NYC Days 31 & 32: In Which I Visit The Age of Empires, Eat, Walk, and Do Little

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ONE MONTH DOWN, TWO TO GO
Wow, Time flies when you're having fun, as the hackneyed cliche has it, and I have certainly enjoyed my first month in New York City. I seem to have settled into a relaxing daily routine that rarely sees me leave the apartment before 11:00am. Why rush? Especially when often I don't return to the comfort of my accommodations until eight to ten hours later. I generally have one or two main events in mind for the day, but I am just as happy to ignore both of them and sit and watch the daily life of the city unfold around me as I follow my whims, wander down unfamiliar streets, or explore buildings or stores for the first time.

 Images from the Age of Empires exhibition

For example, after visiting the Met Museum yesterday to take in the Age Of Empires exhibition, a strolled across Central Park making a bee-line for A.G.Kitchen, a restaurant at 269 Columbus Avenue, which Google in its listing describes as a "Latin American Restaurant" whose "Neuvo Latino cooking and creative burgers are the attractions at this light-filled, modern eatery." The restaurant has been on my dining 'radar' ever since it popped up on my Twitter feed with images of some of the delicious looking meals produced by its creative chefs.

I thought I might spook the greeter at the door by telling him, "There's no pressure, but I've travelled all the way from Australia to eat here tonight!" However, like the true New Yorker he was, he just took my statement in his stride, laughed, and repeated. "No Pressure!"

That Juicest Lucy Inside Out burger from A.G. Kitchen

I thoroughly enjoyed my burger and fries meal, which had been given the odd title, Juiciest Lucy Inside Out burger. The 'inside out' part referred to the cheese which had been inserted and cooked inside the beef patty. It added a lovely soft, creamy texture to the burger which I might just have to sample again before I leave New York.

From A.G. Kitchen I walked over to Riverside Park, which borders the Hudson River for many miles. I thought I could pick up an M5 bus on Riverside Drive that would take me back uptown, but I had miscalculated the point at which the bus route turned on to the drive, so it being a lovely evening I decided to walk for a while until I found an M5 bus stop.

During my stroll, I encountered an older woman working alone in a section of garden in Riverside Park, and stopped for a brief chat. It turned out that she was one of the thousands of volunteers who have dedicated themselves to maintaining and improving hundreds of city parks across New York City. Without these amazing volunteers, the city's Parks Department would have a much harder time keeping up with the massive amount of work needed to keep New York's parks looking so clean and beautiful.

I was about to leave the park in search of a bus stop when I noticed a large structure towering over the landscape a little farther up the road. Never one to miss an opportunity to discover something new -- or at least new to me -- I continued walking until I reached the Soldiers' and Sailors' Monument that stands in the park right at Riverside Drive and West 89th Street on the Upper West Side. According to Wikipedia: The Soldiers' and Sailors' Memorial Monument ... commemorates Union Army soldiers and sailors who served in the American Civil War. The monument was completed in 1902.

Imagine my surprise and delight on reaching the monument, to find a gaggle of actors in period costumes that looked like they had been transported straight out of the pages of Alexandre Dumas's book, The Three Musketeers.

Part of the audience enjoying a performance of The Three Musketeers by members of Hudson Warehouse.

Oh. Wait. In a way they had been transported from the pages of that book, because I had just stumbled into the middle of Susan Lee's adaptation of The Three Musketeers, which was being performed by the Hudson Warehouse theatre company.

From the Hudson Warehouse website, the group's Mission Statement:

"Hudson Warehouse's mission is to provide quality, exciting, innovative, and affordable classical theatre to the community. The Warehouse believes theater is a "ware" and essential for daily life. To this end, the Warehouse doesn't sell tickets, but has a "pay what you can" policy because the arts should be affordable to everyone. Those unable to pay are still welcome because the Warehouse believes everyone deserves to have the theater experience, because theater is so essential to what makes us human."

I stopped for a break and joined 50 or 60 local residents who were already watching the performance, but since I had arrived late and missed most of the play, I continued my walk after ten minutes or so in search of the ever elusive M5 bus. I did learn however, that the play will be performed this week across four more nights from Thursday 20 to Sunday 23, starting at 6:30pm.

According to the poster I found pinned to a nearby fence, the Hudson Warehouse actors are also staging a series of performances of Shakespeare's Henry V, from July 27 to August 20 at the same location. Although the poster fails to mention performance times and days, I did learn that performances are staged Thursday to Sunday evenings from 6:30pm.

And that, dear reader, is how I spent Day 31 in the Big Apple.

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Sunday 16, July | Expenses $41.75 ($53.40)

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On Day 32, Monday, I stayed in all day and frittered away the hours in inconsequential ways that are of no interested to anyone but myself. That this days' expenses were more than yesterday's can be put down to a fine Chimichanga and beer meal at the Refried Beans Mexican Grill at 591 Fort Washington Avenue, and a spot of grocery shopping at the Associated Supermarket store across the street.

Above: Corn chips and spicy dip to get started.

My very tasty chimichanga with beans and rice.

Some very famous Mexican artists are featured on this wall.

More Information
The Met Museum...
A.G. Kitchen...
Riverside Park...
Hudson Warehouse... 
Refried Beans Mexican Grill...

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Monday 17, July | Expenses $53.10 ($67.00)

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Any questions, comments or suggestions? How about complaints or compliments? Let me know via the comments box below.

NYC Days 29 & 30: In Which I Do The Usual; Plus Week 4 Expenses

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Most days I start out with a long list of possibilities to select from for that day's events and activities, only to ignore them all and do something else entirely. At some point during my day however (if I am not ensconced comfortably in a museum somewhere), I know I am going to need to rest and regroup, preferably in a location that has food, clean restrooms, and air conditioning. And preferably away from the heat, noise, hustle and bustle and humidity of the afternoon city. I have several favorite resting spots, and I thought I would write about them today. You never now when you might be in need of one yourself. Some are perfect as afternoon havens of rest and relaxation, others less so.

BROOKFIELD PLACE
I've mentioned Brookfield Place before on this blog, and I'm sure I will do so again because I use this as my personal 'cooling center' when I am in this part of Manhattan. PROS: It has lot's of public seating, food options aplenty, clean restrooms, free WiFi, air-conditioning, great views of the Hudson River, a weekly schedule of free music and arts events, and fancy shopping options if you need them. CONS: None that I can think of.

If you are visiting the 9/11 Memorial and Museum, or One World Trade Center and need somewhere to rest and recuperate after, this is definitely the place to head to, and since it is right across the road from these hot spot visitor attractions, I'm surprised it is not packed. The fact that it isn't, suggests that most visitors don't know about Brookfield Place or its public facilities.

By the way, there is a long underground pedestrian tunnel that connects to the Oculus and the vast subway and PATH rail networks that are located there. The Oculus itself has dozens of options for shopping and eating, but no public seating apart from that provided by restaurants and cafes, which are generally reserved for paying customers.

Location: 230, Vesey Street, Manhattan.

Above and Below: Brookfield Place. A place to eat, shop, rest, and relax.

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ROCKEFELLER CENTER
PROS: Lot's of public seating, plenty of food options, restrooms, free WiFi, and air-conditioning. CONS: due to the volume of people at this location, the restrooms are generally busy and not alway in the cleanest condition. I'm sure the janitors are doing their best, but the constant flood of visitors seeking relief in the two large restrooms on the lower ground floor must make their task almost impossible. As for the views, there are none to speak of until you surface onto the plaza above.

Despite the caveats noted, this is a place where you can go to hang out for ten minutes or ten hours! I'm sure the location closes down at some point very late in the evening or in the early morning hours, but from what I have observed, as long as you are not troubling other people, you can stay as long as you want.

Location: On Fifth Avenue between 49th and 50th Streets.

Above: 30 Rock, the building that hosts the Top Of The Rock viewing experience. 



Above and Below: A towering installation from Jeff Koons entitled, Seated Ballerina.

Above: This terrace double as an ice skating rink in winter and an outdoor restaurant over the summer. 

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TIME WARNER CENTER, COLUMBUS CIRCLE
PROS: This is my 'go to' place for the cooling air-con, clean restrooms, reasonably priced sandwiches and coffee (or higher class eating if that's your thing), and fancy fashion shopping options -- although I rarely if ever shop there. In fact, I have no interest in 'fancy shopping options' whatsoever, but that's another story. CONS: My main complaint about this location is the lack of available public seating options. To put it bluntly, there are no public seating options. Like the Oculus, the only available seating is provided by restaurants and cafes to paying customers. Out of interest, on its website, the Center claims to have "A prestigious collection of the largest Michelin-starred restaurants under one roof..." So if you are planning on eating a fancy meal there, make sure your credit card is well primed.

Personally, I think the owners of this building are doing the least possible to fulfill the requirements of their contract with the city. Often, agreements with city authorities to build massive skyscrapers such as the Time Warner Center come with stipulations for accommodating the public in some way. The owners are certainly doing this, but it is clear they don't want Joe Public hanging around, cluttering up the open spaces in their building -- especially if they are not there to spend their money. I go here for the sandwiches and coffee from the Bouchon Bakery Take-Out (not Michelin-starred!), and the restrooms, and for a much appreciated cooling break from the humidity, but that's about it. This is not a place to linger at.

I'm sorry, but I give up! I've been trying for far too long to load some images of the Time Warner Center in this slot, but I suspect a combination of aging iPad 2 and less than user friendly Blogger software has tested my patience to the effing limit, and I give up!

So instead I have loaded three other images: above is the delicious Juiciest Lucy Inside Out burger (I'm sure it's called something like that!), which I had at A.G. Kitchen at 269 Columbus Avenue, Manhattan. Well worth the USD$17.00 cost.

  Above: The Solders' and Sailors' Monument located at 89th Street and Riverside Drive in Riverside Park (on the Upper West Side).

And below, the scariest woman I have encountered so far on this trip! She resides in the Met Museum, and is not someone you'd want to bump into after the lights go out! You have been warned.

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ONGOING WEEKLY EXPENSES
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Museum Memberships $19.15 ($25.15)
AT&T SIM card $13.60 ($17.85)
MTA Pass $28.00 ($36.80)
Accommodation $152.00 ($200.00)
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Total Ongoing: US$212.75 (AU$279.80)
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ADDITIONAL DAILY EXPENSES
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Sunday 9, July | Expenses $32.50 ($42.80)
Monday 10, July | Expenses $118.65 ($157.10)
Tuesday 11, July | Expenses $78.00 ($101.30)
Wednesday, July 12 | Expenses $30.75 ($40.05)
Thursday, July 13| Expenses $47.65 ($61.00)
Friday, July 14 | Expenses $37.75 ($48.25)
Saturday 15, July | Expenses $30.00 ($38.30)
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Total Daily Expenses: US$375.30 | AU$488.80
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TOTAL EXPENSES WEEK 4: US$588.05 (AU$768.60)

*Figures in brackets are Australian dollar amounts.

NYC Day 28: In Which I Venture Across the East River to the Brooklyn Museum

Brooklyn Museum (click on images to view full sized)

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NEW YORK CITY: LOVE IT, OR LEAVE IT
You have to love New York City, because if you don't you are going to hate it. Take the weather for example. Yesterday had to have been one of the hottest and most humid of the summer so far. The forecast temperature was 93F, but once the oppressive humidity is taken into account -- and yesterday the humidity was oppressive -- the 'feels like' temperature, as they refer to it here -- makes the temperature feel much higher. This awful heat and humidity combination is another good reason not to venture down into the subway system if at all possible (see yesterday's post), since the temperature down there has to be at least ten degrees higher. And it definitely feels like it is 20 degrees hotter.

However, here we are today, and the temperature is at least 20 degrees cooler with a light but steady rain failing over the city, or at least over Manhattan. While the cooler temperature and the rain brings some relief to the city's eight million residents and tens of thousands of visitors, that relief is only temporary. In fact, brief as this respite from the heat will be, the light showers now covering the city's sun baked streets and buildings will only serve to increase the humidity once the water begins to evaporate, and thus the whole cycle of heat, humidity, and rain continues over and over again.

Nevertheless, as I wrote yesterday, Every cloud has a silver lining, and I had no intention of  letting a 20 degree drop in temperature go to waste. Heck, I was even prepared to brave the subway system on the basis that the temperature underground would have reflected to some extent the cooler weather outside, and happily that proved to be the case. It was therefore time to get off the island of Manhattan, and head to Brooklyn.

Above and Below: It all seems a bit fetishistic to me, but the exhibition featured numerous examples of clothing taken from Georgia O'Keeffe's wardrobe.

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In four previous extended visits to New York, I had never made it to the Brooklyn Museum, and today was the day I chose to change that sorry fact -- and I am delighted I did. Where the Museum of Modern Art and the Metropolitan Museum, and many other similar institutions on Manhattan, are constantly packed with visitors, crowding and jockeying for prime selfie positions, the few people I saw at the Brooklyn Museum were quiet, reserved, and very well behaved.

And while the Brooklyn Museum's collection may not be as extensive as that of say, the Met Museum, there is more than enough to justify a visit to this wonderful location. The lack of crowds also seemed to cause visitors to slow down and savor the collection rather than feel they had to rush through rooms whose walls were crowded with works of art. The pace of discovery was certainly far more relaxed and reflective at the Brooklyn Museum than I have ever found it to be at the Met or MoMA.

Above and Below: Ram's Head... Full picture, info panel and detail.

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The big show now on at the Brooklyn Museum is the Georgia O'Keeffe: Living Modern exhibition which finishes July 23, 2017, so if you are going to see it, you need to be quick.

Georgia O'Keeffe (1887-1986) is one of the iconic figures in modern American Art, celebrated for her early abstractions, and paintings of flowers and animal bones. Yet even though her paintings are familiar classics of twentieth-century Art, and the circumstances of her life are well known, there is still much to discover about how she created her identity beyond the studio.

This exhibition takes a new look at how O'Keeffe integrated the modernity of her art and her life, exploring how she used clothing and the way she posed for the camera to shape her public persona. Though she dressed for personal comfort and ease, her wardrobe played a meaningful role in her aesthetic universe; she understood how clothes helped create and reinforce her image as an independent woman and artist.

Above: Brooklyn Bridge, 1949.

Above: The Mountain, New Mexico, 1931.

Above: Black Place II, 1944.

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Rejecting the staid Victorian world into which she was born, O'Keeffe absorbed the progressive principles of the Arts and Crafts Movement, which promoted the idea that everything a person made or chose to live with--art, clothing, home decor--should reflect a unified and visually pleasing aesthetic. Even the smallest acts of daily life, she liked to say, should be done beautifully, a philosophy reinforced by her study and appreciation for the arts and cultures of Japan and China. {Source: Exhibition brochure]

I enjoyed the exhibition as far as it went, but I would have liked to have seen more paintings and fewer photographs, of which there were many, and all of which seemed to feature O'Keeffe sporting her signature black and white ensembles. She certainly knew what her 'brand' was, and she rarely deviated from it throughout her professional life.

O'Keeffe is surely best known for her 1920s and '30s paintings that feature either the sun dried skulls of dead cattle, or the large, detailed images of flowers (and sometimes both themes combined together in unusual ways). Over the years that I have been familiar with her work, I have been happy to accept the idea that many of these paintings had other symbolic meanings, most of which had to do with sex and sexuality.

So it was informative to read that these theories had been promoted by Alfred Stieglitz (O'Keeffe's longtime friend, partner and husband). Stieglitz ...

...interpreted her art as having strong sexual and anatomical connotations, claiming her images were expressions of an essential and uniquely feminine artistic sensibility. O'Keeffe spent years denying these eroticized readings of her painting as well as the qualification of her identity as an artist with the word woman. In an interview in the 1960s, she offered a different account of how she came to paint her big flowers:

In the twenties, huge buildings seemed to be going up overnight in New York. At that time I saw a painting by Fantin-Lator, a still life of flowers I found very beautiful, but I realized were I to paint the flowers so small, no one would look at them because I was unknown. so I thought I'll make them look big like the huge buildings going up. People will be startled; they'll have to look at them -- and they did. 

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Personally, I'm happy to accept O'Keeffe's explanation at face value, However, the subconscious mind is an amazing thing, and maybe it's a reflection of my own subconscious that I too can see the same things that Alfred Stieglitz saw in her work. Or maybe I just spend too much time thinking about the female anatomy in general! I suspect too, that Sigmund Freud would have been very interested in exploring O'Keeffe's subconscious on seeing these same works.

IF YOU GO
Brooklyn Museum
Georgia O'Keeffe: Living Modern
Now through July 23, 2017
Tickets: (suggested admission) $10 - $16; Members & ages 19 and under, Free.
Exhibitions: $6 - $20; Children under 12 free.
Hours: Wednesday to Sunday, 11 am - 6 pm (except Thursday open until 10 pm)
Closed Mondays and Tuesdays, Thanksgiving, Christmas, and New Years's Day.

Note: The museum brochure clearly states the hours noted above. However, I was there on a Friday when the museum was open until 8:00pm, though I suspect this may be for the summer months only. Note too, that the museum offers free admission to all on the first Saturday of each month. See you there ;-)

Above and Below: Hilda Belcher's portrait of a young Georgia O'Keeffe, and info panel. 



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Friday 14, July | Expenses $37.75 ($48.25)
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Any questions or suggestions? How about complaints or compliments? Let me know via the comments box below.