Dammit, I'm in the wrong theatre!
Since it is far too late to find the right screen I figure
one film is as good as the next. As disappointed as I was to miss Dallas
Buyers Club, I am delighted that I got to see Tracks, a movie I
really enjoyed.
Filmed mostly in outback South Australia (my home state),
and the Northern Territory, the movie recounts the 1977 trek Robyn Davidson
made across 1700 miles of Australian desert. The trek became the cover story
for the May 1978 edition of National Geographic magazine, and subsequently the
story of her journey was recounted in her best selling book, Tracks,
published in 1980.
I’ve never read Davidson’s book, so I can only assume this
film is as true to her story as modern movies are capable of depicting it―short
of her story being retold in documentary form.
Robyn Davidson was born on a cattle station in Queensland. Tragically, her mother committed suicide when Davidson was 11, and she was largely raised
by her father's unmarried sister. She went to a girls' boarding school in
Brisbane, where she received a music scholarship but did not take it up.
Elements of her background are recounted in the film in the form of flashbacks.
In the 1970s, Davidson moved to Alice Springs where she
trained camels for two years, and learned how to survive in the Australian
desert. All this was in preparation for the journey across Australia she was
then planning. This period of her life is depicted during the first third of
the film.
In 1977, Davidson set off from Alice Springs for the west
coast, with a dog and four camels. Apparently, she had no intention of
writing about the journey but eventually agreed to write an article for
National Geographic Magazine. The American photographer, Rick Smolan (with whom
Davidson had an “on-again, off-again” relationship during the trip), became the
official photographer for the journey. However, Smolan did not travel with
Davidson, but instead arranged to meet her at designated points along the way
during her nine-month trek.
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| Screen shot from the film, Tracks |
There is much to like about Tracks, not the least of
which is the stunning Australian landscape. Mia Wasikowska, as Robyn Davidson,
is often dwarfed by her three adult camels, and all in turn, are dwarfed by the
vast desert locations that form a vital part of this incredible story. As a
backdrop, the Australian outback, as depicted in the film is immense, hot, and
unforgiving, especially to those who venture out into it uninformed and unprepared.
Clearly, Davidson had done her ‘homework’, and was as well prepared as she
could have been, given the amount of time she devoted to working with camels
and learning to live in that harsh environment before starting out.
Apart from the small number of profession actors in Tracks,
the film makes generous use of numerous non professional actors, particularly
members of local Aboriginal communities. This gives a sense of authenticity to
the film, especially with the introduction of Roly Minuma as Mr. Eddie, an
Aboriginal elder who escorts Davidson through territory containing sacred sites
that are normally off limits to women. Mr. Eddie also imparts important
cultural information during the shared part of their journey.
Since the early 1980s, there have been at least five
attempts to turn Robyn Davidson’s book into a film. Among the actors mooted to
play the lead role have been Julia Roberts and Cate Blanchett. The idea that
Julia Roberts might have been required to adopt an Australian accent for the
film makes me shudder just thinking about it. Cate Blanchett on the other hand
seems just a bit too elegant and sophisticated to fill the role. But maybe I am
being too harsh.
Mia Wasikowska on the other hand, brings a certain
vulnerability to the role, which I think it calls for. Cleary, Davidson’s
journey from the centre of Australia to the Western Australian coast must have
taken enormous amounts of courage and resourcefulness. Yet as depicted in the
film, she also had to deal with many moments of doubt, loneliness, and sadness,
and Wasikowska portrays all that and more.
While there are a couple of scenes in Tracks which
didn’t quite ring true, I can only hope they did in fact occur during
Davidson’s trek. It would be a shame to find that the scenes were introduced
into the film simply to add some drama to a story that surely must have had more than enough moments of genuine drama to fill 100 minutes or so.
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| Screen shot from the film, Tracks |
I kept hoping and waiting for a great ‘Lawrence of Arabia’
moment in Tracks. That is, something inspired by the scene in David
Lean’s movie when Omar Sharif, as the character Sharif Ali appears out of a
desert mirage in a beautiful long shot that has become a classic of modern
cinema.
There were several moments in Tracks when I thought the audience
was about to be treated to a similar scene, but numerous edits and close ups
destroyed the effect. Maybe the director John Curran, and editor Alexandre de
Franceschi wanted to steer clear of such a moment to avoid charges of
plagiarism. If so, that’s a pity. I myself would have regarded it as a tribute
to David Lean, but then, I was neither director nor editor.
In the trailer below you can catch a very quick glimpse of
one of these scenes at the 1:36 minute mark.
This is definitely a film worth looking out for when it
comes to a cinema near you. But for goodness' sake―make sure you walk into the
right theatre!
Here's the trailer...
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