Shrine of Remembrance, Melbourne

This imposing memorial to the men and women of Australia's armed forces stands on a hill overlooking the Melbourne skyline. A recent rebuilding program has added a huge underground exhibition space which contains detailed histories of Australia's involvement in international conflicts, ranging from the First and Second World Wars, to Korea, Vietnam, and to more recent (and still ongoing) conflicts in Afghanistan and Iraq.

Information also shows Australia's participation in United Nations peacekeeping operations, which are arguably even more important, given that these operations can help stop local conflicts from escalating into major international wars.

History

Patriotism statuary

The Shrine of Remembrance was created to meet the needs of a grieving community after the extensive loss of lives in the First World War (1914 –18). 114,000 Victorians enlisted in the First World War. Of the 89,000 of them who served abroad 19,000 were killed. They were buried in distant graves far from home at a time when most Australians did not travel abroad. The Shrine provided a place where Victorians could grieve as individuals, as families or as a community. It also served to honour the courage of the men, women and children who remained at home. 

The Shrine of Remembrance was designed by two Melbourne returned-soldier architects, Philip Hudson and James Wardrop. The inspiration for the external outline came from one of the seven wonders of the ancient world—the mausoleum at Halicarnassus to Mausolus, King of Caria in South West Asia Minor.

The Shrine is composed of a number of elements consisting of exterior and interior features, a Crypt, a World War Two Forecourt, Visitor Centre, and the Remembrance Garden and Shrine Reserve. All are brought together by the grand design and the bold architectural elements that are each worth examining closely.

The Exterior

The east and west sides of the Shrine are marked at the corners by four groups of statuary representing Peace, Justice, Sacrifice and Patriotism. In addition, visitors can see sixteen stone ‘battle honours’ discs, commemorating Australia’s involvement in World War One battles at Gallipoli, Villers Bretonneux, Amiens, Ypres, and many others.

Western wall inscription: Let all men know...

The western wall of the Shrine bears the inscription: LET ALL MEN KNOW THAT THIS IS HOLY GROUND. THIS SHRINE, ESTABLISHED IN THE HEARTS OF MEN AS ON THE SOLID EARTH, COMMEMORATES A PEOPLE’S FORTITUDE AND SACRIFICE. YE THEREFORE THAT COME AFTER, GIVE REMEMBRANCE.

The Sanctuary

As visitors enter the Shrine of Remembrance they enter the main Sanctuary inside of which are the Stone of Remembrance. This is set into the floor and contains the inscription; GREATER LOVE HATH NO MAN. This is part of a verse from the Bible (John 15:13), “Greater love hath no man than this, that a man lay down his life for his friends.” The stone is aligned with an opening in the roof of the Sanctuary so that a ray of sunshine illuminates the word LOVE, on the Stone of Remembrance at exactly 11:00 am each year on November 11, Remembrance Day.

Crypt memorial: Father and Son

RAAF Display

At left: Located beneath the Sanctuary in the Crypt, stands a large bronze statue of a father and son representing the two generations who served in the both world wars. 

There is much else to see and do here, including examining the numerous displays in the exhibition space deep below the Shrine. In the grounds surrounding the Shrine visitors will find the Cenotaph and Eternal Flame, the Remembrance Garden and Shrine Reserve containing important statues and memorials—such as the one to John Simpson Kirkpatrick who is commonly known as “The Man With The Donkey”.

Finally, if visitors  to Melbourne and are able to visit the Shrine of Remembrance on the two most important days on the Australian memorial calendar—Anzac Day (April 25), and Remembrance Day (November 11), I’m sure they will find the experience to be both memorable and emotional, especially if they are up early for the Dawn Service.

Acknowledgements
Much of the information in this post is sourced from the official Shrine of Remembrance website and from Wikipedia…

Note: Click on images to see at full size.

Luna Park, Melbourne, Victoria

Melbourne's Luna Park may have seen better days, but try telling that to the hundreds of thousands of children, teenagers and adults who flock to this fun park throughout the year. Entry is free, but of course the rides and attractions are not. I visited on a Monday afternoon, and the place was buzzing with activity, and excitement. The rides and attractions are somewhat 'old school', and small in scale  compared to large, modern fun parks, but it is very popular just the same.

Overlooking Port Phillip Bay, this historic park—now in its 105th year—has been a favourite destination for generations of Melbourne families, and visitors alike. NOTE: Luna Park is open every weekend, and every public holiday except Christmas Day. However, it is not open during the week during school terms—or to put it another way, it is only open during the week when school’s out for summer, and other mid-year vacation periods!

Having said that, just to confuse the issue, the Park does open for the occasional special event during school terms, so I highly recommend readers check the Luna Park Opening Hours page to see if it is open for just such a special occasion.

The Ride of Your Life?

Luna Park offers 18 attractions which are suitable for a wide range of ages. However, all rides carry a minimum height restriction (and in some cases a maximum height restriction). Very young children may have to be accompanied on some rides by an adult.

Check Luna Park’s Rides and Attractions page to see a complete list of rides and which restrictions (if any) apply to them. Speaking of which, among the more exciting attractions Luna Park features the Circus of Screams, Power Surge, Twin Dragon, and Spider rides, and those ever present fair ground staples, the Sky Rider Ferris Wheel and of course—Dodgem Cars.

Life is a Carousel, Old Chum…

Luna Park’s wonderful Carousel is said to be the largest and most elaborate in the Southern Hemisphere. Visually stunning, its 68 horses and chariots are individually hand painted and intricately decorated in brilliant colours. Each horse is unique and even has its own name.

The Carousel was built in 1916 by the Philadelphia Toboggan Company, and was number 30 out of a total of 80 carousels built by the company.

The Great Scenic Railway

With the Great Scenic Railway roller coaster, Luna Park lays claim to “the oldest operating roller coaster of its kind in the world,” although how they substantiate that claim, is unspecified. I assume the “of its kind” part of the claim relates to the fact that the Great Scenic Railway was originally built entirely of wood! Even more improbably is the fact that the carriages are still controlled by a brakeman who stands in the centre of each carriage and controls…what? Speed? Ascent and descent? Oncoming traffic? Okay, don’t panic. I’m only joking. That crack about oncoming traffic was put there to see if you are paying attention. 

Mummy, I’m Hungry!

The food franchises are of the fast food 'pie and chips' variety, along with the ubiquitous Fairy-floss (or Cotton Candy as Americans like to call it), pop-corn, snow-cones, and hot-dogs. While the prices are quite reasonable the choices on offer leave much to be desired.

Café Luna is a little more upscale, and sells gourmet pizzas, deli-style sandwiches and burgers. Apparently the café also caters for vegetarians as well. Personally, if you are planning a long visit—and given that entry is free—I would recommend patronizing one of the local cafés or restaurants nearby where the meal choices are broader and healthier.

Visitors with Special Needs

While the main Luna Park site is accessible for visitors with special needs and disabilities, many of the rides and attractions are not able to accommodate people with major disabilities, or who are wheelchair-bound. Check Luna Park’s Special Needs page for a complete breakdown of what visitors with disabilities can expect when they visit the park.

Getting There

Visitors without their own means of transport, can get to Luna Park with a minimum of fuss and expense from the CBD by taking either a number 3a East Malvern-bound tram, or a number 16 Kew-bound tram from the tram stops on St Kilda Road by Federation Square.

Another option is the number 96 St. Kilda Beach tram which runs along Collins Street, and also takes visitors directly past Luna Park.

Here’s a video compiled from multiple roller coaster rides that give you a good look at what a ride on the Great Scenic Railway entails.

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IF YOU GO

Address: 18 Lower Esplanade, St Kilda, Port Phillip, Victoria. Phone: +61 3 9525 5033

Opening Hours… 

Luna Park Online…

Yarra Trams… for public transport options.

The Ian Potter Centre: NGV Australia

Tree form (detail).
Click here to see the full work... 

During my stay in Melbourne in January, I paid a visit (as I always do), to the Ian Potter Centre: NGV Australia (the initials stand for National Gallery of Victoria).

This is one of the great Australian galleries, and its proximity to Federation Square and the heart of downtown Melbourne ensures that there is a constant stream of local and international visitors strolling the centre's wonderful galleries and excellent exhibitions. Entry to the general collection is free, while special exhibitions require paid entry.

The Ian Potter Centre is home to some of the most iconic works of Australian art from many of the country's most celebrated artists. Here you will find Russell Drysdale, Albert Tucker, Frederick McCubbin, Tom Roberts and many others.

Collins St, 5p.m. (detail).
Click here to see the full work...

"In the early 1950s John Brack adopted Melbourne's urban environment as his subject, recording the shops, bars and workplaces of the city with an ironic edge. In Collins St, 5pm, Brack's depicts Melbourne's financial hub at the end of the working day, it's uniformly dressed office workers streaming homeward. By personalising each figure Brack points to the enduring presence of the individual."

"Shearing the rams, (see image below) by Tom Roberts, is a response to the nationalistic sentiment that developed in Australia during the late 19th century. It reflects the emergence of a national identity defined through heroic rural activity and the economic importance of the wool industry.

The painting is based on a number of preliminary sketches that Roberts completed on the spot at Brocklesby Station, Corowa, New South Wales, in the late spring of 1888. He returned during the following two spring periods (shearing season) to work on the painting."

Jarlu Jukarrpa (detail).
Click here to see the full work...

Paddy Japaljarri Stewart was an Australian Aboriginal artist from Yuendumu, in the Northern Territory. Wikipedia provides this introduction to Mr. Stewart:

Paddy Japaljarri Stewart (circa 1940–2013) was an Australian Aboriginal artist from Mungapunju, south of Yuendumu. He was chairman of the Warlukurlangu Artists Committee. Stewart was one of the artists who contributed to the Honey Ant Dreaming mural on the Papunya school wall in 1971 - the very genesis of the modern Aboriginal art movement.

In 2004 Stuart Macintyre wrote in a A concise history of Australia that Paddy Japaljarri Stewart "...evokes the continuity of dreaming from Grandfather and father to son and grandson, down the generations and across the passages of time..."

Lost (detail).
Click here to see the full work...

"The theme of the lost child in the bush had a long literary and artistic tradition in Australia and was still topical during the 1880s. Lost was the first of Frederick McCubbin's 'national' pictures: paintings of Australian subjects which culminated in 1904 with The pioneer."

There is much to see and enjoy here, and the Ian Potter Centre is one place I make sure I visit over and over again whenever I am in Melbourne. Don’t miss it.

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Location:
Federation Square: Cnr Russell and Flinders Streets
Melbourne, Victoria, Australia. 
Ph: +61 3 8620 2222
Online at Ian Potter Centre: NGV Australia... 

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Shearing the rams (detail).
Click here to see the full work...

Note: unless otherwise noted, text in italics indicates content adapted from the information cards placed alongside each of the above works of art in the Ian Potter Centre.

Melbourne, Fourth Time Around

Actually, I have lost count of the number times I have been to Melbourne in the past five years. It is at least four times but it could be my fifth or sixth visit. But hey, who’s counting, right? Each time I have come here to house sit for friends, who take the opportunity to enjoy a summer break elsewhere.

Each time I come back, I like to return to locations I have enjoyed on previous visits. Places like the Melbourne Museum, the ArtsCentre, the National Gallery of Victoria, ACMI (the Australian Centre for the Moving Image) at Federation Square, and of course many other places.

HOTHAM STREET LADIES

This time my first trip into the city took me as always, to Federation Square, and since it was Saturday, I went straight to the Atrium where every Saturday numerous booksellers from around the city display their second hand titles to a constant flow of willing buyers and interested browsers. Right next to the Atrium is the Ian Potter Centre: National Gallery of Victoria, Australia. I popped into the gallery, but decided not to do the rounds of the various exhibition halls. I confined myself to several large, colourful installations on display in the foyer of the gallery. These sat under the collective title: At Home with the Hotham Street Ladies. The installations were created by five female artists who go under the name, Hotham Street Ladies.

Above: A typical suburban lounge room setting with a difference. Each of the major pieces of furniture are here adorned with individually hand crafted icing fashioned to resemble pieces of pizza (and the box the pizza came in), cigarette butts, home furnishings, and other items.

Above: What appears to be a multicoloured floor covering on closer inspection (below) is an installation consisting of thousands of individually placed elements ‘woven’ together from ordinary icing coloured to give the impression of carpet fibre.

In an artist statement on display at the exhibition the group state: “We like to make art that is interesting, funny and even a little bit disgusting. We take old fashioned activities such as cake decorating and handicrafts, and make them fresh and new.“ The statement goes on to explain that the work was inspired by the house they used to share in Hotham Street, Collingwood.

Above: I particularly liked this installation, because it reminded me of the many family gatherings  which always left assorted crockery and tables covered with the detritus of long, wholesome, home cooked meals. Incredibly, all the ‘food’ on the table is made from coloured icing.

Above: The title board for the installation consists of hundreds of small icing sugar candies (see detail below) that are literally good enough to eat. One can only wonder at the patience and fortitude of the artists as they slowly and methodically created each piece of icing, hand coloured it, and carefully attached every piece in place.

The installation is on display until March 2014. I wonder if we are allowed to eat the icing once the exhibition is over?

More Information

Hotham Street Ladies…

Hotham Street Ladies Blog…

National Gallery of Victoria…

Art: Ballroom

~ During my three week house sitting stint in Melbourne over January, I frequently found myself hanging out at the city’s Federation Square. The square has become the active heart of Melbourne with some type of event, or events taking place there throughout the summer, and at other times of the year.

While I was there, a major installation, Ballroom, attracted much attention from visitors and locals alike. The installation was created by American artist, Patrick Dougherty, who bends, weaves, snags and flexes a humble pile of sticks to create works of art that are inseparable from nature and landscape. Over the last twenty five years, Dougherty has build more than two hundred works throughout the Untied States, Canada, Europe and Asia, with every piece mesmerising in its ability to fly through trees, overtake buildings, and virtually defy gravity.

In addition to freestanding structures, Patrick’s art functions just as easily as adornments. What shape the works take, depends very much on the site and methodology used.

The work took three weeks, or 2000 hours, to build with the help of 70 volunteers. In part inspired by the architecture of Flinders Street Station, Patrick named this piece, Ballroom.

Speaking about the installation, Patrick had this to say: “I think that a good sculpture is one that evokes in the viewer a wealth of personal associations. My viewers see stick castles, lairs, nests, architectural follies; and they remember moments in the woods building forts and hide outs.

I hear stories about the Garden of Eden, favourite trees, and secrets about first dates. Some viewers touch the surfaces and talk about the momentum of wind of other forces of the natural world. Most important, people love to explore strange shapes and hidden spaces, particularly if they encounter them in unlikely spots. I like to see children running towards the openings and people standing on the street and pointing. I like to spark people’s imaginations and connect them with nature in a surprising way.”

Here is a brief video I shot of the installation during my stay:

More information:

Federation Square... 

When Travel is Just Like Coming Home Again

Victoria Square Fountain, Adelaide

~ For most of my life I have lived in Adelaide, Australia, and although I like to say that Adelaide is a nice place to come home to, the more I travel the more I am beginning to feel that I have roots in other countries and cities around the world.

My parents were Greeks who immigrated to Australia just prior to the Second World War, and of course I have visited the island my parents came from – Ikaria – on multiple occasions. 

Two of my sisters have returned to live on the island, and both have children and grandchildren growing up there. I consider Ikaria to be my first home away from home, having visited several times during the 1970s, and again in 2008 and 2010.

South Street Seaport, NYC.

New York City Dreaming

When I landed at New York City’s JFK airport following an exhausting flight from Australia, my return to that city in 2012 for my third visit in six years, also seemed like coming home.

When I boarded the A-train for the Washington Heights apartment (and two cats), I would be ‘house’ sitting for the second time, it was a great feeling, and it was all I could do to suppress an open smile. Let me tell you though, smiling openly on a 6:00am A-train full of sleepy New Yorkers heading into Manhattan for the start of the working day is probably not a good idea.

I first went to New York in 2008, and have returned every two years since. There more I go, the more I love it, and the more that city also begins to feel like home. I hope to return to the Big Apple again in 2014, which should pretty much cement its place in my mind as my second home away from home.

Federation Square, Melbourne

Wherever I Lay My Hat
I have been house sitting for friends in Melbourne for the past four years, and every time I return to that city, it too feels like coming home. Then there are my visits to an American cousin in Tucson, Arizona in 2010 and again in 2012. If I get a chance to visit again – and I certainly hope to – I know that Tucson will also join the list of cities that have become my surrogate homes as I continue to travel and occasionally retrace my steps around the world.

What all these locations have in common is the familiarity I have developed with them: knowing how to find my way around what were once strange cities and landscapes; knowing where the nearest supermarket, ATM, subway station or bus stop is to my home away from home; and knowing enough about a location to be able to offer advice and information to people who are themselves looking for assistance. Then there is the joy I get from returning to favorite locations within each of these cities: Federation Square and the crowded alleys of Melbourne; the South Street Seaport and Bryant Park in New York City; the tiny villages and summer festivals of Ikaria; and the giant Saguaro cactus plants that dot the dry desert landscape around Tucson, Arizona. But most of all, it is great to be able to continue my explorations in each of these locations to broaden my knowledge and understanding about each city, and the people who live and work there.

Adelaide is a great place to return home to, but I can’t wait to again revisit my various homes away from home, and add other countries and cities to those already mentioned here.

The Never Ending Vacation Continues

I write this on New Years Eve from what has become a regular house sitting visit to Melbourne, Australia. This is the fourth house sit for the same owners in as many years, and I have begun looking forward to my stay in the city as I explore its numerous alleys and cultural institutions (and bookshops), more and more. Here in no particular order are my favorite Melbourne haunts - places I return to again and again on each visit.

The National Galley of Victoria
Each year I return to the National Galley of Victoria to take in the latest exhibition, and to reacquaint myself with the permanent works of art on display there. However, like all major museums and galleries, the NGV pulls works out of storage and returns some of the items currently on show back to their storage vaults, so visitors never see exactly the same artists or work on return visits.

Australian Centre for the Moving Image
I wrote about the Australian Centre for the Moving Image (ACMI) after my first visit there in January 2010, so I won't repeat myself again. Suffice to say, that I always enjoy returning to the Centre, not least because there is an excellent cinema complex on site, showing an eclectic mix of classic and contemporary movies.

Federation Square
The heart of Melbourne's revitalized downtown area, Federation Square features live music and arts performances on a regular basis throughout the summer months, and the giant outdoor screen is used for a variety of live broadcasts including tennis, Australian Rules Football, the Grand Prix, and numerous other events. Oh, and both the Australian Centre for the Moving Image, and the National Gallery of Victoria are part of this massive complex.

Melbourne Museum
Completed in 2001, and located in the Carlton Gardens, the Melbourne Museum is the largest museum in the Southern Hemisphere, and "provides a place for education, history, culture and society to engage with each other in a contemporary setting". The museum has seven main galleries, including a Children's Gallery and temporary exhibit space. Along with a couple of theatres, the museum is also home of the city's IMAX Theatre.

Queen Victoria Market
The QVM is a Melbourne institution covering several city blocks. There are hundreds of stalls selling everything from tea to T-shirts, exotic soaps, faux aboriginal trinkets, CDs and DVDs, and so much more. A section of the market is devoted to fresh fruit and vegetables, and the indoor food and delicatessen departments are a gourmands delight.

Arts Centre Melbourne
While I have never been to the Arts Centre to catch a performance in any of its venues, I have made a point of visiting to see free exhibitions that take place over the summer inside the main building. Over the past couple of years I have seen the raucous AC/DC exhibition and the wonderful Reg Livermore Take A Bow exhibition which I wrote about in an earlier post. I don't know who or what the current free exhibits feature but I am looking forward to checking them out as soon as possible.

It’s a Small World After All

How true that heading is. On my way back to Adelaide from Melbourne yesterday, I got talking to a man who was also travelling on his own. We chatted about travel – as one seems to do when one is travelling – and he mentioned visiting Philadelphia some time ago with his wife.

It seems that the bus they were travelling on was delayed on its way to Philly. When they got to the main bus station much later than anticipated, they found that the hotel they had booked to stay in was some “50 miles” out of town, and that the only way to get there was with an expensive taxi ride. Of course, they cancelled that booking, and asked the agent at the bus terminal in Philadelphia if he could recommend a local hotel.

The agent recommended the Comfort Inn. In fact, said he, “they have a courtesy bus which can come and pick you up”. So the bus was called for and away went this couple to the Hotel. The man and his wife were delighted to find they were placed in a room overlooking the Delaware River, with a great view of the Benjamin Franklin Bridge.

What a coincidence.

This is the same Comfort Inn hotel I stayed in during my Philadelphia visit in 2010, during which I too had a room overlooking the river and the bridge. Of course, I mentioned this to my fellow passenger, and marvelled at the serendipitous nature of travel encounters.

At a subsequent stop (we were not sitting together), we started chatting again. This time we began talking about the bus ride up to that point, and agreed that next time either of us were making the same trip, we would look at catching the train instead of a bus. He mentioned that the train cost only a few dollars more anyway, and had the advantage of letting passengers walk through the carriages, giving them a chance to stretch their legs and move around more freely.

As we were chatting, the thought suddenly occurred to me that the train would pass through Mitcham station on its way into Mile End. Mitcham station is literally a couple of hundred metres from my current address, and I told him this, mentioning that I lived at Mitcham. Well, you could knock me down with a feather. Not only did this man and his wife also live in Mitcham many years ago, but he said, they “used to live in some flats opposite the Mitcham shops.”

“In Wemyss Avenue?” ask I.

“Yes,” says he.

Go ahead. Knock me down with a feather. Because my current address just happens to be one of those apartments in Wemyss Avenue.

I couldn’t believe it, and I’m not sure that he believed me, either. But there you have it. Two complete strangers swapping travel stories during a long bus trip between Melbourne and Adelaide, and we had both stayed in the same hotel in Philadelphia, and in the same apartment complex in Adelaide.

Of course, the dates and apartment/room numbers were different, but just the same – what are the odds of this happening?

It is indeed, a small world.

Friday Fotos – Melbourne Images

 

Commit No Nuisance
Now where is the fun in that? I spotted this sign as I wandered through Melbourne’s Chinatown area, and couldn’t resist taking a photo. One has to wonder at just how much of a nuisance visitors have caused to force some authority to feel the need to paint this directly onto the wall. I have no idea if it is successful, or why it appears on this wall and on no another. I have yet to see similar signs elsewhere in Chinatown, or anywhere else around the Melbourne CBD for that matter.

Fireworks Underfoot

On January 29, I headed into the Chinatown section of Melbourne to catch some of the festivities taking place there as part of the Year of The Dragon celebrations. I watched two ceremonies take place at which long strings of fireworks were set off in front of Chinese restaurants, in an age old tradition meant to bring the owners good fortune and much luck throughout the coming year. The carpet of red that you see in this image has been created by the remains of hundreds of exploded fireworks.

Can This Be The Wall…?

Just down the road from the house I am staying in, locals have painted this sign on their house wall. While the sentiments may be admirable, it seems to me that the targets, the ‘coal barons’, are pretty much long gone, although there are probably some still around. Now a days, I suspect the coal barons have moved on to much richer pastures and are busy exploiting other natural resources like coal seam gas, uranium, iron ore and such like.

Reg Livermore – Take a Bow

...

Reg Livermore has been entertaining Australian audiences for over 50 years. Sadly, I have missed the majority of the many, many shows he has appeared in – either as part of an ensemble cast or in his one man shows – because Reg lives and performs mostly along the eastern seaboard of Australia, and rarely it seems, does he make it to Adelaide.

However, I count myself lucky to have at least seen him in his seminal one man shows Betty Blokk Buster Follies in 1976, and Sacred Cow II in 1981. I also saw his production of Ned Kelly when it toured to Adelaide in 1978, a show for which Reg was writer, director, and designer.

So I was absolutely delighted to see that the Arts Centre Melbourne, was staging an exhibition celebrating his extraordinary career, and that my visit to Melbourne coincided with the exhibition, which as of this writing I have already visited three times.

Reg Livermore – Take A Bow, showcases his groundbreaking solo shows that began with Betty Blokk Buster Follies, and features some of the many stage costumes worn during that, and other shows. Also on display is material from his personal archive, including show posters, manuscripts, interviews, and awards, all of which allow the visitor a rare glimpse into the creative talent of a true Australian theatre legend.

The centre piece of the exhibition features a giant screen replaying songs from Betty Blokk Buster Follies. And it is these songs and performances that have drawn me back to the exhibition several times already.

Betty Blokk Buster Follies DVD
Here is the promotional video for the Betty Blokk Buster Follies DVD:

Some of the costumes on display include those of the characters Tara The Incredible, Carmen Marahuana, Allison Diesel, Captain Jack, Joan of Arcadia, Vaseline Amalnitrate, and the immortal Betty Blokk Buster herself.

As an occasional performer myself, I have always been drawn to other singers and actors who are not afraid to completely inhabit the characters they play and give them full expression. Reg Livermore not only does that but he has never been afraid to tread where many other performers are afraid to tread. In recognition for his many years in theatre, Livermore was honoured as an Officer of the Order of Australia (AO) in 1996, and in a special ceremony at Melbourne’s Docklands in 2006, Livermore was named one of 100 Australian Entertainers of the Century.

His latest show and tour Turns (with another legend of the Australian theatre Nancye Hayes), took place in 2011. At 73. Reg Livermore doesn’t look like he is ready to stop performing anytime soon, and Turns was just the latest in a long career that began in 1957 with Around The Loop, and has gone on to included television (as an actor and presenter), and appearances in more than 100 theatre and television shows.

Apart from his one person shows, and the dozens of other theatre performances he has been in, Reg Livermore has appeared in some of Australia’s biggest theatre productions including Hair, Jesus Christ Superstar, The Rocky Horror Show, Barnum, Iolanthe, The Producers, and My Fair Lady.

I was delighted to see that a collection of songs from the Betty Blokk Buster Follies show is now available on CD and DVD, and these can be bought via Possum Records. Reg has also written an autobiography, Chapters and Chances a coffee table style photographic history, published in 2003, and he is currently completing a second volume, There Are Things I Haven't Told You. Chapters and Chances can be bought directly from Reg Livermore via his website, and I note that he is more than happy to sign copies of the book if you request it.

Both the book and the DVD can also be purchased at the Arts Centre Melbourne during the exhibition.

"On of the most extraordinary events in Australian theatre history - A brilliant star"

~ The National Times on Betty Blokk Buster Follies

I have made my own humble tribute to Reg Livermore using footage from the Take a Bow exhibition, edited to his beautiful performance of the Charles Aznavour song, What Makes a Man?

More information:

Reg Livermore – Take A Bow at Arts Centre Melbourne, Gallery 1
November.5, 2011 – February 23, 2012.

Open Daily | Free entry

Arts Centre Melbourne…

Reg Livermore website…

Reg Livermore on YouTube…

Possum Records…

Reg Livermore on The Midday Show (1996)

In 1996, Reg Livermore appeared on The Midday Show, and was interviewed by the shows host Kerri-Anne about his career, his Officer of the Order of Australia (AO) award, and other topics. You can see that interview here:

Things You Discover Walking – Clifton Hill Shot Tower

Clifton Hill Shot Tower looms over local homes

Have you ever wondered how they made those little round balls that passed as bullets in the olden days? You know the type I mean. Small, round, lead balls that had to be rammed down the barrels of primitive muskets and pistols, before they could be fired at an assailant or enemy combatant. Well, today’s Things You Discover Walking entry provides the answer.

A couple of kilometres from the home I am currently house sitting (in the Melbourne suburb of Fitzroy North), is a tall chimney-like structure that towers high over the neighbourhood of Clifton Hill. A little research reveals the column to be the Clifton Hill Shot Tower, a structure that was first erected in 1882.

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Would you like to hazard a guess at the number of bricks that went into
the towers construction?

...

But what exactly is a ‘shot tower’?

“A shot tower is a tower designed for the production of shot balls by freefall of molten lead, which is then caught in a water basin. The shot is used for projectiles in firearms.” ~ Wikipedia

Let’s examine this process in more detail. Inside the shot tower, lead was heated until molten before it was passed through a copper sieve high up in the tower (presumably, the furnace to melt the lead was located at the top of the tower). As the molten lead dropped through the air it solidified as it fell, and the surface tension generated by the fall, formed tiny spherical balls.

The partially cooled balls dropped into a pool of water at the bottom of the tower where they were left to cool down completely. And that in a nut shell is how lead shot used to be made before the development of modern bullets.

To make larger shot sizes, a copper sieve with larger holes was used. However, the maximum size of the lead shot was limited by the height of the tower, because larger shot sizes needed to fall farther to give them time to cool.

Originally, molten lead was poured into moulds of various sizes to create lead shot, but as you can imagine, this was a long, slow, time consuming process. The advent of the shot tower sped up the process considerably until even newer modern methods were developed. 

Clifton Hill Shot Tower

...

The Clifton Hill Shot Tower rises 49 metres (160 ft), and can be found on the corner of Alexandra Parade and Copper Lane. The tower (the tallest shot tower ever built in Australia), was operated by the Coops family, who also managed the Coops Shot Tower. Remarkably, this tower has also been preserved and can be seen inside the Melbourne Central Shopping Centre. Both towers are on the Victorian Heritage Register.

Modern methods for producing lead shot for shotgun shells, have of course done away for the need for shot towers, but many examples of these fascinating relics of a bygone age still survive.

Two of the oldest towers still standing are the Jackson Ferry Shot Tower in Wythe County, Virginia. This was built in the 1790s, and is now part of a state park and open to the public during the tourist season. Another is the Chester Shot Tower, in Boughton, England. This tower, built in 1799, is the oldest surviving shot tower in the Britain. Other examples still survive in countries as diverse as Germany, Finland, New Zealand, and elsewhere.

Clifton Hill Shot Tower

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So there you have it: the Clifton Hill Shot Tower. It now stands like a silent sentinel on a nondescript corner just metres from the entrance to Melbourne’s Eastern Freeway.

It would be wonderful to see the tower turned into more than just an old relic from a bygone era – I’m sure the view from the top would be well worth the climb – but sadly, money, politics, and planning constraints will no doubt conspire to stop that.

Melbourne

Flinders Street Station by Adam J.W.C.

~ After an exhausting eight hour day wandering around central Melbourne – buying books and visiting the Melbourne Museum and the Australian Centre for The Moving Image (ACMI), I returned to my house sitting base in Fitzroy North, and pretty much collapsed from the effort.

It doesn’t bode well for the rest of my five week stay, but I’m sure I will adjust to the routine – as long as I don’t make the purchase of books a regular part of that routine. Personally, I thought my Training For Travel program of daily hour long walks would have prepared me better for the rigours of extended city walking, but of course, there is a big difference between walking for an hour, and being on my feet for at least seven of the eight hours I was out and about yesterday.

Right now, I am still in recovery mode. Thankfully, my feet are complaining less, and my back is a lot happier now that I am spending most of the day reading, writing, and relaxing. But watch out, body, tomorrow we hit the streets again. So suck it up, and make the most of your layover day. The adventure is only beginning.

Welcome to 2012

It’s traditional to offer some homilies and reflections at the end of one year, and at the beginning of a new one, and being a bit of a traditionalist I am happy to add my few words to the millions that have been written already, or to those that are being uploaded across the Internet as we speak.

Last year was not the best in my extended family, coming as it did with the loss in May (at age 70), of an older brother, George. There was also the untimely passing of a brother-in-laws much loved mother, and family matriarch, Maureen (who lived a long and fulfilled life of 91 years). Of course, all deaths are untimely, when it comes down to it, but Meg, as she was affectionately known by one and all, passed away just a couple of weeks before Christmas, and any death close to Christmas seems to have more impact than if it had occurred well before significant events that are normally celebrated by most families, or the larger community.

There were other deaths along the way, all of which served to remind me that I am not getting younger, and that if I am going to make the most of the rest of my life I need to focus my time and attention where I can get the most benefit out of the years ahead. Of course, life marches to its own beat, and it has a way of getting in the way of our best laid plans – no matter how carefully we have made our arrangements.

So for myself, the new year begins with much reflection and the hope that last year’s farewells will be the last I am going to see for some time. The new year also begins with the promise – and planning – of new journeys. Next week I head to Melbourne for a five week house sitting stint, and in July and August I should be apartment sitting in New York City. Then there is a much anticipated return to my ancestral home on the Greek island of Ikaria – and another stay in Paris, France would not go amiss either.

Dear reader, life is finite. The clock is ticking.

Travel blogs are filled with comments from readers wishing that they too could embark on journeys they have been daydreaming about, in many instances, for years.

If this sound like you, take heart. You can have your cake and eat it too – but you will have to decide on your priorities. You will almost certainly have to sacrifice something to make your dreams come true. And you will again, almost certainly, have to overcome many doubts and fears to bring your dreams to fruition. You will also encounter naysayers, sceptics, and critics who will argue that the world is filled with dangers lurking around every corner – as if watching an hour of the evening news doesn’t reinforce that time and time again.

Then there are others who argue that you need to knuckle down and focus on finding a life partner, or family, or career, or homebuilding, or making a fortune, or [add your own inner nagging voice].

Ignore them all. Travel blogs are also filled with articles from people – young and old – who have decided to live the dream they have been nurturing for many years, and who have left the 9-5 rat race behind to travel the world, in many instances for years at a time.

Some work their way from country to country, others busk or perform on city streets and subway station platforms. Travellers can join a wide variety of networks and organizations filled with friendly people that are happy to offer accommodation and advice for the passing traveller. All this information and more is available online via the monitor or portable device you are reading this post on right now.

Make a plan. It doesn’t matter if your plan is to travel in five years instead of five months. The important thing is to make a plan and stay focussed on it. Nurture it. Feed it. Grow it. Read, research, make notes, make plans, make contact with fellow travellers, and aim to put some money aside each week until you reach your ultimate goal – and departure date.

I say again – life is finite. The clock is ticking.

So, Love The Life You Live – or change it – and may all your dreams and more come to pass in 2012.

My second piece for Travelhoppers on the Australian outlaw, Edward 'Ned' Kelly is now online.

The post looks at the legend of Ned Kelly as it survives today, and provides a route map for a suggested road trip through Kelly's life and subsequent death, for true crime fans, and for travellers interested in Australian history and the story of the Ned Kelly.

It may seem incredible, but the story of Ned Kelly still resonates across the years, despite his death by hanging on November 11, 1880 at Melbourne Gaol. In fact, it wasn't until recently that his remains were finally identified and returned to surviving family members for burial or disposal as they see fit.

However, the lingering mystery of what has happened to Kelly's missing skull remains. Forensic examination of a skull thought to be Edward Kelly's and in the possession of a Western Australian family for 30 years, now turns out not to be the skull of Ned Kelly, but quite possibly the skull of another criminal also hanged at Melbourne Gaol.

It all makes for fascinating reading for history buffs and true crime fans alike, and a good place to start your examination of the Kelly legend might as well be my piece for Travelhoppers.

Travelhoppers: Down Among The Dead Men

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Just a quick note to let you know that my first article for the Travelhoppers website has now gone ‘live’. The article looks at cemetery 'tourism', and visits three cemeteries: Woodlawn, in the Bronx, Pere-Lachaise in Paris, and Melbourne General cemetery in Melbourne, Australia.

I’m hoping this will be the first of many stories for Travelhoppers, and I will of course, let readers know via this blog about any new articles as a when they happen.

Feel free to Follow me via Twitter @compleattravel or look for me on Facebook. I’d love to have you as a Friend.