House Swapping for Seniors

~ Here is a second article about house swapping courtesy of the Aussie House Swap website. The first entry can be found here...

When you start to examine the sorts of people who take readily to house swapping, it comes as no surprise to see seniors well represented.

Naturally, many of the advantages of house swapping for holidays apply equally to seniors as they do to couples and families with children.

Rather than repeat them here, I'll refer you to our articles discussing these in detail. (House Swaps - the practical way to holiday and House Swapping - homemade for families)

As well as most of these advantages, the special circumstances of seniors give them some extra incentives and benefits when it comes to house swaps.

For example, when seniors take a holiday, they're not only looking at the out of pocket costs — which working couples can eventually recoup from their wages, salaries and overtime — but as retirees, seniors are looking to preserve a finite and probably dwindling retirement nest egg, which they have little or no chance of replenishing to any great extent.

Thus they generally have to watch their reserves pretty carefully, when it comes to fun things like holidays. House swapping is therefore especially attractive, with its "cost-of-travel-only" advantages.

Besides, seniors are less likely to be heading for the theme parks and carnivals than are the younger generation. For them, a house in the country or a cattle station is often just as attractive as a seaside resort or a big-city property (if not more so). This means that they're often available for those swaps which are not as popular with families (whether for reasons of location or season).

I spoke to several senior couples who had exchanged houses through Aussie House Swap. Here are some of the things they pointed to as their reasons for house swapping (and some distinguishing factors, compared to the younger fry):

One couple were especially conscious of the "shrinking nest-egg syndrome," and saving money was high on their list of reasons for swapping. Exploring the country was another of their motivations, so they planned swaps that would allow them to visit preferred locations over a period of months each year.

Having decided to register with Aussie House Swap, another senior couple had a definite preference for swapping with other seniors. They were clearly more comfortable leaving their home in the care of another retired couple, than having families staying in their house.

Senior house swaps are often for longer periods than family swaps. This just makes sense, given that retirees have more available time, and can swap more easily in non-holiday periods than families, whose predominant reason for swapping is to enjoy inexpensive vacations in fun locations.

Factors like these no doubt account for the high percentage of retired people amongst our growing house-swapping base.

Hosting
As well as straight swap overs covering the identical period of time, some people (especially seniors) enjoy "hosting" another couple, then later on being hosted by them in return. This simply means that the owners remain at home, and host their swap partners as guests and visitors for an agreed period. They enjoy each other's company, do some exploring and shopping together, see some of the sights, and perhaps fish or play a round of golf together.

Then at a later date, they reverse the process. The hosts become the visitors, just as the visitors become the hosts in their home and town.

Hosting is a great way to build new friendships, and increase mutual empathy and understanding between people of different backgrounds and from different parts of the country, or even overseas.

How much does it cost?
Aussie House Swap membership is only $65 per year! However, if you do not manage to house swap in your first year we will give you another 12 months membership absolutely free! This is our guarantee to you! For $65 (less than the cost of one nights motel accommodation) you can make as many house swaps as you like within your 12 months.

Article courtesy of Aussie House Swap website. Like our Partner site, Home Away, Aussie House Swap gives you the opportunity to stay in someone else’s home, while they stay in yours.

Image for illustration purposes only

Circular Quay, Sydney

~ I was not expecting the delightful shock I got as the train from Petersham slowed into Circular Quay.
The first thing I saw was the Sydney Opera House, followed quickly by the sweep of the Harbour spread out in all its glory, and then my first view of the Harbour Bridge.

The designers of the Circular Quay station complex clearly had one eye focused on the view too, since parts of the platform were open to the elements, and afforded good lines of sight to the Bridge, Harbour and Opera House.

The pulsing thrum of a didgeridoo, accompanied by a pounding techno beat drifted up from the street below. Before I left the station, I took the obligatory photographs of the view but left the Opera House and Bridge for later, since I couldn’t quite get perfect shots of either.

Down on the street, I slowly walked around to the Opera House, pausing to watch the didgeridoo player; the human statue dressed as an Anzac digger, and other sundry buskers. At the foot of the sweeping steps leading up to the entrance of the Opera House, I stopped to admire the grand vision of Jorn Utzon, the Danish architect who designed one of Australia’s true iconic buildings.

Up close, the building isn’t as imposing as you might expect, and yet there is something unique and beautiful about the Opera House’s form and design that constantly delights the eye. Certainly, the location – on one of the most stunning natural harbours in the world – plays a big part in its ongoing appeal.

I’m sure too, its accessibility and visibility plays a huge part in that appeal. After all, both the Bridge and the Opera House are clearly visible from so much of the Harbour, that both might even be in danger of being taken for granted, despite their status as uniquely Australian icons.

Despite the grey skies and the occasional rain shower, I kept my camera close at hand as I tried to capture the Opera House and Harbour Bridge at unusual angles, or as unconventionally as I could, while a constant flow of ferries, water taxis, cruise boats, and other water craft came and went from Circular Quay.

I never thought I’d say this, but I think the area around Circular Quay is as vibrant, exciting, and involving as any similar part of New York City (where I spent two months last year).

New York of course, has many other attractions to delight and excite, but they tend to be spread right across Manhattan. Sydney on the other hand, has concentrated some of its premier attractions and views in a relatively central area, and you can easily spend a full day in and around Circular Quay and still not see all that the area has to offer.

I’m hoping for at least several ‘perfect’ days during the rest of my Sydney visit. On one of these I will venture out onto the water via the many ferries that crisscross the Harbour, and try and capture the city skyline, Harbour Bridge and Opera House from one of these off shore platforms.
Until then, I will have just have to keep dodging the rain showers, and be patient.

Image: Sydney skyline reflected in windows of the Australian National Maritime Museum.
Photographer: Jim Lesses

Top 10 Destinations for Opera Lovers: Part 2

~ Frommer's asked the editors of OPERA NEWS magazine, whose European Travel issue hits newsstands mid-April, to come up with the top 10 destinations that should be included on every opera lover's roadmap this year.

I listed the first five (in no particular order), in an earlier posting on this blog.

Here are the last five top destinations for lovers of opera.

FRANCE: Paris
Has any place inspired more operas than Paris, perhaps the most romantic city on earth? Paris's newest home for opera is the spacious but somewhat chilly Opéra de la Bastille, which boasts an unrestricted view of the stage from each of its 2,700 seats, but the city's most famous operatic landmark remains the opulent nineteenth-century Palais Garnier, familiar to lovers of Broadway's Phantom of the Opera. Don't miss a chance to visit Théâtre des Champs-Élysées, an Art Deco masterpiece that is one of Europe's prettiest theaters, or the devastatingly elegant Théatre du Châtelet. Also worth a trip is the Salle Favart, its frothy good looks an apt metaphor for the light-hearted attractions of its home company, the Opéra-Comique.

THE UNITED STATES: Civic Opera House, Chicago
Chicago's Civic Opera House is one of the most beautiful buildings in a city that prides itself on its architecture. Built in 1929, this ageless amalgam of Renaissance revival and Art Deco has superb acoustics, excellent sightlines and sumptuous public spaces, including a handsomely proportioned lobby designed by Jules Guerin. The theatre was home to several Chicago opera companies before its most distinguished tenant, the Lyric Opera of Chicago, arrived in 1954. The Lyric established the City of Big Shoulders as an international opera capital, offering the opera world's brightest stars in top-notch productions. After the Lyric season ends in late winter, Chicago's opera lovers hold on until spring, when the adventurous Chicago Opera Theatre presents its three-opera season at the slick new Harris Theatre for Music and Dance in Millennium Park.



SWEDEN: The Drottningholm Court Theatre
Built in 1766 for the Swedish queen, Lovisa Ulrika, the Drottningholm Court Theatre-located in the Royal Domain of Drottningholm, only a short bus or boat ride from the capital city of Stockhom-is a thing of exquisite artifice. The theatre was a beehive of musical and theatrical activity during the late eighteenth century, but when Lovisa Ulrika's son (and political enemy), King Gustaf III was assassinated-an event used as the basis for Verdi's opera Un Ballo in Maschera,-the theatre fell into disuse; it was a storage facility for much of the nineteenth century. Drottningholm was recalled to life in the 1920s and now presents a brief summer season each year, with the repertory usually drawn from the seventeenth and eighteenth centuries. Spring and summer tours of the theatre and the palace grounds are relatively infrequent, in order to spare its eighteenth-century charms from the wear-and-tear of twenty-first-century life. Early booking is advisable.

THE UNITED STATES: Santa Fe Opera
In 1957, New York conductor John Crosby started an opera company in a highly unlikely locale: the breathtaking mountains of northern New Mexico. Crosby's impossible dream has endured: every July and August since then, Santa Fe Opera has presented an imaginative, exciting mix of familiar classics, rarely-performed treasures and brand-new works, their casts generally populated by the best young singers in America. Opera lovers from all over the world have been thrilled by Santa Fe's singular natural beauty, an element in the company's appeal celebrated by its dramatically proportioned adobe theatre, which has unequalled views of the high desert landscape - and the heart-stopping beauty of its sunsets. Daytime hours in Santa Fe can be spent sampling the myriad charms of the city itself and of its thriving local community of world-class artists and artisans.

ENGLAND: Glyndebourne Festival Opera, Sussex
The thoroughly English character of Glyndebourne Festival Opera reflects the personality of its eccentric founder, John Christie, who developed the ambitious scheme to offer festival-quality opera performances on his East Sussex estate beginning in 1934. Christie's original theatre was eventually replaced by a completely new facility in 1994, but the abiding presence of the Christie home and the continued involvement of Christie's descendants in festival life have allowed Glyndebourne to retain much of its original atmosphere. The operas of Mozart have been at the core of Glyndebourne's repertory for all of its existence, but more esoteric fare - including some world premieres - is also among the company specialties.

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Image courtesy Civic Opera House, Chicago