Showing posts with label OK Go. Show all posts
Showing posts with label OK Go. Show all posts

Friday, July 21, 2017

NYC Days 33 & 34: In Which I Get The Lowdown on Common. Ok? Go!


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LOWDOWN HUDSON MUSIC FEST 2017
If it is July and the location is Brookfield Place, it must be time for the Lowdown Hudson Music Fest.

Somewhere between 5:00 and 5:30pm, on a hot Tuesday afternoon, I stepped outside of the air-conditioned comfort of Brookfield Place to see what the weather was up to and immediately regretted my decision. In a word, the weather was Brutal. I returned in a rush to the soothing comfort of the Winter Garden, and did not leave it until around seven when the outside temperature had dropped to a more bearable level, aided by a breeze rolling in off the Hudson River to help it along.

By this time someone calling herself Lion Babe - yes, indeedy - was turning up the heat on stage with what I can only assume was the latest style in black rhythm and soul, or whatever it was she was modulating her way through. Lion Babe appears to be the latest in a long and illustrious line of gymnastic warblers who may or may not have something important to say, but I find forgettable once the song is over. In deed, minutes after she left the stage I could not recall one catchy melody or hook that might have made me want to hear more.

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However, the audience was lapping it up, and they were soon right into the hip hop beats of the main act, the man calling himself Common. I guess with a name like that there is nothing else you can do but work hard to show you are anything but common. Even my limited knowledge of this genre recalls that Common (born Lonnie Rashid Lynn, Jr in 1972), has been around since the early 1990s, and is one of the early practitioners of hip-hop music in New York City.

I'm sorry, but maybe I'm turning into the grumpy old man I swore I'd never be. Having come of age in the 1960s, I guess I was spoilt by so many great songwriters and singers who not only had something to say, but who also knew how to say it with a great melody line, a catchy hook, and lyrics that didn't make you blush in front of your mother (let alone your grandmother!) Maybe too, I needed to have been born in a ghetto in 1970s New York to really understand and appreciate hip hop music, and rap.

Both Lion Babe and Common, and their crews of very talented musicians drank gallons of water and poured it all out again in copious amounts of sweat, while they commanded the stage as only hard working musicians know how to do. I am not doubting their talent in the least. It's just that the genres these performers have chosen to work in consistently fails to move me. I am well aware that the fault lying at the heart of my lack of appreciation is entirely my own, and not that of the performers on stage on Tuesday night.

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OK GO
I first became aware of OK GO, like millions of other fans, via the band's first viral video for the song, Here It Goes Again, which quickly became known as 'the treadmill song'. If you've never seen it, head over to YouTube right now and take a look. You'll be happy you did. The group has gone on to make even more complicated one-take music videos that seemingly defy the imagination, and each video is more complex in terms of its planning and choreography than the previous one.

Needless to say, I was not going to pass up an opportunity to see the group performing in New York during my stay, especially since the show was free. As soon as the show started I realized that despite viewing their videos dozens of times on YouTube, I was totally unfamiliar with their music.

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How can this be?, I hear you ask.

After giving the matter some thought I know why. In watching the videos, I have been so engrossed in the complex visuals that I have not been focusing on the actual songs themselves. For me, the music was just the accompaniment to the visuals, and to the complicated choreography. Stripped of the visual element, I initially feared the songs might turn out to be dull and uninteresting, but I was delighted to find the songs stand up perfectly well on their own.

Of course, several of the songs were well known to me, but others, shorn of their visual elements, were truly being heard for the first time. With OK GO I was in my musical element. I was on familiar ground. Here is a genre of music I understand. Here is a group that also knows how to write great hooks with strong melodies that audience members can pick up quickly, and are able to join in on with little teaching or encouragement.

Like Lion Baby, Common, and Flint Eastwood (the opening act for the night), the four members of OK GO were pouring sweat on stage almost as fast as they could down the cold water they were consuming in an effort to remain hydrated. Like the professional musicians who preceded them, they gave their all, and the 90-minute performance has been one of the musical highlights of my trip to date.

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Tuesday 18, July | Expenses $85.53 ($111.05)
Wednesday 19, July | Expenses $16.85 ($21.15)
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Any questions, comments or suggestions? How about complaints or compliments? Let me know via the comments box below.

Tuesday, June 6, 2017

TED on Tuesday: OK? Go!


OK Go: How to Find a Wonderful Idea
If you are a popular music fan that has been paying any sort of attention to the music scene over the past 10 or 12 years, you must surely have heard of the American rock group, OK Go. If you haven’t you are in for a delightful surprise. OK Go came to prominence after the 2006 video for their song Here It Goes Again, in which the band performed a complex routine on motorised treadmills, went viral with the help of YouTube, and other video sharing sites. 

Seemingly defying all odds and bets that the band could would not be able to top the hype generated by that video, OK Go have in fact gone on make many more innovative and genre defying videos that have set the benchmark so high that other bands have simply given up trying to match them. The only exception I can think of to that statement is the always innovative Icelandic artist, Björk.
Where does OK Go come up with ideas like dancing in zero gravity, performing in ultra slow motion or constructing a warehouse-sized Rube Goldberg machine for their music videos? In between live performances of "This Too Shall Pass" and "The One Moment," lead singer and director Damian Kulash takes us inside the band's creative process, showing us how to look for wonder and surprise.

The above talk, begins with OK Go performing This Too Shall Pass on stage while the video for the song plays in the background. But how, you may be asking, was this massive Rube Goldberg machine built and engineered? The answer my friend, is … in the video below. Adam Sadowsky takes us through the process, after his team at Syyn Labs were given the task of building it. He tells the story of the effort and engineering behind their labyrinthine creation that quickly became another YouTube sensation for the band.

The team spent months setting up the set in a 10,000-square-foot warehouse. The Rube Goldberg machine involved 89 distinct interactions, and required 85 takes (of which only three were completely successful). Two pianos and 10 television sets were destroyed during the shoot—and some of these trashed items can be seen lining a wall in the warehouse.

Having watched the video numerous times before watching this TED talk, I could never understand why it was that the band members wore clothing covered in paint. After listening to Adam’s presentation, the penny dropped so to speak, and I realised that this was as a result of previous unsuccessful attempts to film a flawless video. Anyway, the president of Syyn Labs, Adam Sadowsky explains all. Oh, and the finished video for the song is included at the end of Adam’s all too brief presentation.


About OK Go
Singer and video director Damian Kulash, Jr. and bassist Tim Nordwind met at summer camp in 1987, and a decade later they formed OK Go. With Dan Konopka as drummer and Andy Ross as guitarist and resident computer programmer, they've built a unique career at the intersection of music, visual art, technology, and science. They're among an emerging class of artists whose 21st-century brand of experimental creativity dissolves the traditional boundaries between disciplines.
"When our band started, music and art were actually different things," says Kulash. "Musicians made plastic discs and artists made objects for galleries. Now we all make ones and zeros, so the categorical distinctions don’t make much sense anymore."
Here is the video for The One Moment, the second song OK Go performed on stage during their TED presentation. 


And finally, in case you are not among the millions of people who have seen Here It Goes Again, the video that started it all for OK Go, why not take a look at it now? Enjoy.



Online: okgo.net | Twitter: @okgo | Facebook: https://www.facebook.com/okgo/ 
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