NYC Arts Round-Up #4: The Met Museum

The Metropolitan Museum of Art. Credit: Benjamin Norman for The New York Times

~ Visit to the Met Could Cost You, if You Don’t Live in New York

An article in the New York Times caught my attention recently. Titled, Visit to the Met Could Cost You, if You Don’t Live in New York, the article, written by Robin Pogrebin reported that this venerable institution is thinking of charging “…a mandatory fee for non-residents.”

New Yorker’s reading this will be aware of course, that the Met currently has a suggested full priced entrance fee of USD$25. International visitors who have already been to the museum and paid the full price may not have been aware that they could have entered for free—if they had the confidence to front up and ask for free entry.

While comments for the article are now closed, there were many ‘for’ and ‘against’ arguments about the proposal among the 462 contributors, one of whom was myself. Here’s what I wrote: 

Interesting article and discussions. As it happens I live in Australia, but will be visiting New York City for almost three months over the coming summer. In preparation for this visit, just two weeks ago I paid for reduced annual membership to both The Met and to MoMA (each cost US$70 or AU$95.40).

Why? Because I intend to make multiple visits to both institutions during my stay, and paying for membership is the most economical way to enjoy the full range of benefits, along with the events and activities that both museums program across the summer months. Even if I visit each of the museums just once per week over ten weeks, my investment will have more than justified the initial expense. Of course I will miss out on the other nine months of my annual membership, but that’s part of what I call ’the cost of travel’. 

I also paid because I can. I would much rather pay for membership, even though I won’t be able to take full advantage of it over 12 months, if that membership helps those who genuinely can’t afford to visit either of these great museums, to do so for free.

Read the full article here…

A medicine vision by an unrecorded Arapaho artist (detail) ca. 1880 in Oklahoma.

~ In April, my attention was caught by an article by Katherine Brooks writing for the Huffington Post. In her piece; Native American Art Gets Its Rightful Place In The Metropolitan Museum, Brooks writes:

The American Wing of the storied Metropolitan Museum of Art has long held a collection of typically “American” artifacts: portraits of wigged colonial leaders, Tiffany chandeliers, Frank Lloyd Wright chairs, silver owned by Paul Revere Jr., quilts by unknown 19th-century makers.

Together they tell a specific, but noticeably incomplete, history of the United States.
Beginning in the fall of 2018, however, the American Wing will attempt to course correct by including a subgroup of art that has been regrettably missing from the section: Native American art. Thanks to a donation from collectors Charles and Valerie Diker, a batch of 91 works of Native American art will be headed for the American Wing, marking a historic change in the way art is curated at New York’s most famous museum.

While New York City is home to the National Museum of the American Indian (located in the old Customs House opposite Bowling Green), it is surely way past time that Native American culture was better represented at the Met Museum.

Read the full article here…

Making the Most of the Metropolitan Museum

The New York Times also has a very informative feature on how to get the best of any visit to that great institution and its massive collections. Among the highlights, Daniel McDermon includes five ‘Must See’ rooms (Greek and Roman Sculpture Court; the Vermeer Collection; Asian Art; the Impressionists; and the Temple of Dendur). He also writes about the amazing spaces within the museum, intimate treasures, what to see with kids, and much more.

Read the full guide here…

Ellis cartoon courtesy of The New Yorker

If you are looking for even more to do in New York City, the New York Times has several arts sections worth bookmarking and checking on a regular basis:

New York Times Arts…

New York Galleries this Week…

New York Times Arts & Entertainment Guide…

New York City Arts Round-Up #1

MoMA: Unfinished Conversations

This is the first of a regular series of posts highlighting the current art scene in New York City. I have long had an interest in the arts, and now visit to New York is complete without spending time in at least one or two the city's great art institutions like the Metropolitan Museum of Art, the Museum of Modern Art, and so many others. If You are a New Yorker, you know you are spoiled for choice when it comes to immersing yourself in the arts there.

MoMA: Unfinished Conversations: New Work from the Collection brings together works by more than a dozen artists, made in the past decade and recently acquired by The Museum of Modern Art. The artists that make up this intergenerational selection address current anxiety and unrest around the world and offer critical reflections on our present moment. The exhibition considers the intertwining themes of social protest, the effect of history on the formation of identity, and how art juxtaposes fact and fiction. From Cairo to St. Petersburg, from The Hague to Recife, the artists in the exhibition observe and interpret acts of state violence and the resistance and activism they provoke. They reexamine historical moments, evoking images of the past and claiming their places within it. They take on contemporary struggles for power, intervening into debates about government surveillance and labor exploitation. Together, these artists look back to traditions both within and beyond the visual arts to imagine possibilities for an uncertain future.

Now through July 30, 2017. More at MoMA…

Rubin Museum: Gateway to Himalayan Art

Rubin Museum of Art

150, West 17th Street, rubinmuseum.org

The Rubin presents art that traverses Asia’s diverse cultures, regions, and narratives. The Museum’s special exhibitions celebrate art forms that range from ancient to contemporary, including photography and multimedia, while its permanent collection galleries are focused primarily on art from the Himalayan region. Of particular interest are two exhibitions: Sacred Spaces: Himalayan Wind… (through until June 5, 2017; and Gateway to Himalayan Art (through until June 27, 2017). Sacred Spaces invites visitors to reflect on devotional activities in awe-inspiring places, while Gateway to Himalayan Art introduces visitors to the main forms, concepts, and meanings of Himalayan art represented in the Rubin Museum’s collection.

Grandma's Closet At The Metropolitan Museum Of Art

Sara Berman's belongings became an unlikely meditation on immigration, re-invention and feminine independence. By Priscilla Frank, Arts Writer, The Huffington Post

Sara Berman kept her closet in perfect order ― shoes lined up in an unerring row, crisply ironed white shirts stacked one atop the other, her signature bottle of Chanel 19 perched within easy grasp. Her children and grandchildren would gaze into the modest, meticulously organized niche reverently, as if staring at a work of art. Still, they never actually imagined their mom or grandma’s closet would one day, quite literally, find its way into The Metropolitan Museum of Art.

“If someone told my mother her closet would be in the Met one day, she would have thought they were crazy,” artist, author and illustrator Maira Kalman said during a talk held at the museum last week, alongside her son, Alex Kalman, and Amelia Peck, a curator of American decorative arts at the Met. And yet, among the period rooms in the museum’s American Wing, most of which display opulent domestic craftsmanship from the 17th to 19th centuries, is Berman’s neat and tidy closet of the 1980s. 

If You Go:

Sara Berman’s Closet… 

Now through September 5, 2017

The Metropolitan Museum of Art, Central Park & Fifth Avenue

- o0o -

Carol Rama: Antibodies at the New Museum

From April 26—September 10, 2017

235 Bowery, New Museum…

Appassionata (1940), by Carol Rama; Photo: Studio Gonella

This exhibition is the first New York examination of the work of the late Italian artist Carol Rama. The exhibition lays claim to being the largest presentation of her work in the US.

While Rama has been largely overlooked in contemporary art discourses, her work has proven prescient and influential for many artists working today, attaining cult status and attracting renewed interest in recent years. Rama’s exhibition at the New Museum will bring together over one hundred of her paintings, objects, and works on paper, highlighting her consistent fascination with the representation of the body.

Seen together, these works present a rare opportunity to examine the ways in which Rama’s fantastical anatomies opposed the political ideology of her time and continue to speak to ideas of desire, sacrifice, repression, and liberation. “Carol Rama: Antibodies” celebrates the independence and eccentricity of this legendary artist whose work spanned half a century of contemporary art history and anticipated debates on sexuality, gender, and representation. Encompassing her entire career, the exhibition traces the development from her early erotic, harrowing depictions of “bodies without organs” through later works that invoke innards, fluids, and limbs—a miniature theater of cruelty in which metaphors of contagion and madness counteract every accepted norm.

More at New Museum…

More Arts Information

Museum of Modern Art…
Rubin Museum of Art…
The Metropolitan Museum of Art…

Village Voice Guide to NYC’s Spring Art Exhibits…

Metropolitan Museum (NYC) Free Publications

Screen shot of MetPublications Portal

During my 2010 visit to New York City, I paid a visit to the Metropolitan Museum of Art (colloquially called the ‘Met’), and made a point of visiting The Cloisters, that branch of the Met Museum devoted to the art and architecture of medieval Europe. The Cloisters was a short 10-15 minute walk from where I was staying in Washington Heights. I wrote about that visit here, so I won’t cover old ground today. Instead I wanted to let you know about a treasure trove of online publications that all art lovers, visitors to New York, and New Yorkers themselves will surely want to explore further.

Like the online publications collection available at the Getty Museum website, the Metropolitan Museum has also made available hundreds of publications through their own online portal via the MetPublications section of the website.

About MetPublications

MetPublications is a portal to the Met's comprehensive publishing program with 1,500 titles, including books, online publications, and Bulletins and Journals from the last five decades. Current book titles that are in-print may be previewed and fully searched online, with a link to purchase the book. The full contents of almost all other book titles may be read online, searched, or downloaded as a PDF. For the Met's Bulletin, all but the most recent issue can be downloaded as a PDF. For the Met's Journal, all individual articles and entire volumes can be downloaded as a PDF.

I don’t know about you, dear reader, but when 1,500 publications from one of the world’s leading art institutions are made freely available to anyone with an internet connection, that constitutes a real treasure trove. Back in 2010, I was completely unaware of this resource, and anyway I didn’t have an iPad which would help me make the most of that knowledge―even if I did know about MetPublications. However, now I do have an iPad, and I do know about the Getty Museum publications and those from the Met Museum, so lately I have been making up for lost time by downloading and reading some of the catalogues and bulletins from both organizations. By the way, you don't need an eReader to access these publications, they can be downloaded to your laptop or desktop computer as well.

The Unicorn Tapestries

Which brings me back to my visit to The Cloisters. There are some unique and priceless works of art on display in The Cloisters, and probably none more so than the seven Gothic Unicorn Tapestries the building is famous for. I was familiar with the tapestries (which depict the Hunt For The Unicorn) in a very general way, and as much as I enjoyed seeing them, my visit suffered from a lack of real knowledge about the background and history of these magnificent works. Even worse, I had absolutely no way of ‘reading’ or understanding the importance of the hundreds of individual images woven on to these treasures.

Thankfully, all that changed after I discovered MetPublications and the numerous catalogues and bulletins available there that examine the Unicorn Tapestries in great detail.

I know, I know, you could argue this information came four years too late, but when I return to New York City next year, and return again to the Metropolitan Museum of Art and to The Cloisters, I can assure you I will be much more knowledgeable and informed, not only about the tapestries, but about many other works of art, and the buildings that house them.

I will review some of the publications I have downloaded at a future date. In the meantime, why not check out both the Getty Museum and The Met Museum, and see what exciting treasures you can discover for yourself.

The Metropolitan Museum of Art

Image: Hundreds of visitors spill out onto the front steps of the Met at closing time

I haven’t done a lot of gallery or museum visits during this New York stay. In fact, after six weeks I have only managed to visit the Museum of the City of New York, and the Museum of Modern Art (both for about an hour each), and put in extended visits to the Metropolitan Museum of Art and The Cloisters (an off-shoot of the Met). It’s not that I have no interested in art or artifacts, I do, but I have been into other things this time around. However, I may yet squeeze in one or two more museums before I depart this great city.

So anyway, I did get to the Metropolitan Museum of Art (the ‘Met’ for short), where I spent four fruitful hours getting lost amongst several thousand years worth of sculptures, paintings and jewellery; iconography from all the major religions; Egyptian burial items, hieroglyphics and massive sarcophaguses (see image); medieval tapestries and great suits of armour; modern and contemporary art, as well as folk art from every continent; photographic exhibitions; and musical instruments – ancient and modern – including Ringo Starr’s gold plated snare drum!

Image: Massive sarcophagus. Better hope you are well and truly dead when that lid goes on!

I also headed up to the roof to take a look at the Doug and Mike Starn installation, Big Bambu, a massive structure built entirely of bamboo on which only a fortunate few get to explore via bamboo ramps that weave and climb over the whole edifice. Unfortunately, timed tickets for the guided climbs are in high demand and therefore hard to get. As interesting as Big Bambu looked, it was a bit of an anticlimax to only be able to walk under the installation rather than over it.

I couldn’t help thinking, as I wandered through room after room of priceless object d’art: at what point did ordinary objects begin to assume greater value and importance than their makers or original owners gave them? Presumably it is because certain objects have survived hundreds and in some cases, thousands of years that they acquire their worth.

For example, a modern $500 wedding ring, as sentimental as it might be to its owner in 2010, is still ‘just’ a reasonably priced wedding ring. However, if the ring was to survive 500 years – instead of say, 50 – it’s value skyrockets way beyond its initial price. Now it is not ‘just’ a wedding ring, it has been transformed into a rare and precious thing – an artifact from the 21st century, no less. But after 500 years, isn’t it really just an old worn and battered gold ring? Does it automatically become priceless, simply because it has survived 500 years?

Image: The Sphinx of Hapshetsut (circa 1473 – 1458 B.C.)

And another thing. It seems to me that every major museum in the world contains massive collections of Egyptian artifacts. Some are tiny ornaments, others are massive slabs of marble and granite that must have taken great effort to excavate, pack, and transport around the world. I couldn’t help thinking as I examined room after room of the Metropolitan’s Egyptian collection that there can’t be much left in Egypt itself for visitors to look at.

I mean, apart from the pyramids, are there any artifacts left in Egypt worth making the trip for? And what about the locals? What do Egyptians think of the massive plunder that took place during the 1800s especially? They can’t be too happy about the loss of antiquity they have suffered.

Ok. I’m rambling, I know, but these things played on my mind as I wandered through the Met. Besides, someone has to ask the questions.

Anyway, I feel much better now that I’ve shared them with you.

Really.

Image: “We are the knights that say, Ni!”
...

P.S. The Metropolitan Museum of Art is well worth a visit, and the admission price of $20. Just make sure you allow plenty of time to explore its extensive treasures. Even after four hours I still missed out on vast areas of its collections.