The Reading List 3

Welcome to my weekly roundup of the some of the more interesting discoveries I’ve made as I wander the digital highways and byways of the Internet. This week we’re examining great train journeys.

The longest rail journey I’ve ever made took place back in the early 1970s when I travelled from Greece to London. To be quite honest, I don’t remember much of the journey now, but when I read Top 10 European Train Trips by Randall H. Duckett on the National Geographic Traveler website, it did trigger some long lost memories of that ride

National Geographic don’t mention rail travel from Athens to London in this feature (I don’t know if it is even possible to take a train from Athens to London anymore), but among their ten suggestions they list Switzerland’s Chocolate Train, the Trans-Siberian Railway (Moscow to Vladivostok), the Orient Express (London to Venice), and the Danube Express (London to Istanbul).

Much of European train travel is about efficiency and comfort—punctually leaving and arriving and having a cozy seat or sleeper compartment in which to devour the latest issue of the Economist. But rail travel in the United Kingdom and on the Continent is also about experience: gaping out the window at Alpine glaciers, savoring gourmet cuisine in a restored last-century dining car. Accordingly, our ten favorite European trains don’t necessarily offer the fastest journeys—just the most memorable. All aboard!

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12 of the Most Scenic Train Rides in the World

Not to be out done by National Geographic Traveler, the Boots n All website have coincidentally compiled their own list of the 12 of the Most Scenic Train Rides in the World.

In her article, Zoë Smith mentions Norway’s Flåm Railway, whose “…20km descent is amongst the steepest in the world, twisting through yawning ravines, cascading waterfalls, remote Nordic farmhouses and snow-dusted mountain peaks.”

While this 20km trip last barely an hour, Russia’s Trans-Siberian, journey takes a good week to traverse the 9,000km (6,000 miles) of track that snakes its way from Moscow to Vladivostok. And that’s without getting out along the route to explore some of the cities the Trans-Siberian passes through.

Like the Trans-Siberian, Norway’s Flåm Railway also gets a gong in the National Geographic roundup of great journeys.

Other rail journeys that rate a mention in Zoë Smith’s piece include the Canadian Rockies Railway, the Cusco to Machu Picchu (Peru), The Palace on Wheels (India), and The Ghan (Australia), which departs from my home town, Adelaide. If you are considering a train journey, both these articles are a great place to begin your researches.

More Information

National Geographic Traveler: Top 10 European Train Trips…

Boots n All: 12 of the Most Scenic Train Rides in the World...

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Maeklong Market, Bangkok

Here’s one train journey that has to be seen to be believed, as a train passes through Bangkok’s Maeklong Market. On the surface this seems like a rather unremarkable event until you actually see how the stall holders and the train have found a way to coexist together.

Friday Fotos – Moon Lantern Festival

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The Moon Lantern Festival is held as part of the annual OzAsia Festival which takes place every spring in Adelaide, Australia under the direction of the Adelaide Festival Centre. The OzAsia Festival celebrates the diversity of Asian life – from the Indian subcontinent, to Japan, China and Korea, and South-East Asia and Indonesia (and a multitude of places in between).

The OzAsia Festival and the Moon Lantern Festival are great examples of how our communities are exploring the links between Australia and our neighbours in the Asian region.

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The Moon Lantern Festival takes place each year when the moon shines brightest – at the time of the full moon on the 15th day of the eighth lunar month. This festival celebrates the South-East Asian belief that the moon provides positive influences over the earth during this time of the year.

The Festival brings together families to enjoy the beauty of the moon, eat moon cakes, sing songs about the moon and take pleasure in each other’s company to celebrate this special event.

For Australia, the countries of the Asian region are of critical importance. They are our closest neighbours and major trading partners. Their rich traditional and contemporary cultures provide opportunities for our social, creative and intellectual development.

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The Moon Lantern Festival is celebrated by many Asian cultures including Chinese, Vietnamese, Thai, Laotians, Cambodians, Koreans, Japanese, Indonesians, Malaysians and Singaporeans. For many Asian cultures, the Moon Lantern Festival is the most important date in the second half of the lunar calendar and has been celebrated for thousands of years.

In Australia ‘mid autumn’ is early spring, so the first full moon of the new season is a important time, when winter is behind us and the energy of summer is on the horizon. People celebrate the beauty of the moon at public celebrations across Australia, as well as in backyards, with lanterns and moon cakes.

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In Vietnam the Moon Lantern Festival is one of the most popular family holidays, while in Korea the festival occurs during the harvest season when Korean families thank their ancestors for providing them with rice and fruits. The Japanese too celebrate the full moon in September, admiring the moons beauty and praying for a good rice harvest.

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And yes, despite a day of clouds and overcast skies, the full moon did make an appearance right on queue, soon after the sun set in the west and the Moon Lantern Festival got underway.

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Things You Discover Walking - Vertical Carpet

Vertical Carpet, Stephen Killick, 1990

Stephen Killick's 1990 work, Vertical Carpet (hardwood, industrial resin, 230 x 440 x 20 cm), graces the exterior wall of the Adelaide Festival Centre close to the main entrance.

Close up of Vertical Carpet, Stephen Killick, 1990

A plaque attached to the wall close to the work states: The three central figures in this allegorical relief sculpture are intended to symbolise technology, money and innocence, which the artist regards as the controlling influences in contemporary society. Killick stated that the wider meaning of the tableau is deliberately enigmatic and open to individual interpretation, intended to have infinite readings. The figures assume attitudes that are readily identifiable, but their relationship to each other and the scene as a whole is affected and determined by the course of history.

The work was commissioned by the Adelaide Festival Centre Trust in 1990. Assisted by the Art for Public Places Program of the South Australian Government.

Close up of Vertical Carpet, Stephen Killick, 1990

Stephen Killick was born in London in 1947, and came to Australia in 1952.

This post is another in an occasional series of entries under the general theme: Things You Discover Walking. The premise behind the series is that you never know what might be just around the corner from your home, place of work, or favourite attraction, and the only way you might discover them is if you get out of your car and start walking.

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