Because In The End...

"Because in the end, you won't remember the time you spent working in the office or mowing your lawn."

New York City Arts Round-Up #2

I have often wondered, as I wandered around many an art gallery’s modern art wing, how it was that curators of exhibitions could tell which way was the right way to hang paintings that had no obvious clues to their orientation. Should they be hung vertically or horizontally? In the video embedded below, MoMA curator Sarah Meister and master framer Peter Perez analyze several photographs by Brazilian artist Gertrudes Altschul to determine how they should be oriented for the upcoming exhibition Making Space: Women Artists and Postwar Abstraction.

The exhibition (April 15—August13, 2017), shines a spotlight on the stunning achievements of women artists between the end of World War Two (1945), and the start of the Feminist movement (around 1968). Learn more here.

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Judith Leiber: Crafting a New York Story

Now through August 6, 2017

Museum of Arts and Design

2 Columbus Circle, Manhattan.

Judith Leiber’s jeweled, embellished and patterned clutches are the subject of this exhibition, which highlights Leiber’s skillfully crafted handbags. These works of art are influenced by both art deco style and techniques Leiber learned in Europe. Her bags are known for their boundary-pushing qualities from Swarovski crystal–covered pieces to those made with fabrics and material from India, Asia and Africa. Read more here…

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The Jazz Age: American Style in the 1920s

Now through August 20, 2017

Cooper Hewitt, Smithsonian Design Museum

2 E. 91st St., Manhattan.

In the 1920s American style of dress came to define the jazz era. This is the first major museum exhibition to focus on American taste during the creative explosion of the 1920s. The Jazz Age will be a multi-media experience of more than 400  examples of interior design, industrial design, decorative art, jewelry, fashion, architecture, music, and film. Giving full expression to the decade’s diversity and dynamism, The Jazz Age will define the American spirit of the period. Read more here…

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Storming the Gate (detail). Elizabeth Mateer and Alexander Peters

Dancers Among Us: A Celebration Of Joy In The Everyday

Now through May 5, 2017. Free to attend.
Brookfield Place, Level 2.

230 Vesey Street, Manhattan.

Jordan Matter’s Dancers Among Us presents one thrilling photograph after another of dancers leaping, spinning, lifting, kicking—but in the midst of daily life: on the beach, at a construction site, in a library, a restaurant, a park. With each image the viewer feels buoyed up, eager to see the next bit of magic. Organized around themes of work, play, love, exploration, dreaming, and more, Dancers Among Us celebrates life in a way that’s fresh, surprising, original, universal. There’s no photoshopping here, no trampolines, no gimmicks, no tricks. Just a photographer, his vision, and the serendipity of what happens when the shutter clicks. The exhibition at Brookfield Place (230 Vesey Shops, 2nd level) features twenty large-scale aluminum and vinyl prints, and an incredible video compilation of behind-the-scenes film.

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Not Only — But Also…

Best April Events in New York City From NYCGO

Along with the first real taste of spring, April in New York City means the return of Mets and Yankees baseball, the Tribeca Film Festival and premieres courtesy of Dance Theatre of Harlem, Ballet Hispanico and the New York City Ballet. New art exhibitions celebrate the photography of Irving Penn and Henri Cartier-Bresson and the colorful blown-glass creations of Dale Chihuly. For details on these happenings and many more, read on…

More April Events From the Village Voice

Since it is impossible for one website to list every conceivable event in New York City, here are more listings from the Village Voice… 

New York Times Op-Docs: 10 Meter Tower

Photo: Screenshot from the film

Would you jump? Or would you chicken out? Good questions. This short film by Maximilien Van Aertryck and Axel Danielson (documentary filmmakers based in Gothenburg, Sweden), offers a fascinating glimpse into human behaviour, when a group of people are challenged—and who challenge themselves—to jump from a ten metre swimming pool tower into the water below. Filmed with six cameras and several microphones, all of which can be clearly seen in the footage, the film captures the participants as they voice doubts to themselves and in some cases to friends who have joined them on the tower. Aertryck and Danielson say:

Our objective in making this film was something of a psychology experiment: We sought to capture people facing a difficult situation, to make a portrait of humans in doubt. We’ve all seen actors playing doubt in fiction films, but we have few true images of the feeling in documentaries. To make them, we decided to put people in a situation powerful enough not to need any classic narrative framework. A high dive seemed like the perfect scenario.

Through an online advertisement, the filmmakers found 67 people, none of whom had ever been on a 10-meter (about 33 feet) diving tower before, and had never jumped from that height. Participants, who ranged in age from late teens to late 60s, were paid the equivalent of $30 to participate — which meant they had to at least climb up to the diving board and walking to its edge. Jumping from the tower was not a requirement of the project.

In our films, which we often call studies, we want to portray human behavior, rather than tell our own stories about it. We hope the result is a series of meaningful references, in the form of moving images. “Ten Meter Tower” may take place in Sweden, but we think it elucidates something essentially human, that transcends culture and origins. Overcoming our most cautious impulses with bravery unites all humankind. It’s something that has shaped us through the ages.

Reading through the comments from people who had watched the film makes for an interesting study in human behaviour of a different sort:

Cynthia New Hampshire > I loved this! Absolutely riveting. I could feel my own anxiety mounting as I internalized their anguish. Not only is this an observation of human trepidation but it's an exercise in empathy. By the end, I felt wrung out!

ronnie.and.peter victoria bc > i did it one time only, when i was 13 yrs old, and I am 64 now. It remains one of my most searing memories.

Then of course, there are those who think that just because they may have jumped into water from a great height, everyone else should be able to do so as well. The implication being that if you can’t you are some sort of wimp.

Laurie Cheshire CT > Have none of you cliff dived as a kid? jumping into a pool with no obstacle sticking out is a piece of cake!

Bill Daub NJ > Of course I would jump! Where do I go to try it? People do this all the time with great form and beauty,

Oh, and for the record, I have never jumped from a three metre tower let alone a ten metre one. Would I do so? I will never know unless I try, and at this stage in my life—I have no intention of trying!

Ten Meter Tower appeared at the 2017 Sundance Film Festival. It is part of a series produced by independent filmmakers who have received support from the nonprofit Sundance Institute. Maximilien Van Aertryck and Axel Danielson are documentary filmmakers based in Gothenburg, Sweden, who have worked together since 2013.

Op-Docs is a forum for short, opinionated documentaries, produced with creative latitude by independent filmmakers and artists. You can see more films in the Op-Docs series here at the New York Times website.