NYC Day 3: Sleep Deprived, and An Evening With Paula Cole

Paula Cole and fellow musicians take a bow at City Winery

I had good intentions for my third day in New York, but only one of those come to fruition. Due to the ongoing effects of jet lag, I only got four and a half hours sleep the previous night, and I was in no shape to hit the streets of the city. By midday I was back in bed, and thankfully caught up on much of the sleep I missed out on during the night. I was up and about again by five in the afternoon, and felt more than ready to attend my first major gig of the visit--Paula Cole at City Winery.

I have dubbed this visit, my New York City Art & Music Tour, due to the numerous gigs I have pre-booked, and also due to the memberships I have taken out with the Museum of Modern Art, and the Metropolitan Museum. You can expect therefore plenty of art and gig reviews in subsequent posts. But on to Paula Cole.

Paula Cole was performing a selection of music by John Lennon and Joni Mitchell, which I take is a departure from doing her own material. Cole first came to my attention when I saw her performing as the back up singer for Peter Gabriel during his ‘Secret World’ concert tour. I should point out that I did not actually attend any of those shows, I had seen a clip on an Australian late night music show called Rage, which was taken from the DVD of the tour.

Last night's show was a delight from beginning to end. Paula performed with a three piece ensemble before a very appreciative audience. Unfortunately I didn't quite get all the names of the musicians, but Max Weinstein was on drums. The young guitarist's name sounded like Milay Sohar, but my spelling of his name is more of a guess than anything, and I completely missed the bass players name. Sorry about that gentlemen. Towards the end of the show she introduced Janie Barnett, a fellow singer who added extra backing vocals to Joni Mitchell's Free Man In Paris, and Big Yellow Taxi, as well as to John Lennon's Instant Karma.

Paula Cole was in great form, and she sang Joni Mitchell songs with the voice of the 40-year-old Joni. These songs were pitch perfect, and if you closed your eyes you may well have thought that Joni Mitchell herself was on stage. Her interpretations of John Lennon's best loved songs was also great to hear. I thought her selection of Lennon's very personal song, Mother was a very brave choice by Paula, and while I'm not sure she pulled it off as well as she would have liked, it certainly kept me riveted to my seat to see how she would approach it.

The night started off slowly and quietly with Joni Mitchell's Blue and Night Ride Home, and continued in a muted tone with Lennon's Love, Julia, and another Joni Mitchell song Little Green, about the daughter she gave up for adoption very early in her career. The show really hit its straps when Paula and the band ripped into Lennon's, Lucy In The Sky With Diamonds, and Come Together.

Here's the full set list:
====================
Blue (Mitchell)
A Case Of You (Mitchell)
Love (Lennon)
Julia (Lennon)
Little Green (Mitchell)
Mother (Lennon)
Beautiful Boy (Lennon)
Lucy In The Sky With Diamonds (Lennon)
Come Together (Lennon)
Night Ride Home/Give Peace a Chance (Mitchell/Lennon)
Strawberry Fields (Lennon)
Free Man In Paris (Mitchell)
Big Yellow Taxi (Mitchell)
Instant Karma (Lennon)

[Encore]
Across The Universe (Lennon)
Both Sides Now (Mitchell)
Imagine (Lennon)

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Back In The U.S., Back In The U.S.S.A.

Above: The Met Breuer on Madison Avenue

My apologies to Lennon & McCartney for stealing their song title and hacking it to suit my purposes, but here I am again, three days into a three month extended stay in America -- most of which I will spend in New York City. The trip from Australia to New York went smoothly enough, but after 32 hours of air travel, extended transit stops and time spent traveling between accommodations and airports, you can be sure I was more than happy to collapse into bed once I arrived at the Washington Heights apartment at which I will be staying.

I spent the first day close to home base, and did little more than walk to a local AT&T store where I swapped my Australian SIM card for an AT&T GoPhone SIM ($54.43). This gives me unlimited data (6Gb high speed/shaped after that), as well as unlimited local and international phone calls each month.

I had dinner (quesadilla and a beer; $22.00) at my local 'go to' nosh house, the Hudson View Restaurant at the corner of 181st and Fort Washington Avenue, before finishing my day with some grocery shopping ($78.17) at Frank's Gourmet Market on W 187th street -- though I'm not too sure about the 'Gourmet' designation. Now that I think of it, the Hudson View does not exactly live up to its name either, but I guess that's marketing for you.

Marsden Hartley’s Maine @ The Met Breuer
The following day, Sunday, after buying an MTA Pass ($121.00) giving me unlimited travel for the next 30 days, I rode an M4 bus as far as East 75th street, and went to the Met Breuer to see the Marsden Hartley exhibition that finished that same day. It was a large collection from this American artist who spent his final years in his home state, Maine -- hence the title of the show, Marsden Hartley's Maine.

The exhibition featured many oil paintings and a smattering of other media from this local artist. I myself had never heard of Hartley until I read about him on the Met Museum website in preparation for this visit. For the most part I found his work engaging, with its strong masculine themes, bold and colorful flourishes, and dark, foreboding land and seascapes.

Here are a few images from the exhibition and the location:

Entrance and ticketing counter

Marsden Hartley's Maine (Note: exhibition now closed)

Above: The Lighthouse; Marsden Hartley

Above: Canuck Yankee Lumberjack at Old Orchard Beach, Maine

Above: Flaming American (Swim Champ); Marsden Hartley.

Above: Lobster Fishermen

Knotting Rope; Marsden Hartley.

Above: Information panels.

 

Above: The Wave; Marsden Hartley

The Met Breuer
Corner E 75th & Madison Avenue
*Prices: Students, $12; Senior $17; Adult $25 ; children under 12 free
*Suggested prices only.

Dear Reader, you may notice strange formatting for this and subsequent blog posts. Sadly, using my aging iPad 2 to update this blog is not turning out to be the exciting and innovative experience I was hoping it would be. However, under the circumstances, right now it is the best I can do.

Monday Music Mashup #1

One of the great things about music, any genre of music, is its ability to cross boundaries, breaking down walls, prejudices, and long-held misperceptions about other cultures as it goes. Today I am featuring three videos from performers who are working across genres mashing up traditional instruments with contemporary rock tunes. I love the hybrid sound that results from these performances. It makes me realise that there are many ways of approaching traditional instruments and many ways too, or reinterpreting songs that have become classics in their original form. 

In the videos below, Stary Olsa, are a group out of Belorussia, who play a mix of traditional and contemporary music on medieval instruments, many of which they have made themselves. They cover Metallica’s song, One. Meanwhile the young Korean gayageum player, Luna Lee, performs and instrumental version of B.B. King’s, The Thrill Is Gone. Lee has been garnering much attention for her reworking of many modern rock and blues songs, and has even appeared at a SXSW Showcase. My third selection features the American mountain dulcimer player, Sam Edelstein playing one of the first big hits for the Rolling Stones, their 1966 classic, 19th Nervous Breakdown. Sam lives in Connecticut, and has won awards for his dulcimer playing.

I don’t know if the original bands or musicians have seen these videos, and if they have, what they think about them, but I’d like to think they are more than happy with the musicians below who have found ways to reimagine the original songs and share their interpretations with the rest of the music world. 

Stary Olsa (Medieval Instruments): One, by Metallica

Stary Olsa, first came to my attention last year after I saw their very successful crowdfunding campaign on Kickstarter. The group, from Belorussia, had set a goal of $7000 to fund an album of rock songs performed on traditional Medieval instruments. The campaign was so successful (they raised $29,890), that Stary Olsa were also able to undertake their first tour of the United States.

Stary Olsa have also covered AC/DCs Highway To Hell, Deep Purple’s Child In Time, and many other contemporary rocks songs, many of which were released on their 12th studio album—the one funded by their Kickstarter.

Here are Stary Olsa performing Metallica’s One, on the Belarusian television show Legends:

More Information: StaryOlsa.Com | YouTube | Facebook | Twitter

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Luna Lee (Korean Gayageum): The Thrill Is Gone, by B.B. King

I don’t know how old the Korean performer, Luna Lee is, but she looks too young to be playing the traditional Asian instrument called a gayageum so expertly and fluidly. Clearly she has been learning the instrument since she was a young child.

Luna Lee has filmed many videos of herself reinterpreting a wide range of contemporary rock music, as well as classic blues songs. Looking at the many videos on her YouTube channel, it is obvious that she, or someone in her inner circle of support, is very adept at producing quite complex video productions which often include multiple windows when she multitracks on numerous songs. Here is Luna Lee performing to a  backing track, B.B. King’s The Thrill Is Gone:

More Information: Luna Lee Online... | Facebook... | YouTube... | Patreon… 

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Sam Edelstein (Mountain Dulcimer): 19th Nervous Breakdown, by The Rolling Stones)

To quote directly from Sam Edelstein’s Facebook page:

I believe that dulcimers are among the world's coolest musical instruments. People deserve to know about dulcimers, the way that people already know about harmonicas, ukuleles, and xylophones (to name a few examples).

Even though dulcimers are used primarily for folk music here in the US, they're great for many other kinds of music. In fact, they're natural rock & roll instruments. (Cyndi Lauper and Joni Mitchell perform on mountain dulcimer, and I once saw one in a Rolling Stones exhibit at the Rock & Roll Hall of Fame!)

I believe in exposing people to interesting and surprising music on dulcimers.

More Information: Sam Edelstein at YouTube… | Facebook…

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And as an added bonus, here is Luna Lee again, this time multi-tracking to Sultans Of Swing, by Dire Straits.

Thanks to the always interesting Open Culture website for bringing Sam Edelstein, and Luna Lee to my attention.