Top 10 Destinations for Opera Lovers: Part 2

~ Frommer's asked the editors of OPERA NEWS magazine, whose European Travel issue hits newsstands mid-April, to come up with the top 10 destinations that should be included on every opera lover's roadmap this year.

I listed the first five (in no particular order), in an earlier posting on this blog.

Here are the last five top destinations for lovers of opera.

FRANCE: Paris
Has any place inspired more operas than Paris, perhaps the most romantic city on earth? Paris's newest home for opera is the spacious but somewhat chilly Opéra de la Bastille, which boasts an unrestricted view of the stage from each of its 2,700 seats, but the city's most famous operatic landmark remains the opulent nineteenth-century Palais Garnier, familiar to lovers of Broadway's Phantom of the Opera. Don't miss a chance to visit Théâtre des Champs-Élysées, an Art Deco masterpiece that is one of Europe's prettiest theaters, or the devastatingly elegant Théatre du Châtelet. Also worth a trip is the Salle Favart, its frothy good looks an apt metaphor for the light-hearted attractions of its home company, the Opéra-Comique.

THE UNITED STATES: Civic Opera House, Chicago
Chicago's Civic Opera House is one of the most beautiful buildings in a city that prides itself on its architecture. Built in 1929, this ageless amalgam of Renaissance revival and Art Deco has superb acoustics, excellent sightlines and sumptuous public spaces, including a handsomely proportioned lobby designed by Jules Guerin. The theatre was home to several Chicago opera companies before its most distinguished tenant, the Lyric Opera of Chicago, arrived in 1954. The Lyric established the City of Big Shoulders as an international opera capital, offering the opera world's brightest stars in top-notch productions. After the Lyric season ends in late winter, Chicago's opera lovers hold on until spring, when the adventurous Chicago Opera Theatre presents its three-opera season at the slick new Harris Theatre for Music and Dance in Millennium Park.



SWEDEN: The Drottningholm Court Theatre
Built in 1766 for the Swedish queen, Lovisa Ulrika, the Drottningholm Court Theatre-located in the Royal Domain of Drottningholm, only a short bus or boat ride from the capital city of Stockhom-is a thing of exquisite artifice. The theatre was a beehive of musical and theatrical activity during the late eighteenth century, but when Lovisa Ulrika's son (and political enemy), King Gustaf III was assassinated-an event used as the basis for Verdi's opera Un Ballo in Maschera,-the theatre fell into disuse; it was a storage facility for much of the nineteenth century. Drottningholm was recalled to life in the 1920s and now presents a brief summer season each year, with the repertory usually drawn from the seventeenth and eighteenth centuries. Spring and summer tours of the theatre and the palace grounds are relatively infrequent, in order to spare its eighteenth-century charms from the wear-and-tear of twenty-first-century life. Early booking is advisable.

THE UNITED STATES: Santa Fe Opera
In 1957, New York conductor John Crosby started an opera company in a highly unlikely locale: the breathtaking mountains of northern New Mexico. Crosby's impossible dream has endured: every July and August since then, Santa Fe Opera has presented an imaginative, exciting mix of familiar classics, rarely-performed treasures and brand-new works, their casts generally populated by the best young singers in America. Opera lovers from all over the world have been thrilled by Santa Fe's singular natural beauty, an element in the company's appeal celebrated by its dramatically proportioned adobe theatre, which has unequalled views of the high desert landscape - and the heart-stopping beauty of its sunsets. Daytime hours in Santa Fe can be spent sampling the myriad charms of the city itself and of its thriving local community of world-class artists and artisans.

ENGLAND: Glyndebourne Festival Opera, Sussex
The thoroughly English character of Glyndebourne Festival Opera reflects the personality of its eccentric founder, John Christie, who developed the ambitious scheme to offer festival-quality opera performances on his East Sussex estate beginning in 1934. Christie's original theatre was eventually replaced by a completely new facility in 1994, but the abiding presence of the Christie home and the continued involvement of Christie's descendants in festival life have allowed Glyndebourne to retain much of its original atmosphere. The operas of Mozart have been at the core of Glyndebourne's repertory for all of its existence, but more esoteric fare - including some world premieres - is also among the company specialties.

About Frommer's
The market leader in travel guides, Frommer's has a guide for every type of traveler-from the sophisticated world traveler to the first-time student traveler on a tight budget. Frommer's publishes more than 300 guides and sells 2.5 million guides annually, reaching 7 million travellers who count on Frommer's for exact prices, savvy trip-planning, sightseeing advice, dozens of detailed maps, and candid reviews of hotels and restaurants in every price range. Frommer's-the best trips start here. Frommers.com is a comprehensive, opinionated travel resource featuring more than 3,500 world destinations.



Image courtesy Civic Opera House, Chicago

Top 10 Destinations for Opera Lovers: Part 1

~ As spring opera season approaches, music lovers are seeking ways to experience their favourite classics on the right stage.

Whether paying homage to St. Petersburg's Mariinsky Theater to experience the Mozart, Verdi, and Puccini classics to taking in the mountainous landscape backdrop at the Santa Fe Opera in New Mexico, audiophiles understand that the authenticity of a performance is often rooted in the theatre’s history and location.

Frommer's has asked the editors of OPERA NEWS magazine, whose European Travel issue hits newsstands mid-April, to come up with the top 10 destinations that should be included on every opera lover's roadmap this year.

Here (in no particular order), are the first five top destinations for lovers of opera. In a forthcoming post, I will list the other five destinations.

GERMANY: International Handel Festival, Göttingen
Home to the world's oldest Baroque music festival, this tiny, half-timbered university town in Lower Saxony fêtes the glories of George Friedrich Handel's artistic output for two weeks each summer. A profusion of top-notch chamber concerts, late-night recitals and oratorio performances make use of the village's fetching historical venues, while opera presentations in the 500-seat Deutsches Theater boast the kind of cosy authenticity that is the stuff of dreams for period-instrument purists.

RUSSIA: The Mariinsky Theater, St. Petersburg
Named for its royal benefactress, Empress Maria Alexandrovna, wife of Tsar Alexander II, and inaugurated in October 1860 with a performance of Mikhail Glinka's A Life for the Tsar, the Mariinsky Theater remains a crown jewel in the cultural life of St. Petersburg. The beautifully restored welcomes Mozart, Verdi and Puccini favourites as well as once-forgotten operas by Russia's own Mussorgsky, Tchaikovsky, Prokofiev and Rimsky-Korsakov. During the summer months, the theatre glittering White Nights Festival draws operatic and classical music royalty - along with nearly one million Russians - to St. Petersburg for the motherland's largest public event.

IRELAND: The Wexford Festival, Wexford
This south eastern Irish town's opera festival, which runs through October and November, abounds with a distinctly Gaelic allure. A sense of discovery that's just as potent as the municipality's omnipresent aroma of burning peat proves to be this festival's calling card: emerging young stars take part in little-known operas, presented with remarkable musical and dramatic merits under artistic director David Agler. Away from the festival's presentations, one can find myriad opportunities to revel in Wexford's charms, from poetry recitations in Thomas Moore Tavern to incomparable suppers at Forde's Restaurant and - should the muse strike you – the Guinness International Singing & Swinging Pub competition.

THE UNITED STATES: New York City
From the Metropolitan Opera, to Carnegie Hall, to a thrillingly modernized Alice Tully Hall - and let's not forget about outer-borough venues like the unique Brooklyn Academy of Music - there's a reason New York remains the cultural capital of the world. The Metropolitan Opera, now operating under the auspices of its innovative general manager Peter Gelb, has become an increasingly accessible institution. Likewise, a revitalized New York Philharmonic, led by native-son Alan Gilbert, can tackle symphonic rep ranging from Bach to Schoenberg. Splendid Manhattan-bound classical and operatic fare need not be experienced within confines of the Upper West Side, though: Le Poisson Rouge, a trendy Bleecker Street nightclub presents some of the best jazz, contemporary-classical and chamber music the city has to offer, allows its patrons to quaff hearty hefeweizens or smoky pinot noirs in an atmosphere so easygoing as to make Brahms and Ellington seem like kissing cousins.

ITALY: Teatro alla Scala, Milan
Milan's operatic history - which dates back to the seventeenth century - is no less dazzling than the world-famous fashion houses that make this city one of the modern world's top destinations for cutting-edge design. [Teatro alla Scala has been the city's operatic pride and joy since the eighteenth century: the official opening of the La Scala season is almost always on December 7, the feast day of St. Ambrose, Milan's patron.] La Scala remains hallowed ground on which divas-in-the-making must prove their mettle, and where the world first heard Puccini's Madama Butterfly, Verdi's Otello, Donizetti's Maria Stuarda, Rossini's Turco in Italia and Bellini's Norma - and scores of other classics.

About Frommer's
The market leader in travel guides, Frommer's has a guide for every type of traveler-from the sophisticated world traveler to the first-time student traveler on a tight budget. Frommer's publishes more than 300 guides and sells 2.5 million guides annually, reaching 7 million travellers who count on Frommer's for exact prices, savvy trip-planning, sightseeing advice, dozens of detailed maps, and candid reviews of hotels and restaurants in every price range. Frommer's-the best trips start here. Frommers.com is a comprehensive, opinionated travel resource featuring more than 3,500 world destinations.

Image courtesy Mariinsky Theater website

National Migration Museum, Adelaide

~ The National Migration Museum, Adelaide tells a story of the state of South Australia and the people who migrated to it over many years.

It is the story of their courage and heartbreak, their struggles and successes, all brought to life through an ever changing interactive series of displays documenting the states unique cultural heritage.

By showcasing the objects that shaped the lives of the early settlers; possessions, official documents, family heirlooms, and other everyday objects, visitors get a powerful insight into the waves of immigration across the decades.

A visit to the Migration Museum lets you experience the rich blend of cultural diversity that makes up South Australia while you learn about people from different backgrounds, ages and experiences who have together shaped our identity.

Through sight and sound, the journey unfolds to reveal: early settlers in the 19th century and their impact on Aboriginal Australians; post-war migrants and the ‘ten pound Poms’; the White Australia Policy of the 20th century; and refugees, asylum seekers, and the multicultural debate of recent years.

While there, visit the Museum’s special gallery, The Forum, where community groups have an opportunity to present their own personal stories in their own way.

The Migration Museum has its own unique history, that is worth retelling.

It used to be part of Adelaide’s Destitute Asylum housing the poor and homeless from 1852 until 1918. Today, a permanent display called Behind The Wall tells this often tragic story.

Finally, a Memorial Wall acknowledges the many people who were forced to leave their homelands, and seek refuge in Australia, while a Reconciliation Plaque is dedicated to the Kaurna people (pron: Gar-na), the first inhabitants of the Adelaide plains.

Location:82 Kintore Avenue
Adelaide, South Australia,
Open Daily (except Christmas Day and Good Friday)
Monday-Friday: 10am-5pmWeekends and Public Holidays: 1pm-5pm
Entry: FREE

Current Exhibitions
Selling an American Dream: Australia's Greek Café

4 April – 28 September 2009

Selling an American Dream: Australia's Greek Café is a photographic exhibition now on at the Migration Museum.

Every time you drink a Coke, enjoy an ice cream or sweet chocolate treat, go to the cinema, or listen to the latest popular music hit, you can thank Australia's Greek settlers.

Greek cafés in Australia were a Trojan horse for the Americanisation of this nation's eating and socio-cultural habits from the very start of the twentieth century. They initially introduced American commercial food catering ideas, technology and products and later influenced the development of cinema and popular music.

The Greek café helped transform Australian popular culture. This exhibition not only looks at how this was done, but also the personal stories of those involved.

The exhibition explores the key role that Greek Australians played during formative years of Australian culture. The curators are Macquarie University historian, Leonard Janiszewski, and documentary photographer, Effy Alexakis.