this blog, and today I am going to write more.

Coming of age during the heady folk and rock-filled days of the 1960s, I have long been aware of the place the Bitter End, and other long-lost venues have had in the development of modern folk, rock, jazz and blues music. Many of the biggest names in contemporary music have played on the venue’s small, unassuming stage. The Legends page on the Bitter End website name-checks dozens of comedians, musicians and bands including Neil Young, Bob Dylan, Bette Midler, Miles Davis, Billy Crystal, and Woody Allen, to name just six.

During each of my four visits to New York I have made a point of visiting the venue multiple times. Each time looking forward to seeing up-and-coming singer-songwriters, established bands, and first-timers. I have rarely been disappointed by the talent on offer. The Bitter End still holds true to its roots by hosting open mic’s, fundraisers, album launches, and tribute nights throughout the year, along with a full calendar of nightly music that often features as many as seven different acts. 

So what’s a poor boy to do when he lives—as I do—10,000 miles away from the venue he holds in such high regard?

Thankfully, when it comes to the Bitter End, I, and potentially thousands of others, can log on to the nightly Live Internet Stream and enjoy the music from the comfort of our own homes. And that is exactly what I do as often as I can from my lounge room in Adelaide, Australia. In fact, as I write this, I am watching the regular Monday night jam hosted by Richie Cannata.

At this point I should probably mention that when it is 7:00pm in New York City (when the entertainment begins at the Bitter End), it is a very reasonable 10:30am the following morning in Adelaide! And since I am a 68-year-old retiree, and don’t have to be at work, or indeed anywhere at 10:30 in the morning, I have plenty of time—and bandwidth—to devote to watching great live music from the Big Apple. As the song says, Some days are diamonds.

Wig Party
In this post, apart from singing the venue’s praises once again, I thought I would mention several of the groups that have impressed me over the past few weeks as I have tuned in to the live feed, and share my brief communications with some of them. I should explain that when a group impresses my mightily, I make a point of seeking them out on Facebook (and pretty much everyone is on Facebook, nowadays), and sending them a personal message to convey my appreciation for the music they played during their sets. To my surprise, most people performing at the venue don’t seem to be aware that there is even a live feed reaching out to the world.

For example, when I sent a message to the group Wig Party just after they left the stage around 3:00am one recent morning, I wrote (in part):
Really enjoyed your great set all the way 'down under' here in Adelaide, Australia, where I have been watching the The Bitter End's live internet stream… I especially enjoyed the playing of your amazing guitarist, Vincent Ventriglia. That man really knows how to play. Dom Palombi [the drummer] is no slouch either.

A member of Wig Party soon responded with: 
Jim thank you so much!! Didn't even know there was a stream. It's kinda crazy when you think about it, someone on the other side of the world was listening and watch the show. 

Crazy, all right. And a real treat. For the record Wig Party are guitarist and vocalist, Vincent Ventriglia, John Cisco (Bass/Vocals); Dom Palombi (Drums), and Hank Rosenthal (Keyboards and Vocals).

Another group that tore down the house recently was the four piece ensemble, LEVEL 5. The quartet are an “…instrumental fusion band led by drummer, Mark Feldman.” On Facebook, the promo material notes that the group performs compositions by the guitarist, Oz Noy, although it’s not clear if the tunes they play are all exclusively composed by Oz Noy. As it happens, the Oz Noy Trio also have a residency at the Bitter End, and precede Richie Cannata’s Monday Night Jam every week.

Level 5
My message to Level 5 said in part: 
WOW! You guys totally 'killed it' tonight at the Bitter End. What an amazing set… Most days I log into the venues live internet stream just for the joy and excitement of seeing bands and singers I have never heard of, and tonight Level 5 tore down the house.
In response the band sent this message:
Hey Jim! That's awesome! Thank you so much for the kind words. If you give me your email address and post code I can add you to our mailing list so you'll know about our shows. Thanks again.


The final group I want to mention is THE SECTIONALS, a trio of teenagers from New York City who play mostly original “Alternative, Rock, Blues” music. Their Facebook bio reads: 
Sofia D’Angelo (guitar & vocals), Michael Golden (drums), and Cyan Hunte (bass) are three sixteen-year-olds with such a passionate love of music that they decided to make their own. From three different NYC schools, they met at a Lowell’s World Young Musicians Showcase at the Underground Lounge and formed the band in October 2012, and they have performed shows  throughout NYC and surrounding areas including The Bitter End, The Parlour, Tammany Hall, The Studio at Webster Hall and The Stephen Talkhouse to name a few. Their self-titled debut EP is available on iTunes and Spotify. 

The Sectionals
While a little rough around the edges, the group is a perfect example of why I watch the live feed from the Bitter End. You can never be sure who or what style of performer will take to the stage there. Today’s beginners may well go on to be the big stars of tomorrow. After all, Lady Gaga herself played the Bitter End in the early days of her career. I was impressed with the energy and enthusiasm (how could I not be), of The Sectionals, and sent them the following message via Facebook…

Just caught your set at the Bitter End, and wanted to say how much I enjoyed the show. I…liked how you throw yourself into your performance and ‘own the stage’. That is a skill that many performers never learn. Congratulations, again on a great set. I hope your career in music is long and successful.

Soon after sending that message (Sofia?) responded:
OMG!! This so sick. Thank you so much for tuning in, so glad you liked our stuff.

To conclude, I have made a point of sending performers personal greetings to not only thank them for their music, but also because I think it is important to let them know that their potential audience stretches far beyond the narrow confines of that great venue on Bleecker Street. I know Wig Party, Level 5, and The Sectionals would have all gotten a huge buzz from playing at the Bitter End—that landmark venue that has launched a thousand careers—but all three groups clearly got a buzz from learning that I was watching their performances thousands of miles away on the other side of the planet.

Next time they play at the Bitter End, they will have that knowledge in the back of their minds, and hopefully it will inspire them to crank their performances up a notch or two and take them to a higher level. Taking a few minutes to get in touch through individual Facebook pages is the least I can do.

Finally, dear reader, I would encourage you to check out the Bitter End live internet feed for yourselves, and also take the time to seek out and get in touch with the musicians, whether soloists or ensembles, and send them a note or two of appreciation. You can be sure it will make their day—or night.

A little encouragement can go a long way.
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