New York Times OpDocs: Pickle

I spend far too many hours online roving far and wide across the interweb. One of my go to sites is the New York Times, where a very reasonable monthly subscription gives me full access to the latest news via daily bulletins, and years of archived articles and content.

I recently began exploring the OpDocs section of the NYT Online, and have enjoyed watching many great video's ranging in length from five to fifteen minutes. The video embedded below, Pickle, is a delightful look at the parents of Amy Nicholson, who made the film, but more importantly, she documents the many animals, rescued and otherwise, that Amy's parents have cared for over many years. With regard to the video, Amy writes:

For more than two decades, I have been visiting my dad’s farm on the Chesapeake Bay in Maryland, often returning to New York with anecdotes about one member or another of the unlikely menagerie that lived there. I would regale my friends with tales of cross-eyed cats perpetually on the verge of death, ailing chickens convalescing in the house or a paraplegic possum that fancied scrambled eggs for dinner. Practically all of the pets were rescues of some sort with various abnormalities, and the ones that didn’t cling to life well past their prime died prematurely.

I try to find a funny side to everything, and tragedy is no exception. This film’s unrelenting march of death has a light side, but hopefully between morbid curiosity and chuckling at the sheer volume of casualties, the audience will find a bit of themselves in this film. “Pickle” examines the depths of one couple’s devotion to their pets while exploring the complicated relationship that we humans have with all animals. If you find a hurt animal that you’re able to help, is it moral to come to its rescue, as we would with a human? Or is it true compassion to let nature take its course?

Amy Nicholson is a documentary filmmaker who lives in New York City. Pickle is her fourth film.

There are many other great short documentaries on through the New York Times OpDocs portal, and I encourage you to explore the collection on your own. As time goes on I will myself add more to this blog, if only to help spread the word about this great resource.

Magda Love: Global Street Artist

Magda Love: unfinished mural at Hudson and Clarkson, lower Manhattan

In my daily trawl across the internet, I am constantly finding interesting snippets of news, information, videos, and events, that catch my eye and make me wish I was right there where the event was taking place.

The global street artist Magda Love is a perfect example of the serendipitous nature of web surfing. This talented New York based artist (an Argentinian by birth) has been creating vibrant paintings and murals right across New York City, as well as in cities and galleries around the world.

As a traveling artist, a single mother and a mentor to students throughout New York City, Magda (like most other artists) struggles with finding the perfect work/life balance. The short video below documents this struggle, while grappling with her biggest project yet – a massive six-storey wall on the corner of Hudson and Clarkson streets in lower Manhattan. 

As you can see from the Google Maps screen shot illustrating this post, the mural project is only partially completed. I got in touch with Magda yesterday, and in a message to me just this morning she writes that she recently signed the last contract to complete the mural, and that, “…hopefully, soon I’ll get back to it.”

Readers interested in seeing more of Magda’s art work will find plenty online with a simple “magda love graffiti” Google search. You can also connect with her via her Facebook page…

More information:
Magda Love online...
Magda Love: From Buenos Aires to Brooklyn...

UPDATE: After uploading this blog post, I went in search of more of Magda Love's work and found the following video that I thought I just had to add to this post. If you are interested in graffiti art in particular, and even art in general, I urge you to do your own Google search for Magda's work.

The Silicon Jungle, 1985

During one of my periodic trawls through the Gutenberg website, I spotted a recent upload for The Silicon Jungle, which was published in 1985, and which is about when I first started mucking around with computers! I did a quick scan through the book and had to marvel at how arcane the world of computers was, way back when the technology was just beginning to find its feet so to speak.

Rothman’s computer of choice at the time was a Kaypro II, which he considered to be the perfect computer for his needs. I can see why—it had a very impressive—wait for it—64K of RAM. Yes, dear reader, that really is 64,000 kilobytes of RAM (Random Access Memory). Incredibly, the file size of the book cover seen here is a very modest (by today’s standards), 99,000 kilobytes.

Reading through books like The Silicon Jungle, I am reminded of the much quoted statement that was once attributed to Thomas J. Watson, the chairman and CEO of IBM from 1911—1956, which went something like: ‘I think there is a world market for maybe five computers’.

Modern research suggests that it is highly doubtful that Watson ever made this statement, but be that as it may, many other authors and experts have made their own assertions about computers and the software and hardware that is needed to run them, and Rothman was one of them. To choose just one example of many, try reading his thoughts on the humble computer mouse without laughing out loud, thirty-two years after he wrote them.

“If you’re a trained, high-volume production typist,” asked Seymour Rubinstein, the WordStar* developer, “what are you going to do with a mouse except feed it cheese?” Score one for Rubinstein. He says mice are great—if you have three hands. Doing graphics? A mouse, maybe. But damned if I’m going to take my hands off the keyboard to push the cursor from one spot on the screen to the next. It’s simply too much wasted motion. I instead just press the cursor keys right above the main keyboard. Or I use WordStar’s cursor-moving commands. And even if I hadn’t learned touch typing a quarter century ago, I’d still wonder if a mouse for word processing wasn’t the Silicon Valley version of The Emperor’s New Clothes. Next time you’re in California, maybe you’ll see Apple execs naked in the streets as well as their hot tubs. Well, maybe not. The mouse could be a great marketing tool for sales reps peddling Macs or Apple IIc’s to people hoping to do word processing. But experienced typists? Many would probably groan over all the excursions that the mouse forced them to take from the main keyboard.

By the way, my first computer was a state-of-the-art Commodore 128D. So take that, Mr. Rothman. My system had double the memory of your flashy Kaypro II. Sadly (or should that be, happily?), it wasn’t long before Rothman’s Kaypro II, and my Commodore 128D were superseded by much more powerful computers with virtually unlimited amounts of RAM and hard drive storage. If you don’t believe me, look at the advert here for a 10MB hard disk—a bargain at just $3,398.00. At that price, I bet people were snapping them up!

*Note: WordStar was one of the most popular early word processing programs. Of course, it was soon to be relegated to the dustbin of software history with the rise and rise of Microsoft Windows and the new graphics-based word processing software which included MS Word, WordPerfect, Lotus Word Pro—and those pesky mice that somehow found their way into the hands of every computer user.

53,000 Free Books and Counting

I know I have mentioned the Gutenberg website before, but it won’t hurt to mention it again. The site is a clearing house for almost fifty-four-thousand books, all of which are in the public domain, and all of which can be either read online, or downloaded for free to eReaders such as Kindle’s, iPads and other portable devices that can use the ePub format. If you are a keen reader, and you have never checked out the site, you are surely missing out on a great treasury of amazing literature.