A Tale of Too Many Moscow’s

Moscow, Russia

 Yesterday’s post (A Tale Of Two Sydney’s), started me thinking about other potentially conflicting and confusing city names. To my surprise, there were a lot more than I thought there would be. For instance, the cities of Moscow, London, Melbourne, Athens, and Paris, to name just a handful, crop up multiple times across the world. 

To take the Russian capital, Moscow as an example—depending on which online source you consult—there may be twenty-three places called Moscow in the world, or they may be a lot more. Even trying to find the precise number of Moscow’s in the United States varies from eighteen to twenty-six, although again, there could be more (see below). You will find Moscow’s in the states of Idaho, North Dakota, Kansas, Texas, Arkansas, Iowa, Minnesota, Wisconsin, Michigan, Indiana, Ohio, Kentucky, Tennessee, Mississippi, Virginia, Maryland, Pennsylvania, and Maine. Some of these are big enough to be called cities, but most are generally not much bigger than small towns or hamlets.

      There are or have been at least 30 American towns named Moscow, according to American Demographics magazine. Ohio and Kansas had four each. These aren`t enclaves of pinkos, explains geographer Irina Vasiliev of the State University of New York at Buffalo, who studies the derivation of town names. Moscow, Vermont, is so called because townspeople there thought blades in the local sawmill sounded like cathedral bells of Moscow, Russia. Moscow, Maine, was named to commemorate Russia`s victory over Napoleon, and Moscow, Minnesota, came into being after a forest fire reminded residents of the scorched-earth policy Russian contemporaries adopted to foil the French dictator.
      Only two of America`s Moscow’s actually were named by Russian immigrants, according to Vasiliev. One is in Kansas, the other in Pennsylvania. Then there is the case of Moscow, Texas, which is named after Moscow, Tennessee. Most of America`s other Moscow’s were afterthoughts, named quickly, American Demographics says, “when settlers needed a label for their post office.”
      In most cases, Vasiliev says, the name Moscow was a way to get attention or improve a town`s image. Obviously, these ill-conceived public relations campaigns predated Lenin.[Source: Chicago Tribune…]

Looking south towards Moscow, Idaho

The town of Moscow, Idaho, is one of the biggest towns in America bearing that name. However, when the first US post office opened in 1872, the town was called ‘Paradise Valley,’ but the name was changed to Moscow in 1875. According to the Wikipedia entry for the town:

     The precise origin of the name Moscow has been disputed. There is no conclusive proof that it has any connection to the Russian city, though various accounts suggest it was purposely evocative of the Russian city or named by Russian immigrants. Another account claims that the name derives from a Native American tribe named "Masco”. It was reported by early settlers that five men in the area met to choose a proper name for the town, but could not come to agreement on a name. The postmaster Samuel Neff then completed the official papers for the town and selected the name Moscow. Interestingly, Neff was born in Moscow, Pennsylvania and later moved to Moscow, Iowa.

I am tempted to start a series of regular posts about place names and their origins, but at the moment I have more pressing matters to address. For now I will leave you with this fascinating 21:32-minute radio program from Public Radio International that looks at the prevalence of towns called Moscow in the United States.

A Tale Of Two Sydney's

Screen grab from The Guardian

Ouch! Look at that headline from The Guardian online this past Saturday, April 1st. For a moment or two I thought it might be an April Fool’s Day joke, but no, a young Dutch man, Milan Schipper, thought he had grabbed the bargain of lifetime when he scored a cheap flight from Amsterdam to Sydney, Australia.

Schipper’s plan was to backpack through Australia, taking in its lush coastal landscapes and white sand beaches before heading to college after the Northern summer. Since he knew it was late summer in Australia, he came dressed for the occasion—in a T-shirt, sweatpants and a thin jacket.

Instead, the Dutch teenager found himself 10,000 miles away from Sydney, Australia – staring out at a snow-covered, frozen landscape – as he realised that he had accidentally booked a flight to Sydney, Nova Scotia, a municipality of 32,000 people on Canada’s east coast.

“I thought I was going to Australia, but that turned out a little different,” the 18-year-old told the Canadian Broadcasting Corporation on Thursday.

During a stopover in Toronto, Schipper began to have doubts about his destination after he noticed that the plane lined up on the tarmac was a lot smaller than he thought it should be.

His suspicions were confirmed after he boarded and checked the flight map on his seat screen. “I saw the flight plan was going to go right, not left. It was about the time that I realized there was another Sydney,” he said. “I felt terrible. I think I swore in my head for like 10 minutes. But there was nothing I could do about it because I was already up in the air.”

Sydney, Australia.                             Sydney, Nova Scotia
(Images: Jason Reed, Steve Wadden/Reuters)

On landing in Sydney, Nova Scotia, he discovered the locals were bracing for a snowstorm expected to bring strong winds and 10 to 15 cm (four to six inches) of snow. After Schipper spoke to airline representatives and explained what had happened, he ruled out heading straight to Australia—which would have cost him another €1,500 ($1,600), and another 30 hours of air travel—and decided to fly back to Amsterdam instead.

Incredibly (or so it seems to me), an American woman on the same flight as Milan Schipper made the same mistake! And this incident is not the first time travellers have confused the two Sydney’s. In 2002 two British teenagers ended up in Sydney, Nova Scotia, while trying to visit Australia, as did an Argentine tourist in 2008, another Dutch man and his grandson in 2009, and an Italian couple in 2010.

Clearly, it helps to have more than a passing knowledge of world geography. It also helps to pay a lot more attention to the booking process.

New York City Arts Round-Up #1

MoMA: Unfinished Conversations

This is the first of a regular series of posts highlighting the current art scene in New York City. I have long had an interest in the arts, and now visit to New York is complete without spending time in at least one or two the city's great art institutions like the Metropolitan Museum of Art, the Museum of Modern Art, and so many others. If You are a New Yorker, you know you are spoiled for choice when it comes to immersing yourself in the arts there.

MoMA: Unfinished Conversations: New Work from the Collection brings together works by more than a dozen artists, made in the past decade and recently acquired by The Museum of Modern Art. The artists that make up this intergenerational selection address current anxiety and unrest around the world and offer critical reflections on our present moment. The exhibition considers the intertwining themes of social protest, the effect of history on the formation of identity, and how art juxtaposes fact and fiction. From Cairo to St. Petersburg, from The Hague to Recife, the artists in the exhibition observe and interpret acts of state violence and the resistance and activism they provoke. They reexamine historical moments, evoking images of the past and claiming their places within it. They take on contemporary struggles for power, intervening into debates about government surveillance and labor exploitation. Together, these artists look back to traditions both within and beyond the visual arts to imagine possibilities for an uncertain future.

Now through July 30, 2017. More at MoMA…

Rubin Museum: Gateway to Himalayan Art

Rubin Museum of Art

150, West 17th Street, rubinmuseum.org

The Rubin presents art that traverses Asia’s diverse cultures, regions, and narratives. The Museum’s special exhibitions celebrate art forms that range from ancient to contemporary, including photography and multimedia, while its permanent collection galleries are focused primarily on art from the Himalayan region. Of particular interest are two exhibitions: Sacred Spaces: Himalayan Wind… (through until June 5, 2017; and Gateway to Himalayan Art (through until June 27, 2017). Sacred Spaces invites visitors to reflect on devotional activities in awe-inspiring places, while Gateway to Himalayan Art introduces visitors to the main forms, concepts, and meanings of Himalayan art represented in the Rubin Museum’s collection.

Grandma's Closet At The Metropolitan Museum Of Art

Sara Berman's belongings became an unlikely meditation on immigration, re-invention and feminine independence. By Priscilla Frank, Arts Writer, The Huffington Post

Sara Berman kept her closet in perfect order ― shoes lined up in an unerring row, crisply ironed white shirts stacked one atop the other, her signature bottle of Chanel 19 perched within easy grasp. Her children and grandchildren would gaze into the modest, meticulously organized niche reverently, as if staring at a work of art. Still, they never actually imagined their mom or grandma’s closet would one day, quite literally, find its way into The Metropolitan Museum of Art.

“If someone told my mother her closet would be in the Met one day, she would have thought they were crazy,” artist, author and illustrator Maira Kalman said during a talk held at the museum last week, alongside her son, Alex Kalman, and Amelia Peck, a curator of American decorative arts at the Met. And yet, among the period rooms in the museum’s American Wing, most of which display opulent domestic craftsmanship from the 17th to 19th centuries, is Berman’s neat and tidy closet of the 1980s. 

If You Go:

Sara Berman’s Closet… 

Now through September 5, 2017

The Metropolitan Museum of Art, Central Park & Fifth Avenue

- o0o -

Carol Rama: Antibodies at the New Museum

From April 26—September 10, 2017

235 Bowery, New Museum…

Appassionata (1940), by Carol Rama; Photo: Studio Gonella

This exhibition is the first New York examination of the work of the late Italian artist Carol Rama. The exhibition lays claim to being the largest presentation of her work in the US.

While Rama has been largely overlooked in contemporary art discourses, her work has proven prescient and influential for many artists working today, attaining cult status and attracting renewed interest in recent years. Rama’s exhibition at the New Museum will bring together over one hundred of her paintings, objects, and works on paper, highlighting her consistent fascination with the representation of the body.

Seen together, these works present a rare opportunity to examine the ways in which Rama’s fantastical anatomies opposed the political ideology of her time and continue to speak to ideas of desire, sacrifice, repression, and liberation. “Carol Rama: Antibodies” celebrates the independence and eccentricity of this legendary artist whose work spanned half a century of contemporary art history and anticipated debates on sexuality, gender, and representation. Encompassing her entire career, the exhibition traces the development from her early erotic, harrowing depictions of “bodies without organs” through later works that invoke innards, fluids, and limbs—a miniature theater of cruelty in which metaphors of contagion and madness counteract every accepted norm.

More at New Museum…

More Arts Information

Museum of Modern Art…
Rubin Museum of Art…
The Metropolitan Museum of Art…

Village Voice Guide to NYC’s Spring Art Exhibits…